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	<title>HASTAC Commons | Steven Swarbrick | Activity</title>
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				<title>Steven Swarbrick deposited "The Violence of the Frame: Image, Animal, Interval in Lars von Trier's Nymphomaniac" in the group TC Science and Literature</title>
				<link>https://mla.hcommons.org/activity/p/1752176/</link>
				<pubDate>Fri, 17 Sep 2021 02:25:14 +0000</pubDate>

									<content:encoded><![CDATA[<p>Building on the film philosophy of Gilles Deleuze and Jacques Rancière, this essay develops a queer naturalist account of film form centered on the ontogenetic dimensions of Lars von Trier’s film Nymphomaniac (2013).</p>
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				<title>Steven Swarbrick deposited "The Violence of the Frame: Image, Animal, Interval in Lars von Trier's Nymphomaniac" in the group TC Ecocriticism and Environmental Humanities</title>
				<link>https://mla.hcommons.org/activity/p/1752174/</link>
				<pubDate>Fri, 17 Sep 2021 02:24:17 +0000</pubDate>

									<content:encoded><![CDATA[<p>Building on the film philosophy of Gilles Deleuze and Jacques Rancière, this essay develops a queer naturalist account of film form centered on the ontogenetic dimensions of Lars von Trier’s film Nymphomaniac (2013).</p>
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				<title>Steven Swarbrick deposited "The Violence of the Frame: Image, Animal, Interval in Lars von Trier's Nymphomaniac" in the group Literary theory</title>
				<link>https://hcommons.org/activity/p/1752173/</link>
				<pubDate>Fri, 17 Sep 2021 02:24:04 +0000</pubDate>

									<content:encoded><![CDATA[<p>Building on the film philosophy of Gilles Deleuze and Jacques Rancière, this essay develops a queer naturalist account of film form centered on the ontogenetic dimensions of Lars von Trier’s film Nymphomaniac (2013).</p>
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				<title>Steven Swarbrick deposited "The Violence of the Frame: Image, Animal, Interval in Lars von Trier's Nymphomaniac" in the group Film Studies</title>
				<link>https://hcommons.org/activity/p/1752172/</link>
				<pubDate>Fri, 17 Sep 2021 02:23:53 +0000</pubDate>

									<content:encoded><![CDATA[<p>Building on the film philosophy of Gilles Deleuze and Jacques Rancière, this essay develops a queer naturalist account of film form centered on the ontogenetic dimensions of Lars von Trier’s film Nymphomaniac (2013).</p>
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				<title>Steven Swarbrick deposited "The Violence of the Frame: Image, Animal, Interval in Lars von Trier's Nymphomaniac" in the group Environmental Humanities</title>
				<link>https://hcommons.org/activity/p/1752170/</link>
				<pubDate>Fri, 17 Sep 2021 02:23:42 +0000</pubDate>

									<content:encoded><![CDATA[<p>Building on the film philosophy of Gilles Deleuze and Jacques Rancière, this essay develops a queer naturalist account of film form centered on the ontogenetic dimensions of Lars von Trier’s film Nymphomaniac (2013).</p>
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				<title>Steven Swarbrick deposited "The Violence of the Frame: Image, Animal, Interval in Lars von Trier's Nymphomaniac"</title>
				<link>https://hcommons.org/activity/p/1752139/</link>
				<pubDate>Thu, 16 Sep 2021 18:23:39 +0000</pubDate>

									<content:encoded><![CDATA[<p>Building on the film philosophy of Gilles Deleuze and Jacques Rancière, this essay develops a queer naturalist account of film form centered on the ontogenetic dimensions of Lars von Trier’s film Nymphomaniac (2013).</p>
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				<title>Steven Swarbrick deposited Renaissance Posthumanism and Its Afterlives in the group TC Science and Literature</title>
				<link>https://mla.hcommons.org/activity/p/1720175/</link>
				<pubDate>Thu, 17 Dec 2020 02:32:14 +0000</pubDate>

									<content:encoded><![CDATA[<p>Introduction to a special issue on Renaissance post-humanism and its afterlives.</p>
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				<title>Steven Swarbrick deposited Renaissance Posthumanism and Its Afterlives in the group TC Ecocriticism and Environmental Humanities</title>
				<link>https://mla.hcommons.org/activity/p/1720174/</link>
				<pubDate>Thu, 17 Dec 2020 02:31:26 +0000</pubDate>

