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	<title>HASTAC Commons | William O&#039;Hara | Activity</title>
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				<title>William O&#039;Hara&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1760264/</link>
				<pubDate>Wed, 01 Dec 2021 17:10:51 +0000</pubDate>

				
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				<title>William O&#039;Hara&#039;s profile was updated</title>
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				<pubDate>Fri, 20 Aug 2021 17:33:41 +0000</pubDate>

				
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				<title>William O&#039;Hara&#039;s profile was updated</title>
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				<pubDate>Thu, 15 Jul 2021 12:52:11 +0000</pubDate>

				
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				<title>William O&#039;Hara&#039;s profile was updated</title>
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				<pubDate>Tue, 30 Jun 2020 10:22:13 +0000</pubDate>

				
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				<title>William O&#039;Hara&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1677609/</link>
				<pubDate>Wed, 05 Feb 2020 21:29:17 +0000</pubDate>

				
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				<title>William O&#039;Hara deposited Music Theory and the Epistemology of the Internet; or, Analyzing Music Under the New Thinkpiece Regime in the group Society for Music Theory – Popular Music Interest Group</title>
				<link>https://hcommons.org/activity/p/1659304/</link>
				<pubDate>Thu, 01 Aug 2019 16:26:15 +0000</pubDate>

									<content:encoded><![CDATA[<p>The proliferation of online news and general interest websites (such as FiveThirtyEight, Slate, Vox, and others) over the past decade has centered around a particular genre of short-form expository writing, sometimes referred to as the &#8220;thinkpiece,&#8221; &#8220;explainer,&#8221; or &#8220;blessay&#8221; (blog + essay). These essays analyze and comment upon current events,&hellip;<span class="activity-read-more" id="activity-read-more-1659304"><a href="https://hcommons.org/activity/p/1659304/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>William O&#039;Hara deposited Music Theory and the Epistemology of the Internet; or, Analyzing Music Under the New Thinkpiece Regime</title>
				<link>https://hcommons.org/activity/p/1659257/</link>
				<pubDate>Thu, 01 Aug 2019 11:24:31 +0000</pubDate>

									<content:encoded><![CDATA[<p>The proliferation of online news and general interest websites (such as FiveThirtyEight, Slate, Vox, and others) over the past decade has centered around a particular genre of short-form expository writing, sometimes referred to as the &#8220;thinkpiece,&#8221; &#8220;explainer,&#8221; or &#8220;blessay&#8221; (blog + essay). These essays analyze and comment upon current events,&hellip;<span class="activity-read-more" id="activity-read-more-1659257"><a href="https://hcommons.org/activity/p/1659257/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>William O&#039;Hara&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1659256/</link>
				<pubDate>Thu, 01 Aug 2019 10:59:30 +0000</pubDate>

				
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				<title>William O&#039;Hara&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1634687/</link>
				<pubDate>Sun, 10 Mar 2019 01:58:23 +0000</pubDate>

				
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				<title>William O&#039;Hara deposited Introduction to Research Materials in Music Theory</title>
				<link>https://hcommons.org/activity/p/1633547/</link>
				<pubDate>Thu, 28 Feb 2019 17:17:44 +0000</pubDate>

									<content:encoded><![CDATA[<p>This document is a brief initial guide to conducting research in music theory. It highlights significant reference sources and databases, lists some major journals and other resources in the field, and suggests some ways of beginning to look for information on a topic.</p>
<p>Initially compiled in 2014 at Harvard; revised w/Gettysburg College&hellip;<span class="activity-read-more" id="activity-read-more-1633547"><a href="https://hcommons.org/activity/p/1633547/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>William O&#039;Hara&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1628083/</link>
				<pubDate>Sun, 06 Jan 2019 15:40:09 +0000</pubDate>

				
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				<title>William O&#039;Hara deposited Momigny's Mozart: Language, Metaphor, and Form in an Early Analysis of the String Quartet in D Minor, K. 421</title>
				<link>https://hcommons.org/activity/p/1615593/</link>
				<pubDate>Wed, 15 Aug 2018 16:42:56 +0000</pubDate>

									<content:encoded><![CDATA[<p>An analysis of Jerome-Joseph de Momigny&#8217;s (1803) account of Mozart&#8217;s D Minor String Quartet, K. 421</p>
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				<title>William O&#039;Hara deposited Review of Steven Rings, Tonality and Transformation</title>
				<link>https://hcommons.org/activity/p/1615591/</link>
				<pubDate>Wed, 15 Aug 2018 16:35:01 +0000</pubDate>

									<content:encoded><![CDATA[<p>Review of Steven Rings, Tonality and Transformation (Oxford University Press, 2011)</p>
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				<title>William O&#039;Hara&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1610445/</link>
				<pubDate>Sun, 10 Jun 2018 18:29:54 +0000</pubDate>

				
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				<title>William O&#039;Hara&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1610123/</link>
				<pubDate>Wed, 06 Jun 2018 17:53:49 +0000</pubDate>

				
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				<title>William O&#039;Hara&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1599440/</link>
				<pubDate>Fri, 02 Feb 2018 16:48:02 +0000</pubDate>

				
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				<title>William O&#039;Hara changed their profile picture</title>
				<link>https://hcommons.org/activity/p/1587037/</link>
				<pubDate>Mon, 06 Nov 2017 20:21:37 +0000</pubDate>

				
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				<title>William O&#039;Hara&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1579375/</link>
				<pubDate>Mon, 21 Aug 2017 16:08:46 +0000</pubDate>

				
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				<title>William O&#039;Hara changed their profile picture</title>
				<link>https://hcommons.org/activity/p/1579374/</link>
				<pubDate>Mon, 21 Aug 2017 16:06:18 +0000</pubDate>

				
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