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Raphael Grazziano deposited Urban science between transparent management and corporate appropriation: A study concerning systems of urban assessment in the group
Urban Studies on Humanities Commons 2 years, 3 months ago
Urban science is the planning branch that uses large scale data to establish new ways to govern cities, being systems of urban assessment an example of its contemporary manifestation. What Works Cities (WWC) from Bloomberg Philanthropies and Leadership in Energy and Environmental Design for Cities and Communities (LEED© CC) from US Green Building…[Read more]
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Raphael Grazziano deposited Urban science between transparent management and corporate appropriation: A study concerning systems of urban assessment in the group
Environmental Humanities on Humanities Commons 2 years, 3 months ago
Urban science is the planning branch that uses large scale data to establish new ways to govern cities, being systems of urban assessment an example of its contemporary manifestation. What Works Cities (WWC) from Bloomberg Philanthropies and Leadership in Energy and Environmental Design for Cities and Communities (LEED© CC) from US Green Building…[Read more]
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Raphael Grazziano deposited Urban science between transparent management and corporate appropriation: A study concerning systems of urban assessment in the group
Architectural History and Theory on Humanities Commons 2 years, 3 months ago
Urban science is the planning branch that uses large scale data to establish new ways to govern cities, being systems of urban assessment an example of its contemporary manifestation. What Works Cities (WWC) from Bloomberg Philanthropies and Leadership in Energy and Environmental Design for Cities and Communities (LEED© CC) from US Green Building…[Read more]
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Raphael Grazziano deposited Urban science between transparent management and corporate appropriation: A study concerning systems of urban assessment on Humanities Commons 2 years, 3 months ago
Urban science is the planning branch that uses large scale data to establish new ways to govern cities, being systems of urban assessment an example of its contemporary manifestation. What Works Cities (WWC) from Bloomberg Philanthropies and Leadership in Energy and Environmental Design for Cities and Communities (LEED© CC) from US Green Building…[Read more]
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Raphael Grazziano's profile was updated on Humanities Commons 2 years, 3 months ago
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Raphael Grazziano deposited Todo objeto é uma imagem: Sauerbruch Hutton segundo Harun Farocki Every object is an image: Sauerbruch Hutton according to Harun Farocki in the group
Urban Studies on Humanities Commons 2 years, 11 months ago
Harun Farocki’s last film, Sauerbruch Hutton Architects (2013), is studied by comparing it to other works by the director and analyzing its scenes. The article elaborates what is the position of this office regarding architecture as a producer of images, and then verifies what is its underlying spatiality. As a result, one can see how the…[Read more]
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Raphael Grazziano deposited Todo objeto é uma imagem: Sauerbruch Hutton segundo Harun Farocki Every object is an image: Sauerbruch Hutton according to Harun Farocki in the group
History of Art on Humanities Commons 2 years, 11 months ago
Harun Farocki’s last film, Sauerbruch Hutton Architects (2013), is studied by comparing it to other works by the director and analyzing its scenes. The article elaborates what is the position of this office regarding architecture as a producer of images, and then verifies what is its underlying spatiality. As a result, one can see how the…[Read more]
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Raphael Grazziano deposited Todo objeto é uma imagem: Sauerbruch Hutton segundo Harun Farocki Every object is an image: Sauerbruch Hutton according to Harun Farocki in the group
Film Studies on Humanities Commons 2 years, 11 months ago
Harun Farocki’s last film, Sauerbruch Hutton Architects (2013), is studied by comparing it to other works by the director and analyzing its scenes. The article elaborates what is the position of this office regarding architecture as a producer of images, and then verifies what is its underlying spatiality. As a result, one can see how the…[Read more]
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Raphael Grazziano deposited Todo objeto é uma imagem: Sauerbruch Hutton segundo Harun Farocki Every object is an image: Sauerbruch Hutton according to Harun Farocki in the group
Contemporary Art on Humanities Commons 2 years, 11 months ago
Harun Farocki’s last film, Sauerbruch Hutton Architects (2013), is studied by comparing it to other works by the director and analyzing its scenes. The article elaborates what is the position of this office regarding architecture as a producer of images, and then verifies what is its underlying spatiality. As a result, one can see how the…[Read more]
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Raphael Grazziano deposited Todo objeto é uma imagem: Sauerbruch Hutton segundo Harun Farocki Every object is an image: Sauerbruch Hutton according to Harun Farocki in the group
Architectural History and Theory on Humanities Commons 2 years, 11 months ago
Harun Farocki’s last film, Sauerbruch Hutton Architects (2013), is studied by comparing it to other works by the director and analyzing its scenes. The article elaborates what is the position of this office regarding architecture as a producer of images, and then verifies what is its underlying spatiality. As a result, one can see how the…[Read more]