									<content:encoded><![CDATA[<p>Introduction to a special issue on Renaissance post-humanism and its afterlives.</p>
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				<title>Steven Swarbrick deposited Renaissance Posthumanism and Its Afterlives in the group Literary theory</title>
				<link>https://hcommons.org/activity/p/1720173/</link>
				<pubDate>Thu, 17 Dec 2020 02:31:16 +0000</pubDate>

									<content:encoded><![CDATA[<p>Introduction to a special issue on Renaissance post-humanism and its afterlives.</p>
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				<title>Steven Swarbrick deposited Renaissance Posthumanism and Its Afterlives in the group Environmental Humanities</title>
				<link>https://hcommons.org/activity/p/1720172/</link>
				<pubDate>Thu, 17 Dec 2020 02:31:12 +0000</pubDate>

									<content:encoded><![CDATA[<p>Introduction to a special issue on Renaissance post-humanism and its afterlives.</p>
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				<title>Steven Swarbrick deposited Renaissance Posthumanism and Its Afterlives in the group CLCS Renaissance and Early Modern</title>
				<link>https://mla.hcommons.org/activity/p/1720171/</link>
				<pubDate>Thu, 17 Dec 2020 02:28:48 +0000</pubDate>

									<content:encoded><![CDATA[<p>Introduction to a special issue on Renaissance post-humanism and its afterlives.</p>
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				<title>Steven Swarbrick deposited Renaissance Posthumanism and Its Afterlives</title>
				<link>https://hcommons.org/activity/p/1720066/</link>
				<pubDate>Wed, 16 Dec 2020 14:39:46 +0000</pubDate>

									<content:encoded><![CDATA[<p>Introduction to a special issue on Renaissance post-humanism and its afterlives.</p>
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				<title>Steven Swarbrick deposited Dancing with Perdita: The Choreography of Lost Time in The Winter's Tale in the group TM Literary and Cultural Theory</title>
				<link>https://mla.hcommons.org/activity/p/1707310/</link>
				<pubDate>Fri, 04 Sep 2020 02:28:07 +0000</pubDate>

									<content:encoded><![CDATA[<p>Shakespeare scholarship has long been interested in the temporal dynamics of The Winter’s Tale, and has often turned to melancholic or traumatic time frames to explain the thematic persistence of lost time in Shakespeare’s romance. In this chapter, I argue that dance provides a key interpretive framework for understanding the play’s interest in bo&hellip;<span class="activity-read-more" id="activity-read-more-1707310"><a href="https://mla.hcommons.org/activity/p/1707310/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Steven Swarbrick deposited Dancing with Perdita: The Choreography of Lost Time in The Winter's Tale in the group TC Ecocriticism and Environmental Humanities</title>
				<link>https://mla.hcommons.org/activity/p/1707309/</link>
				<pubDate>Fri, 04 Sep 2020 02:27:20 +0000</pubDate>

									<content:encoded><![CDATA[<p>Shakespeare scholarship has long been interested in the temporal dynamics of The Winter’s Tale, and has often turned to melancholic or traumatic time frames to explain the thematic persistence of lost time in Shakespeare’s romance. In this chapter, I argue that dance provides a key interpretive framework for understanding the play’s interest in bo&hellip;<span class="activity-read-more" id="activity-read-more-1707309"><a href="https://mla.hcommons.org/activity/p/1707309/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Steven Swarbrick deposited Dancing with Perdita: The Choreography of Lost Time in The Winter's Tale in the group TC Disability Studies</title>
				<link>https://mla.hcommons.org/activity/p/1707308/</link>
				<pubDate>Fri, 04 Sep 2020 02:26:12 +0000</pubDate>

									<content:encoded><![CDATA[<p>Shakespeare scholarship has long been interested in the temporal dynamics of The Winter’s Tale, and has often turned to melancholic or traumatic time frames to explain the thematic persistence of lost time in Shakespeare’s romance. In this chapter, I argue that dance provides a key interpretive framework for understanding the play’s interest in bo&hellip;<span class="activity-read-more" id="activity-read-more-1707308"><a href="https://mla.hcommons.org/activity/p/1707308/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Steven Swarbrick deposited Dancing with Perdita: The Choreography of Lost Time in The Winter's Tale in the group Critical Disability Studies</title>
				<link>https://hcommons.org/activity/p/1707307/</link>
				<pubDate>Fri, 04 Sep 2020 02:26:10 +0000</pubDate>

