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Lukas Fuchsgruber deposited Digitale Vermittlung ohne Facebook und Co in the group
Digital Art History on Humanities Commons 9 months, 4 weeks ago
Im Zeitalter von Smartphones und Social Media sind digitale Netze ein allgegenwärtiger und zentraler gesellschaftlicher Raum geworden. Kulturvermittlung arbeitet oft in diesem neuen digitalen Kontext, trotz zahlreicher Enthüllungen über das skandalöse Geschäftsmodell der kostenlosen Social Media Plattformen. Darum müssen wir über Datenethik in der…[Read more]
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Maximilian Kaiser deposited Leitfaden für die Annotation von Named Entities (NE) in Biographien in the group
Digital Art History on Humanities Commons 1 year, 3 months ago
manual guide for the annotation of biographies
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Hannah Jacobs deposited Introduction to Digital Humanities Syllabus Spring 2022 Duke University in the group
Digital Art History on Humanities Commons 1 year, 4 months ago
Syllabus for ISS 222D Introduction to Digital Humanities, a survey course that introduces students to the many debates and methods of digital humanities and adjacent fields. Particular focus is on visualization.
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Michael Lyons deposited Indiscretions of a Contemporary Artist: Reflections on Trevor Paglen’s (ab)use of the JAFFE dataset in the group
Digital Art History on Humanities Commons 1 year, 12 months ago
Reflections on artist Trevor Paglen’s (ab)use of the JAFFE dataset
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Michael Lyons deposited Indiscretions of a Contemporary Artist: Reflections on Trevor Paglen’s (ab)use of the JAFFE dataset in the group
Digital Art History on Humanities Commons 2 years ago
Reflections on Trevor Paglen’s (ab)use of the JAFFE dataset
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Michael Lyons deposited Indiscretions of a Contemporary Artist: Reflections on Trevor Paglen’s (ab)use of the JAFFE dataset in the group
Digital Art History on Humanities Commons 2 years ago
The article contains a historical account and commentary on Trevor Paglen and Kate Crawford’s unauthorized use of the JAFFE dataset.
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Anna-Marie Kroupova started the topic CFP: Conference The Art Museum in the Digital Age (online, 17–21 Jan, 2022) in the discussion
Digital Art History on Humanities Commons 2 years ago
Location: Belvedere, Vienna (Online)
Dates: 17–21 January 2022
Submission: 17 October 2021
Website: https://www.belvedere.at/en/digitalmuseum2022
The Art Museum in the Digital Age – 2022
The Belvedere Research Center is continuing its conference series on the digital transformation of art museums with its fourth event on the topic. The COV…[Read more]
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Michael Lyons deposited “Excavating AI” Re-excavated: Debunking a Fallacious Account of the JAFFE Dataset in the group
Digital Art History on Humanities Commons 2 years, 2 months ago
Twenty-five years ago, my colleagues Miyuki Kamachi and Jiro Gyoba and I designed and photographed JAFFE, a set of facial expression images intended for use in a study of face perception. In 2019, without seeking permission or informing us, Kate Crawford and Trevor Paglen exhibited JAFFE in two widely publicized art shows. In addition, they…[Read more]
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Jasmine Burns deposited A Critical Response to “The value of mass-digitised cultural heritage content in creative contexts” by Melissa Terras, et al, Published in “Big Data and Society” in the group
Digital Art History on Humanities Commons 2 years, 4 months ago
This is a gut-reaction response to the recent article “The value of mass-digitised cultural heritage content in creative contexts” by Melissa Terras, et al, published in Big Data and Society on April 6, 2021, doi: https://doi.org/10.1177/20539517211006165. My main argument is that exploiting labor and appropriating cultural heritage are int…[Read more]
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Michael Lyons deposited Excavating ‘Excavating AI’: The Elephant in the Gallery in the group
Digital Art History on Humanities Commons 2 years, 7 months ago
Two art exhibitions, “Training Humans” and “Making Faces,” and the accompanying essay “Excavating AI: The politics of images in machine learning training sets” by Kate Crawford and Trevor Paglen, are making substantial impact on discourse taking place in the social and mass media networks, and some scholarly circles. Critical scrutiny reveals,…[Read more]
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Hannah Jacobs started the topic CFP: Visualizing Objects, Places, and Spaces: A Digital Project Handbook in the discussion
Digital Art History on Humanities Commons 2 years, 9 months ago
What does it take to create a digital research project or assignment? The editors of Visualizing Objects, Places, and Spaces: A Digital Project Handbook seek case study & assignment submissions to help answer this question. Visualizing Objects, Places, and Spaces: A Digital Project Handbook (https://handbook.pubpub.org/) is an open online…[Read more]
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John J. Taormina deposited A Digital Humanities Bibliography in the group
Digital Art History on Humanities Commons 2 years, 9 months ago
An extensive Digital Humanities bibliography with over 1,500 citations covering a variety of disciplines and topics.
