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Nancy Roth deposited Kameraden und Kohlköpfe: John Heartfield im Universum der technischen Bilder in the group
Writing Systems on Humanities Commons 2 years, 10 months agoThe essay positions John Heartfield (1891-1968) as the kind of artist — or better, image-maker or imager — that Vilém Flusser described in his book, Into the Universe of Technical Images. The photomontages, for which Heartfield is best known, overturn the media priorities of the newspaper in which they appear. More like theatre or film, they…[Read more]
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Nancy Roth deposited Kameraden und Kohlköpfe: John Heartfield im Universum der technischen Bilder in the group
Scholarly Communication on Humanities Commons 2 years, 10 months agoThe essay positions John Heartfield (1891-1968) as the kind of artist — or better, image-maker or imager — that Vilém Flusser described in his book, Into the Universe of Technical Images. The photomontages, for which Heartfield is best known, overturn the media priorities of the newspaper in which they appear. More like theatre or film, they…[Read more]
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Nancy Roth deposited Kameraden und Kohlköpfe: John Heartfield im Universum der technischen Bilder on Humanities Commons 2 years, 10 months ago
The essay positions John Heartfield (1891-1968) as the kind of artist — or better, image-maker or imager — that Vilém Flusser described in his book, Into the Universe of Technical Images. The photomontages, for which Heartfield is best known, overturn the media priorities of the newspaper in which they appear. More like theatre or film, they…[Read more]
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Nancy Roth deposited Writing as pretext: On the way to an image in the group
Scholarly Communication on Humanities Commons 2 years, 10 months agoThe contemporary art college makes a broad range of media available to students, from which writing is conventionally excluded. Writing entered the art college curriculum in the 1960s as a “frame,” or means of integrating art and artists into an academic framework, rather than as a medium of potential study. Drawing on the philosophy of Vilém Flus…[Read more]
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Nancy Roth deposited Writing as pretext: On the way to an image on Humanities Commons 2 years, 10 months ago
The contemporary art college makes a broad range of media available to students, from which writing is conventionally excluded. Writing entered the art college curriculum in the 1960s as a “frame,” or means of integrating art and artists into an academic framework, rather than as a medium of potential study. Drawing on the philosophy of Vilém Flus…[Read more]
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Nancy Roth deposited A Photographer on Mars in the group
Science Studies and the History of Science on Humanities Commons 2 years, 10 months agoFocussing the Nasa’s Opportunity Rover, the essay claims the field of creativity as definitively human, supported by Vilém Flusser’s understanding the the “apparatus”.
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Nancy Roth deposited A Photographer on Mars in the group
Game Studies on Humanities Commons 2 years, 10 months agoFocussing the Nasa’s Opportunity Rover, the essay claims the field of creativity as definitively human, supported by Vilém Flusser’s understanding the the “apparatus”.
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Focussing the Nasa’s Opportunity Rover, the essay claims the field of creativity as definitively human, supported by Vilém Flusser’s understanding the the “apparatus”.
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Nancy Roth's profile was updated on Humanities Commons 2 years, 10 months ago
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Nancy Roth's profile was updated on Humanities Commons 2 years, 10 months ago