									<content:encoded><![CDATA[<p>Shakespeare scholarship has long been interested in the temporal dynamics of The Winter’s Tale, and has often turned to melancholic or traumatic time frames to explain the thematic persistence of lost time in Shakespeare’s romance. In this chapter, I argue that dance provides a key interpretive framework for understanding the play’s interest in bo&hellip;<span class="activity-read-more" id="activity-read-more-1707307"><a href="https://hcommons.org/activity/p/1707307/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Steven Swarbrick deposited Dancing with Perdita: The Choreography of Lost Time in The Winter's Tale in the group CLCS Renaissance and Early Modern</title>
				<link>https://mla.hcommons.org/activity/p/1707306/</link>
				<pubDate>Fri, 04 Sep 2020 02:23:39 +0000</pubDate>

									<content:encoded><![CDATA[<p>Shakespeare scholarship has long been interested in the temporal dynamics of The Winter’s Tale, and has often turned to melancholic or traumatic time frames to explain the thematic persistence of lost time in Shakespeare’s romance. In this chapter, I argue that dance provides a key interpretive framework for understanding the play’s interest in bo&hellip;<span class="activity-read-more" id="activity-read-more-1707306"><a href="https://mla.hcommons.org/activity/p/1707306/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Steven Swarbrick deposited Dancing with Perdita: The Choreography of Lost Time in The Winter's Tale</title>
				<link>https://hcommons.org/activity/p/1707205/</link>
				<pubDate>Thu, 03 Sep 2020 12:03:58 +0000</pubDate>

									<content:encoded><![CDATA[<p>Shakespeare scholarship has long been interested in the temporal dynamics of The Winter’s Tale, and has often turned to melancholic or traumatic time frames to explain the thematic persistence of lost time in Shakespeare’s romance. In this chapter, I argue that dance provides a key interpretive framework for understanding the play’s interest in bo&hellip;<span class="activity-read-more" id="activity-read-more-1707205"><a href="https://hcommons.org/activity/p/1707205/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Steven Swarbrick deposited The Life Aquatic: Liquid Poetics and the Discourse of Friendship inThe Faerie Queene in the group TM Literary and Cultural Theory</title>
				<link>https://mla.hcommons.org/activity/p/1685721/</link>
				<pubDate>Wed, 29 Apr 2020 16:32:30 +0000</pubDate>

									<content:encoded><![CDATA[<p>From Michel de Montaigne’s essay “Of Friendship” to Jacques Derrida’s rearticulation of the former in The Politics of Friendship, scholars both early modern and modern have sought ways to address the fluid co-mixture of bodies from which the discourse of friendship can and does emerge. More recently still, new materialist thinkers of ontolog&hellip;<span class="activity-read-more" id="activity-read-more-1685721"><a href="https://mla.hcommons.org/activity/p/1685721/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Steven Swarbrick deposited The Life Aquatic: Liquid Poetics and the Discourse of Friendship inThe Faerie Queene in the group TC Ecocriticism and Environmental Humanities</title>
				<link>https://mla.hcommons.org/activity/p/1685720/</link>
				<pubDate>Wed, 29 Apr 2020 16:31:40 +0000</pubDate>

									<content:encoded><![CDATA[<p>From Michel de Montaigne’s essay “Of Friendship” to Jacques Derrida’s rearticulation of the former in The Politics of Friendship, scholars both early modern and modern have sought ways to address the fluid co-mixture of bodies from which the discourse of friendship can and does emerge. More recently still, new materialist thinkers of ontolog&hellip;<span class="activity-read-more" id="activity-read-more-1685720"><a href="https://mla.hcommons.org/activity/p/1685720/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Steven Swarbrick deposited The Life Aquatic: Liquid Poetics and the Discourse of Friendship inThe Faerie Queene in the group Literary theory</title>
				<link>https://hcommons.org/activity/p/1685719/</link>
				<pubDate>Wed, 29 Apr 2020 16:31:33 +0000</pubDate>

									<content:encoded><![CDATA[<p>From Michel de Montaigne’s essay “Of Friendship” to Jacques Derrida’s rearticulation of the former in The Politics of Friendship, scholars both early modern and modern have sought ways to address the fluid co-mixture of bodies from which the discourse of friendship can and does emerge. More recently still, new materialist thinkers of ontolog&hellip;<span class="activity-read-more" id="activity-read-more-1685719"><a href="https://hcommons.org/activity/p/1685719/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Steven Swarbrick deposited The Life Aquatic: Liquid Poetics and the Discourse of Friendship inThe Faerie Queene in the group Environmental Humanities</title>
				<link>https://hcommons.org/activity/p/1685718/</link>
				<pubDate>Wed, 29 Apr 2020 16:31:29 +0000</pubDate>

