Other Publications

• “Cultivating the Square: Trash, Recycling and the Cultural Ecology of Post-Crisis Madrid.” Co-authored with Matthew I. Feinberg. In Ethics of Life: Contemporary Iberian Debates. Hispanic Issues Series Vol. 42. Katarzyna Beilin and William Viestenz, eds. Vanderbilt UP, 2016.


• “The Ecological Imperative of Urban Cultural Studies.” Summary and Position Paper. In A Polemical Companion to Ethics of Life: Contemporary Iberian Debates. Vol. 7. On-line open forum for discussion of essays. Read here.


• “Unreadable Bodies and Symbolic Violence in Antonio de Obregón’s Hermes en la vía pública.” Mannequins, Machines and Mutilations: The Avant-Garde Body in Spain and Italy. Nicolás Fernández-Medina and María Truglio, eds. New York: Routledge, 2016.


• “Kiosk Literature as a Geography of Cultural Objects.” In Kiosk Literature of Silver Age Spain: Modernity and Mass Culture. Jeff Zamostny and Susan Larson, eds. Intellect Books, 2016.


• “The Pedagogy and Politics of 21st-Century Luso-Hispanic Urban Cultural Studies.” Special 100th Anniversary Volume (100.5) of Hispania, 2017. Read here.


• “Trash as Aesthetic and Theme in Elvira Navarro’s La trabajadora.” In Cartographies of Madrid: Contesting Urban Space at the Crossroads of the Global South and the Global North. Silvia Bermúdez and Anthony Geist, eds. Vanderbilt UP, 2018.


• “Los modos literarios flexibles de ‘Vísceras de la ciudad’ (1935) de Rosa Arciniega.”Mediodía: revista hispánica de rescate 1, 2018.


• “Cinematógrafo,” “Andrés Carranque de Ríos: Vida y obra,” and “Revista de geolocalización.” Dolores Romero López, coord. Madrid en la Literatura de la Edad de Plata. Madrid: Biblioteca Nacional de España, 2018. Online access here.


• “La gramática de la ‘Hispanidad’: Retórica de imperio y arquitectura historicista en los discursos públicos de J.C. Nichols.” Bulletin d’Histoire Contemporaine de l’Espagne53.2, 2019.


• “Intermedialidad e intertextualidad en Cinematógrafo (1936) de Andrés Carranque de Ríos.” In El Madrid de Carranque de Ríos: De la ficción cinematográfica a la edición interactiva. Edited by Patricia Barrera Velasco and María del Mar Mañas Martínez. Renacimiento, 2019.


• “Henri Lefebvre: vida cotidiana, revolución urbana y derecho a la ciudad.” In El urbanismo de la transición. El Plan General de Ordenación Urbana de Madrid de 1985. Edited by Carlos Sambricio and Paloma Ramos. Ayuntamiento de Madrid, 2019.


• “Madrid Río, El Matadero and the Nature of Urbanization.” Co-authored with Matthew I. Feinberg. Arizona Journal of Cultural Studies 25, special volume Ecology and Iberian Cultural Studies in the Twenty-First Century, edited by Iñaki Prádanos-García, 2019.


• “Repositioning Modernity, Modernism and the Avant-Garde in Spain: A Transatlantic Debate at the Residencia de Estudiantes.” Bilingual, co-authored essay with Juan Herrero-Senés followed by brief texts from Andrew Anderson, Nuria Capdevila-Argüelles, Leslie Harkema, Juan Herrero-Senés, Juli Highfil, Susan Larson, Abelardo Linares, José-Carlos Mainer, Domingo Ródenas de Moya, Nil Santiáñez, Renée Silverman and Andrés Soria Olmedo. Romance Quarterly 66.4, 2019, pp. 159-186.


• Architecture and the Urban in Spanish Film. Intellect Books, 2021.


• Language, Image and Power in Luso-Hispanic Cultural Studies: Theory and Practice. Routledge, 2021.


• “Nature, the Monumental and Urban Technological Networks in Víctor Moreno’s Edificio España (2012) and La ciudad oculta (2018) / Naturaleza, lo monumental y las redes tecnológicas urbanas en Edificio España (2012) y La ciudad oculta (2018) de Víctor Moreno.” ZARCH: Journal in Interdisciplinary Studies in Architecture and Urbanism 16 (2021): 12-31.


• “Who and What was José Antonio Nieves Conde Criticizing in the Film El inquilino (1957)?” In Architecture and the Urban in Spanish Film. Susan Larson, ed. Co-authored with Carlos Sambricio. Intellect Books, 2021. 208-22.