Other Publications

 

Monographs

 

Saving Abstraction: Morton Feldman, the de Menils, and the Rothko Chapel. Oxford University Press, 2019.

 

Morton Feldman: Friendship and Mourning in the New York School.

Bloomsbury Academic. Under contract. Expected 2021.

                       

Peer-Reviewed Articles

 

“Élan vital … and how to fake it: Morton Feldman and Merle Marsicano’s Vernacular Metaphysics.” Contemporary Music Review, 38/3 (2019): 1–18. DOI: 10.1080/07494467.2019.1596632

“Spontaneity, Intimacy, and Friendship in Morton Feldman’s Music of the 1950s.”

Modernism/Modernity Print Plus, Volume 2, Cycle 3. Fall 2017.

 

“Echo’s Echo: Subjectivity in Vibrational Ontology.” Women & Music 19 (2015): 142–150.

 

“Borderline Subjects, Musical Objects.” Colloquy: Musicology Beyond Borders. Journal of the American Musicological Society. 65, no. 3 (Fall 2012): 842–46.

 

“An Antidote to Metaphysics: Adriana Cavarero’s Vocal Philosophy.” Women and Music 15 (2011): 69–84.

 

Chapters in Peer-reviewed Edited Volumes

 

“A.N. Whitehead, Feeling, & Music: On Some Potential Modification for Affect Theory” in Sound and Affect: Voice, Music, World. Judith Lochhead and Steven Smith, eds. Chicago: University of Chicago Press. In press.

 

“Charlotte Moorman’s Experimental Performance Practice” in Charlotte Moorman and the Avant-Garde, 1960-1980. Ed. Corinne Granoff. Evanston, IL: Northwestern University Press, 2016. 19–27.

 

“A flexible musical identity: Julius Eastman in New York City” in Gay Guerrilla: The Life and Music of Julius Eastman. Rochester: University of Rochester Press, 2016. 116–130.

 

“Julius Eastman, John Cage, and the Homosexual Ego.” in Tomorrow is the Question: New Approaches to Experimental Music Studies, Benjamin Piekut, ed. Ann Arbor: University of Michigan Press, 2014. 39–62.

 

“Mourning Coterie: Morton Feldman and Frank O’Hara’s posthumous collaborations.” New York School Collaborations: The Color of Vowels, Mark Silverberg, ed. New York: Palgrave MacMillan, 2013. 183–197.