									<content:encoded><![CDATA[<p>From Michel de Montaigne’s essay “Of Friendship” to Jacques Derrida’s rearticulation of the former in The Politics of Friendship, scholars both early modern and modern have sought ways to address the fluid co-mixture of bodies from which the discourse of friendship can and does emerge. More recently still, new materialist thinkers of ontolog&hellip;<span class="activity-read-more" id="activity-read-more-1685718"><a href="https://hcommons.org/activity/p/1685718/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Steven Swarbrick deposited The Life Aquatic: Liquid Poetics and the Discourse of Friendship inThe Faerie Queene in the group CLCS Renaissance and Early Modern</title>
				<link>https://mla.hcommons.org/activity/p/1685717/</link>
				<pubDate>Wed, 29 Apr 2020 16:28:54 +0000</pubDate>

									<content:encoded><![CDATA[<p>From Michel de Montaigne’s essay “Of Friendship” to Jacques Derrida’s rearticulation of the former in The Politics of Friendship, scholars both early modern and modern have sought ways to address the fluid co-mixture of bodies from which the discourse of friendship can and does emerge. More recently still, new materialist thinkers of ontolog&hellip;<span class="activity-read-more" id="activity-read-more-1685717"><a href="https://mla.hcommons.org/activity/p/1685717/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Steven Swarbrick deposited The Life Aquatic: Liquid Poetics and the Discourse of Friendship inThe Faerie Queene</title>
				<link>https://hcommons.org/activity/p/1685637/</link>
				<pubDate>Wed, 29 Apr 2020 11:49:31 +0000</pubDate>

									<content:encoded><![CDATA[<p>From Michel de Montaigne’s essay “Of Friendship” to Jacques Derrida’s rearticulation of the former in The Politics of Friendship, scholars both early modern and modern have sought ways to address the fluid co-mixture of bodies from which the discourse of friendship can and does emerge. More recently still, new materialist thinkers of ontolog&hellip;<span class="activity-read-more" id="activity-read-more-1685637"><a href="https://hcommons.org/activity/p/1685637/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Steven Swarbrick deposited In Anthropocene Air: Deleuze's Encounter with Shakespeare in the group TM Literary and Cultural Theory</title>
				<link>https://mla.hcommons.org/activity/p/1685578/</link>
				<pubDate>Tue, 28 Apr 2020 16:32:21 +0000</pubDate>

									<content:encoded><![CDATA[<p>A reading of Shakespeare and Deleuze on the subject of Anthropocene air. Keywords: endurance, climate change, fossil capitalism, carbon ghosts, Hamlet.</p>
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				<title>Steven Swarbrick deposited In Anthropocene Air: Deleuze's Encounter with Shakespeare in the group TC Ecocriticism and Environmental Humanities</title>
				<link>https://mla.hcommons.org/activity/p/1685577/</link>
				<pubDate>Tue, 28 Apr 2020 16:31:30 +0000</pubDate>

									<content:encoded><![CDATA[<p>A reading of Shakespeare and Deleuze on the subject of Anthropocene air. Keywords: endurance, climate change, fossil capitalism, carbon ghosts, Hamlet.</p>
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				<title>Steven Swarbrick deposited In Anthropocene Air: Deleuze's Encounter with Shakespeare in the group Literary theory</title>
				<link>https://hcommons.org/activity/p/1685576/</link>
				<pubDate>Tue, 28 Apr 2020 16:31:24 +0000</pubDate>

									<content:encoded><![CDATA[<p>A reading of Shakespeare and Deleuze on the subject of Anthropocene air. Keywords: endurance, climate change, fossil capitalism, carbon ghosts, Hamlet.</p>
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				<title>Steven Swarbrick deposited In Anthropocene Air: Deleuze's Encounter with Shakespeare in the group Environmental Humanities</title>
				<link>https://hcommons.org/activity/p/1685575/</link>
				<pubDate>Tue, 28 Apr 2020 16:31:21 +0000</pubDate>

