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	<title>HASTAC Commons | Michael Stevenson | Activity</title>
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				<title>Michael Stevenson deposited Cultures of peer production</title>
				<link>https://hcommons.org/activity/p/1729388/</link>
				<pubDate>Sun, 28 Feb 2021 10:53:00 +0000</pubDate>

									<content:encoded><![CDATA[<p>How can we make sense of cultures of peer production, which exist in diverse national, cultural and language contexts, span several industries and domains, and comprise a range of different organizational structures? Peer production is commonly defined as a mode of production &#8211; that is, a social and material structure in which labor takes place.&hellip;<span class="activity-read-more" id="activity-read-more-1729388"><a href="https://hcommons.org/activity/p/1729388/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Michael Stevenson&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1727986/</link>
				<pubDate>Fri, 19 Feb 2021 06:58:32 +0000</pubDate>

				
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				<title>Michael Stevenson deposited The Afterlife of Software</title>
				<link>https://hcommons.org/activity/p/1663949/</link>
				<pubDate>Thu, 19 Sep 2019 16:25:23 +0000</pubDate>

									<content:encoded><![CDATA[<p>Death on the internet is not limited to human death. The business model of planned obsolescence, the technical work of preserving old websites, systems, and applications, as well as a cultural emphasis on the new and immediate all combine to make the internet a place where many software technologies have gone to die. Networked modes of living&hellip;<span class="activity-read-more" id="activity-read-more-1663949"><a href="https://hcommons.org/activity/p/1663949/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Michael Stevenson deposited Having it both ways: Larry Wall, Perl and the technology and culture of the early web</title>
				<link>https://hcommons.org/activity/p/1663945/</link>
				<pubDate>Thu, 19 Sep 2019 16:05:22 +0000</pubDate>

									<content:encoded><![CDATA[<p>What image defines the 1990s web? Perhaps it is an “under construction” gif, a “starry night” background or some other fragment of what net artist and scholar Olia Lialina dubbed “a vernacular web” (2005). If not a vernacular, perhaps a sign of an increas- ingly commercial and professional web – the first banner ad, announcing that this par- tic&hellip;<span class="activity-read-more" id="activity-read-more-1663945"><a href="https://hcommons.org/activity/p/1663945/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Michael Stevenson&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1621862/</link>
				<pubDate>Tue, 23 Oct 2018 14:54:05 +0000</pubDate>

				
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				<title>Michael Stevenson&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1590493/</link>
				<pubDate>Wed, 29 Nov 2017 16:08:56 +0000</pubDate>

				
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				<title>Michael Stevenson&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1590450/</link>
				<pubDate>Wed, 29 Nov 2017 10:57:33 +0000</pubDate>

				
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				<title>Michael Stevenson deposited Slashdot, open news and informated media: exploring the intersection of imagined futures and web publishing technology</title>
				<link>https://hcommons.org/activity/p/1590448/</link>
				<pubDate>Wed, 29 Nov 2017 10:52:26 +0000</pubDate>

									<content:encoded><![CDATA[<p>&#8220;In this essay, my interest is in how imagined media futures are implicated in the work of producing novel web publishing technology. I explore the issue through an account of the emergence of Slashdot, the tech news and discussion site that by 1999 had implemented a number of recommendation features now associated with social media and web 2.0&hellip;<span class="activity-read-more" id="activity-read-more-1590448"><a href="https://hcommons.org/activity/p/1590448/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Michael Stevenson deposited From hypertext to hype and back again: exploring the roots of social media in the early web</title>
				<link>https://hcommons.org/activity/p/1590447/</link>
				<pubDate>Wed, 29 Nov 2017 10:48:04 +0000</pubDate>

									<content:encoded><![CDATA[<p>Preprint of chapter from the SAGE Handbook of Social Media (Burgess, Marwick and Poell, eds., 2018). </p>
<p>&#8220;How should we think of the relationship between social media and the early web, and what can we learn from this history?&#8221;</p>
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				<title>Michael Stevenson deposited The cybercultural moment and the new media field</title>
				<link>https://hcommons.org/activity/p/1590446/</link>
				<pubDate>Wed, 29 Nov 2017 10:41:29 +0000</pubDate>

									<content:encoded><![CDATA[<p>This article draws on Pierre Bourdieu’s field theory to understand the regenerative “belief in the new” in new media culture and web history. I begin by noting that discursive constructions of the web as disruptive, open, and participatory have emerged at various points in the medium’s history, and that these discourses are not as neatly tied to&hellip;<span class="activity-read-more" id="activity-read-more-1590446"><a href="https://hcommons.org/activity/p/1590446/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Michael Stevenson deposited Rethinking the participatory web: A history of HotWired’s “new publishing paradigm,” 1994–1997</title>
				<link>https://hcommons.org/activity/p/1590441/</link>
				<pubDate>Wed, 29 Nov 2017 08:25:06 +0000</pubDate>

									<content:encoded><![CDATA[<p>This article critically interrogates key assumptions in popular web discourse by revisiting an early example of web ‘participation.’ Against the claim that Web 2.0 technologies ushered in a new paradigm of participatory media, I turn to the history of HotWired, Wired magazine’s ambitious web-only publication launched in 1994. The case shows how d&hellip;<span class="activity-read-more" id="activity-read-more-1590441"><a href="https://hcommons.org/activity/p/1590441/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Michael Stevenson&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1590280/</link>
				<pubDate>Tue, 28 Nov 2017 08:06:55 +0000</pubDate>

				
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