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Christiane Wagner deposited Art Style, Art & Culture International Magazine, no. 6 in the group
Digital Art History on Humanities Commons 2 years, 10 months ago
Art Style | Art & Culture International Magazine is an open access,
biannual, and peer-reviewed online magazine that aims to bundle cultural
diversity. All values of cultures are shown in their varieties of art. Beyond
the importance of the medium, form, and context in which art takes its
characteristics, we also consider the significance of…[Read more] -
Maximilian Kaiser deposited Künstlerbiographien und historische Netzwerkforschung: Anwendungsbeispiele aus dem Bereich der digitalen Kunstgeschichte in the group
Digital Art History on Humanities Commons 2 years, 11 months ago
book chapter about artists’ biographies and networks
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Florian Windhager deposited Reassembling Elephants: A Multi-Spatiotemporal Visualization Method for History and Humanities Data in the group
Digital Art History on Humanities Commons 3 years, 2 months ago
When engaging in the visual analysis and communication of cultural collections and other types of complex historical data, scholarly or public audiences rarely get to see their multidimensional richness. Commonly, visualization tools require analysts to selectively ‘cut’ into the complexity of the data to highlight and project particular asp…[Read more]
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Birk Weiberg deposited Modeling Performing Arts: On the Representations of Agency in the group
Digital Art History on Humanities Commons 3 years, 3 months ago
The documentation of performing arts by means of databases is a challenging task for several reasons. Primarily, this has to do with the absence of a central, sizeable object that can be described and quantified. Any information collected in a database for performing arts thus seems to be of second order, paraphrasing what cannot be reproduced.…[Read more]
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Jasmine Burns deposited Images as Research Data and the Role of the Information Professional in the group
Digital Art History on Humanities Commons 3 years, 4 months ago
The goal of this paper is twofold: first to define “research data” in a humanities context through a discussion of the ways in which humanities researchers create and aggregate image collections, and second to address the processes by which academic libraries and information professionals can play an active role in supporting the treatment and per…[Read more]
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Christoph Bartneck deposited The Design History of Robert M. Pirsig’s Books in the group
Digital Art History on Humanities Commons 3 years, 8 months ago
The two books of Robert M. Pirsig have been milestones for Design Theory through the development of a Metaphysics of Quality. This article analyses the design history of his two books that have been in print for more than 40 years. The editions range from cheap mass-market paperbacks to gilded collectors’ hardcovers. The underlying challenge for a…[Read more]
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Maximilian Kaiser deposited Structure, Network, Discourse. Anatomy of an Artists Association in the group
Digital Art History on Humanities Commons 3 years, 12 months ago
Article for the exhibition catalogue “Hagenbund. A European network of modernism 1900 to 1938” (2014)
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Lukas Fuchsgruber deposited Museum Photo Archives and the History of the Art Market: A Digital Approach in the group
Digital Art History on Humanities Commons 4 years, 1 month ago
Digital images with metadata contain unique potential for research into the history of the art market. The embedding of digital images in a database allows for the possibility of an association with their historical context due to the presence of metadata, which includes economic data, such as the provenance chain, as well as information about…[Read more]
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