									<content:encoded><![CDATA[<p>A reading of Shakespeare and Deleuze on the subject of Anthropocene air. Keywords: endurance, climate change, fossil capitalism, carbon ghosts, Hamlet.</p>
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				<title>Steven Swarbrick deposited In Anthropocene Air: Deleuze's Encounter with Shakespeare in the group CLCS Renaissance and Early Modern</title>
				<link>https://mla.hcommons.org/activity/p/1685574/</link>
				<pubDate>Tue, 28 Apr 2020 16:28:54 +0000</pubDate>

									<content:encoded><![CDATA[<p>A reading of Shakespeare and Deleuze on the subject of Anthropocene air. Keywords: endurance, climate change, fossil capitalism, carbon ghosts, Hamlet.</p>
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				<title>Steven Swarbrick deposited In Anthropocene Air: Deleuze's Encounter with Shakespeare</title>
				<link>https://hcommons.org/activity/p/1685429/</link>
				<pubDate>Mon, 27 Apr 2020 15:53:04 +0000</pubDate>

									<content:encoded><![CDATA[<p>A reading of Shakespeare and Deleuze on the subject of Anthropocene air. Keywords: endurance, climate change, fossil capitalism, carbon ghosts, Hamlet.</p>
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				<title>Steven Swarbrick deposited Idiot science for a blue humanities: Shakespeare’s The Comedy of Errors and Deleuze’s mad Cogito in the group Literary theory</title>
				<link>https://hcommons.org/activity/p/1685180/</link>
				<pubDate>Fri, 24 Apr 2020 16:45:44 +0000</pubDate>

									<content:encoded><![CDATA[<p>Can we imagine a Blue Humanities that takes the non-relation as a starting point for ecological thought? I believe we can. Following Shakespeare and Deleuze, this essay engages in a thought experiment that, if it is not too absurd, might, like the ship of fools of medieval times, unmoor the Blue Humanities from its current safe harbor by putting&hellip;<span class="activity-read-more" id="activity-read-more-1685180"><a href="https://hcommons.org/activity/p/1685180/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Steven Swarbrick deposited Idiot science for a blue humanities: Shakespeare’s The Comedy of Errors and Deleuze’s mad Cogito in the group Environmental Humanities</title>
				<link>https://hcommons.org/activity/p/1685179/</link>
				<pubDate>Fri, 24 Apr 2020 16:45:41 +0000</pubDate>

									<content:encoded><![CDATA[<p>Can we imagine a Blue Humanities that takes the non-relation as a starting point for ecological thought? I believe we can. Following Shakespeare and Deleuze, this essay engages in a thought experiment that, if it is not too absurd, might, like the ship of fools of medieval times, unmoor the Blue Humanities from its current safe harbor by putting&hellip;<span class="activity-read-more" id="activity-read-more-1685179"><a href="https://hcommons.org/activity/p/1685179/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">40ad2f05d8b59b88f635e73ddd7e6e5a</guid>
				<title>Steven Swarbrick deposited Idiot science for a blue humanities: Shakespeare’s The Comedy of Errors and Deleuze’s mad Cogito in the group CLCS Renaissance and Early Modern</title>
				<link>https://mla.hcommons.org/activity/p/1685178/</link>
				<pubDate>Fri, 24 Apr 2020 16:42:48 +0000</pubDate>

									<content:encoded><![CDATA[<p>Can we imagine a Blue Humanities that takes the non-relation as a starting point for ecological thought? I believe we can. Following Shakespeare and Deleuze, this essay engages in a thought experiment that, if it is not too absurd, might, like the ship of fools of medieval times, unmoor the Blue Humanities from its current safe harbor by putting&hellip;<span class="activity-read-more" id="activity-read-more-1685178"><a href="https://mla.hcommons.org/activity/p/1685178/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">b8be0d8374056b93ce37050889322e06</guid>
				<title>Steven Swarbrick deposited Shakespeare’s Blush, or “the Animal” in Othello in the group TC Ecocriticism and Environmental Humanities</title>
				<link>https://mla.hcommons.org/activity/p/1685177/</link>
				<pubDate>Fri, 24 Apr 2020 16:41:50 +0000</pubDate>

