This short piece reviews Michael Kater’s recent overview of culture in Nazi Germany, taking issue both with its core scholarly contentions and its problematic use of language.

This short piece reviews Michael Kater’s recent overview of culture in Nazi Germany, taking issue both with its core scholarly contentions and its problematic use of language.

This co-authored piece introduces our co-edited volume ‘Dreams of Germany’. It explores how, where and by whom notions of ‘musical Germanness’ have been constituted in the modern era, and to what effect. Picking up on ideas first explored systematically by Celia Applegate and Pamela Potter in their 2002 collection ‘Music and German National…[Read more]

This co-authored piece introduces our co-edited volume ‘Dreams of Germany’. It explores how, where and by whom notions of ‘musical Germanness’ have been constituted in the modern era, and to what effect. Picking up on ideas first explored systematically by Celia Applegate and Pamela Potter in their 2002 collection ‘Music and German National…[Read more]

This co-authored piece introduces our co-edited volume ‘Dreams of Germany’. It explores how, where and by whom notions of ‘musical Germanness’ have been constituted in the modern era, and to what effect. Picking up on ideas first explored systematically by Celia Applegate and Pamela Potter in their 2002 collection ‘Music and German National…[Read more]

This short piece reflects on the reception of the reissue of Hitler’s ‘Mein Kampf’ in 2016, and serves as an end piece to a collection of articles on ‘Mein Kampf’ curated by the German Historical Institute, London, in 2017. The collection appears in the Bulletin of the German Historical Institute and can be accessed in its entirely on the…[Read more]

This short piece reflects on the reception of the reissue of Hitler’s ‘Mein Kampf’ in 2016, and serves as an end piece to a collection of articles on ‘Mein Kampf’ curated by the German Historical Institute, London, in 2017. The collection appears in the Bulletin of the German Historical Institute and can be accessed in its entirely on the…[Read more]

This short piece reflects on the reception of the reissue of Hitler’s ‘Mein Kampf’ in 2016, and serves as an end piece to a collection of articles on ‘Mein Kampf’ curated by the German Historical Institute, London, in 2017. The collection appears in the Bulletin of the German Historical Institute and can be accessed in its entirely on the…[Read more]