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Raphael Grazziano deposited Todo objeto é uma imagem: Sauerbruch Hutton segundo Harun Farocki Every object is an image: Sauerbruch Hutton according to Harun Farocki on Humanities Commons 2 years, 11 months ago
Harun Farocki’s last film, Sauerbruch Hutton Architects (2013), is studied by comparing it to other works by the director and analyzing its scenes. The article elaborates what is the position of this office regarding architecture as a producer of images, and then verifies what is its underlying spatiality. As a result, one can see how the…[Read more]
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Raphael Grazziano deposited Virtualities and contradictions in the space under global patterns: LEED® and corporate architecture in São Paulo in the group
Urban Studies on Humanities Commons 3 years, 5 months ago
LEED® is a North American system created to assess sustainability parameters in buildings. It is managed by USGBC®, that was formed in the early 1990s. LEED®’s technical aspects are examined in order to clarify its operation premises, following the research hypothesis that these premises would have impact in the disciplines of architecture and ur…[Read more]
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Raphael Grazziano deposited Virtualities and contradictions in the space under global patterns: LEED® and corporate architecture in São Paulo in the group
Global & Transnational Studies on Humanities Commons 3 years, 5 months ago
LEED® is a North American system created to assess sustainability parameters in buildings. It is managed by USGBC®, that was formed in the early 1990s. LEED®’s technical aspects are examined in order to clarify its operation premises, following the research hypothesis that these premises would have impact in the disciplines of architecture and ur…[Read more]
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Raphael Grazziano deposited Virtualities and contradictions in the space under global patterns: LEED® and corporate architecture in São Paulo in the group
Environmental Humanities on Humanities Commons 3 years, 5 months ago
LEED® is a North American system created to assess sustainability parameters in buildings. It is managed by USGBC®, that was formed in the early 1990s. LEED®’s technical aspects are examined in order to clarify its operation premises, following the research hypothesis that these premises would have impact in the disciplines of architecture and ur…[Read more]
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Raphael Grazziano deposited Virtualities and contradictions in the space under global patterns: LEED® and corporate architecture in São Paulo in the group
Architectural History and Theory on Humanities Commons 3 years, 5 months ago
LEED® is a North American system created to assess sustainability parameters in buildings. It is managed by USGBC®, that was formed in the early 1990s. LEED®’s technical aspects are examined in order to clarify its operation premises, following the research hypothesis that these premises would have impact in the disciplines of architecture and ur…[Read more]
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Raphael Grazziano deposited Virtualities and contradictions in the space under global patterns: LEED® and corporate architecture in São Paulo on Humanities Commons 3 years, 5 months ago
LEED® is a North American system created to assess sustainability parameters in buildings. It is managed by USGBC®, that was formed in the early 1990s. LEED®’s technical aspects are examined in order to clarify its operation premises, following the research hypothesis that these premises would have impact in the disciplines of architecture and ur…[Read more]
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Raphael Grazziano deposited O eficiente motor do status quo in the group
Urban Studies on Humanities Commons 3 years, 6 months ago
Analysis of the idea of “efficiency” and its deadlock in environmental studies, mainly discussing the Jevons Paradox.
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Raphael Grazziano deposited O eficiente motor do status quo in the group
Architectural History and Theory on Humanities Commons 3 years, 6 months ago
Analysis of the idea of “efficiency” and its deadlock in environmental studies, mainly discussing the Jevons Paradox.
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Raphael Grazziano deposited Aspectos do debate entre realismo socialista e concretismo: a obra de vilanova artigas in the group
Urban Studies on Humanities Commons 3 years, 6 months ago
This monograph explores the ambivalent position of Artigas in the political-cultural debate of the Cold War, during the 1950s, when two principal art movements were opposed. On one side, socialist realist tendencies that emerged in post-revolutionary Russia, particularly after the ascension of Stalin, who intended it to be the new art of the…[Read more]
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Raphael Grazziano deposited Aspectos do debate entre realismo socialista e concretismo: a obra de vilanova artigas in the group
History of Art on Humanities Commons 3 years, 6 months ago
This monograph explores the ambivalent position of Artigas in the political-cultural debate of the Cold War, during the 1950s, when two principal art movements were opposed. On one side, socialist realist tendencies that emerged in post-revolutionary Russia, particularly after the ascension of Stalin, who intended it to be the new art of the…[Read more]
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