									<content:encoded><![CDATA[<p>This essay examines how the rhetoric of animalization in Shakespeare’s Othello compels us to think early modern categories of race in connection with early modern discourses of “human” versus “animal.” Beginning with Shakespeare’s representation of Iago, I suggest that it is the potential for sameness conditioned by Iago’s counterfactua&hellip;<span class="activity-read-more" id="activity-read-more-1685177"><a href="https://mla.hcommons.org/activity/p/1685177/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">0e629b776e636764d5e18dfc3efa2785</guid>
				<title>Steven Swarbrick deposited Shakespeare’s Blush, or “the Animal” in Othello in the group Literary theory</title>
				<link>https://hcommons.org/activity/p/1685176/</link>
				<pubDate>Fri, 24 Apr 2020 16:41:44 +0000</pubDate>

									<content:encoded><![CDATA[<p>This essay examines how the rhetoric of animalization in Shakespeare’s Othello compels us to think early modern categories of race in connection with early modern discourses of “human” versus “animal.” Beginning with Shakespeare’s representation of Iago, I suggest that it is the potential for sameness conditioned by Iago’s counterfactua&hellip;<span class="activity-read-more" id="activity-read-more-1685176"><a href="https://hcommons.org/activity/p/1685176/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">c2fe2fe49e6bfeba2467f1428f6c8b5f</guid>
				<title>Steven Swarbrick deposited Shakespeare’s Blush, or “the Animal” in Othello in the group Environmental Humanities</title>
				<link>https://hcommons.org/activity/p/1685175/</link>
				<pubDate>Fri, 24 Apr 2020 16:41:39 +0000</pubDate>

									<content:encoded><![CDATA[<p>This essay examines how the rhetoric of animalization in Shakespeare’s Othello compels us to think early modern categories of race in connection with early modern discourses of “human” versus “animal.” Beginning with Shakespeare’s representation of Iago, I suggest that it is the potential for sameness conditioned by Iago’s counterfactua&hellip;<span class="activity-read-more" id="activity-read-more-1685175"><a href="https://hcommons.org/activity/p/1685175/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">5e80b5b78de5f3aa56b02104a4f43594</guid>
				<title>Steven Swarbrick deposited Shakespeare’s Blush, or “the Animal” in Othello in the group CLCS Renaissance and Early Modern</title>
				<link>https://mla.hcommons.org/activity/p/1685174/</link>
				<pubDate>Fri, 24 Apr 2020 16:39:10 +0000</pubDate>

									<content:encoded><![CDATA[<p>This essay examines how the rhetoric of animalization in Shakespeare’s Othello compels us to think early modern categories of race in connection with early modern discourses of “human” versus “animal.” Beginning with Shakespeare’s representation of Iago, I suggest that it is the potential for sameness conditioned by Iago’s counterfactua&hellip;<span class="activity-read-more" id="activity-read-more-1685174"><a href="https://mla.hcommons.org/activity/p/1685174/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">3d0e690ea61d260cecb75c58a2941ea4</guid>
				<title>Steven Swarbrick deposited Idiot science for a blue humanities: Shakespeare’s The Comedy of Errors and Deleuze’s mad Cogito</title>
				<link>https://hcommons.org/activity/p/1685100/</link>
				<pubDate>Thu, 23 Apr 2020 20:18:21 +0000</pubDate>

									<content:encoded><![CDATA[<p>Can we imagine a Blue Humanities that takes the non-relation as a starting point for ecological thought? I believe we can. Following Shakespeare and Deleuze, this essay engages in a thought experiment that, if it is not too absurd, might, like the ship of fools of medieval times, unmoor the Blue Humanities from its current safe harbor by putting&hellip;<span class="activity-read-more" id="activity-read-more-1685100"><a href="https://hcommons.org/activity/p/1685100/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">d40eeb3d6f825f2ce308fd38f87e0ef4</guid>
				<title>Steven Swarbrick deposited Shakespeare’s Blush, or “the Animal” in Othello</title>
				<link>https://hcommons.org/activity/p/1685098/</link>
				<pubDate>Thu, 23 Apr 2020 20:13:48 +0000</pubDate>

									<content:encoded><![CDATA[<p>This essay examines how the rhetoric of animalization in Shakespeare’s Othello compels us to think early modern categories of race in connection with early modern discourses of “human” versus “animal.” Beginning with Shakespeare’s representation of Iago, I suggest that it is the potential for sameness conditioned by Iago’s counterfactua&hellip;<span class="activity-read-more" id="activity-read-more-1685098"><a href="https://hcommons.org/activity/p/1685098/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">a8b1027f7e73980910448b56d8c4d552</guid>
				<title>Steven Swarbrick deposited Unworking Milton: Steps to a georgics of the mind in the group TM Literary and Cultural Theory</title>
				<link>https://hcommons.org/activity/p/1682437/</link>
				<pubDate>Mon, 30 Mar 2020 16:36:44 +0000</pubDate>

									<content:encoded><![CDATA[<p>Traditionally read as a poem about laboring subjects who gain power through abstract and abstracting forms of bodily discipline, John Milton’s Paradise Lost (1667, 1674) more compellingly foregrounds the erotics of the Garden as a space where humans and nonhumans intra-act materially and sexually. Following Christopher Hill, who long ago pointed t&hellip;<span class="activity-read-more" id="activity-read-more-1682437"><a href="https://hcommons.org/activity/p/1682437/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">e537b9bf408f601ebbb05edeb8682ff6</guid>
				<title>Steven Swarbrick deposited Unworking Milton: Steps to a georgics of the mind in the group TC Ecocriticism and Environmental Humanities</title>
				<link>https://mla.hcommons.org/activity/p/1682436/</link>
				<pubDate>Mon, 30 Mar 2020 16:35:52 +0000</pubDate>

									<content:encoded><![CDATA[<p>Traditionally read as a poem about laboring subjects who gain power through abstract and abstracting forms of bodily discipline, John Milton’s Paradise Lost (1667, 1674) more compellingly foregrounds the erotics of the Garden as a space where humans and nonhumans intra-act materially and sexually. Following Christopher Hill, who long ago pointed t&hellip;<span class="activity-read-more" id="activity-read-more-1682436"><a href="https://mla.hcommons.org/activity/p/1682436/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">3c91bf0af113e100d7e70444409c69e3</guid>
				<title>Steven Swarbrick deposited Unworking Milton: Steps to a georgics of the mind in the group CLCS Renaissance and Early Modern</title>
				<link>https://mla.hcommons.org/activity/p/1682434/</link>
				<pubDate>Mon, 30 Mar 2020 16:33:20 +0000</pubDate>

									<content:encoded><![CDATA[<p>Traditionally read as a poem about laboring subjects who gain power through abstract and abstracting forms of bodily discipline, John Milton’s Paradise Lost (1667, 1674) more compellingly foregrounds the erotics of the Garden as a space where humans and nonhumans intra-act materially and sexually. Following Christopher Hill, who long ago pointed t&hellip;<span class="activity-read-more" id="activity-read-more-1682434"><a href="https://mla.hcommons.org/activity/p/1682434/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">f985aaa5b7744c552a4888f91716fcfa</guid>
				<title>Steven Swarbrick deposited Tempestuous Life: Ralegh's Ocean in Ruins in the group TM Literary and Cultural Theory</title>
				<link>https://mla.hcommons.org/activity/p/1682433/</link>
				<pubDate>Mon, 30 Mar 2020 16:28:55 +0000</pubDate>

									<content:encoded><![CDATA[<p>Turning to Walter Ralegh’s Discoverie of Guiana (1596) and The History of the World (1614), I reframe such biopolitical factors as Ralegh’s “dissability” around a concept that has less to do with human world-making and more to do with the “states of exception” (Giorgio Agamben) under which inhuman agencies come to matter for world history (of&hellip;<span class="activity-read-more" id="activity-read-more-1682433"><a href="https://mla.hcommons.org/activity/p/1682433/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">fcd1b6edeb4f8d9aa81609af750bbf94</guid>
				<title>Steven Swarbrick deposited Tempestuous Life: Ralegh's Ocean in Ruins in the group TC Ecocriticism and Environmental Humanities</title>
				<link>https://mla.hcommons.org/activity/p/1682432/</link>
				<pubDate>Mon, 30 Mar 2020 16:28:03 +0000</pubDate>

									<content:encoded><![CDATA[<p>Turning to Walter Ralegh’s Discoverie of Guiana (1596) and The History of the World (1614), I reframe such biopolitical factors as Ralegh’s “dissability” around a concept that has less to do with human world-making and more to do with the “states of exception” (Giorgio Agamben) under which inhuman agencies come to matter for world history (of&hellip;<span class="activity-read-more" id="activity-read-more-1682432"><a href="https://mla.hcommons.org/activity/p/1682432/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">ff47ada88b39f95bb432ff23b325362a</guid>
				<title>Steven Swarbrick deposited Tempestuous Life: Ralegh's Ocean in Ruins in the group CLCS Renaissance and Early Modern</title>
				<link>https://mla.hcommons.org/activity/p/1682431/</link>
				<pubDate>Mon, 30 Mar 2020 16:25:21 +0000</pubDate>

									<content:encoded><![CDATA[<p>Turning to Walter Ralegh’s Discoverie of Guiana (1596) and The History of the World (1614), I reframe such biopolitical factors as Ralegh’s “dissability” around a concept that has less to do with human world-making and more to do with the “states of exception” (Giorgio Agamben) under which inhuman agencies come to matter for world history (of&hellip;<span class="activity-read-more" id="activity-read-more-1682431"><a href="https://mla.hcommons.org/activity/p/1682431/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">2f622d4c14b21b5ef53c6e42b90d2fdc</guid>
				<title>Steven Swarbrick deposited Unworking Milton: Steps to a georgics of the mind</title>
				<link>https://hcommons.org/activity/p/1682355/</link>
				<pubDate>Sun, 29 Mar 2020 14:05:21 +0000</pubDate>

									<content:encoded><![CDATA[<p>Traditionally read as a poem about laboring subjects who gain power through abstract and abstracting forms of bodily discipline, John Milton’s Paradise Lost (1667, 1674) more compellingly foregrounds the erotics of the Garden as a space where humans and nonhumans intra-act materially and sexually. Following Christopher Hill, who long ago pointed t&hellip;<span class="activity-read-more" id="activity-read-more-1682355"><a href="https://hcommons.org/activity/p/1682355/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">cc17fff351aa8cf544e41f4fc03ce9f0</guid>
				<title>Steven Swarbrick deposited Tempestuous Life: Ralegh's Ocean in Ruins</title>
				<link>https://hcommons.org/activity/p/1682354/</link>
				<pubDate>Sun, 29 Mar 2020 13:58:22 +0000</pubDate>

									<content:encoded><![CDATA[<p>Turning to Walter Ralegh’s Discoverie of Guiana (1596) and The History of the World (1614), I reframe such biopolitical factors as Ralegh’s “dissability” around a concept that has less to do with human world-making and more to do with the “states of exception” (Giorgio Agamben) under which inhuman agencies come to matter for world history (of&hellip;<span class="activity-read-more" id="activity-read-more-1682354"><a href="https://hcommons.org/activity/p/1682354/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">b7425db8f3f645c4cd00d4cef9dd882b</guid>
				<title>Steven Swarbrick deposited Object-Oriented Disability: The Prosthetic Image in Paradise Lost in the group TM Literary and Cultural Theory</title>
				<link>https://mla.hcommons.org/activity/p/1682118/</link>
				<pubDate>Thu, 26 Mar 2020 16:36:13 +0000</pubDate>

									<content:encoded><![CDATA[<p>Though the verbal icon has a long and robust multisensory history extending beyond Milton, my goal here is to challenge ableist readings of Milton&#8217;s poetry by linking his poetic ekphrasis to the politics and aesthetics of disability.</p>
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				<guid isPermaLink="false">d25c30d7d426213ab0b6189532cb0fad</guid>
				<title>Steven Swarbrick deposited Object-Oriented Disability: The Prosthetic Image in Paradise Lost in the group TC Ecocriticism and Environmental Humanities</title>
				<link>https://mla.hcommons.org/activity/p/1682117/</link>
				<pubDate>Thu, 26 Mar 2020 16:35:19 +0000</pubDate>

									<content:encoded><![CDATA[<p>Though the verbal icon has a long and robust multisensory history extending beyond Milton, my goal here is to challenge ableist readings of Milton&#8217;s poetry by linking his poetic ekphrasis to the politics and aesthetics of disability.</p>
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				<guid isPermaLink="false">8f7b6a2f35e483b85541ce3b7ec09602</guid>
				<title>Steven Swarbrick deposited Object-Oriented Disability: The Prosthetic Image in Paradise Lost in the group TC Disability Studies</title>
				<link>https://mla.hcommons.org/activity/p/1682116/</link>
				<pubDate>Thu, 26 Mar 2020 16:34:07 +0000</pubDate>

									<content:encoded><![CDATA[<p>Though the verbal icon has a long and robust multisensory history extending beyond Milton, my goal here is to challenge ableist readings of Milton&#8217;s poetry by linking his poetic ekphrasis to the politics and aesthetics of disability.</p>
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