Michael W. Pesses
,@mpesses
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Michael W. Pesses's profile was updated on Humanities Commons 3 years, 10 months ago
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Michael W. Pesses's profile was updated on Humanities Commons 3 years, 11 months ago
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Michael W. Pesses deposited ‘So shiny, so chrome’: images and ideology of humans, machines, and the Earth in George Miller’s Mad Max: Fury Road in the group
Philosophy on Humanities Commons 5 years, 2 months agoMad Max: Fury Road has been critiqued for its feminist, masculine, biblical, and environmental themes, but these critiques fail to engage with the connection between humans, machines, and the Earth in Fury Road. Nuclear technology may have produced the apocalyptic wasteland in which the film is set, but machines and industrial technology remain…[Read more]
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Michael W. Pesses deposited ‘So shiny, so chrome’: images and ideology of humans, machines, and the Earth in George Miller’s Mad Max: Fury Road in the group
Film Studies on Humanities Commons 5 years, 2 months agoMad Max: Fury Road has been critiqued for its feminist, masculine, biblical, and environmental themes, but these critiques fail to engage with the connection between humans, machines, and the Earth in Fury Road. Nuclear technology may have produced the apocalyptic wasteland in which the film is set, but machines and industrial technology remain…[Read more]
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Michael W. Pesses deposited ‘So shiny, so chrome’: images and ideology of humans, machines, and the Earth in George Miller’s Mad Max: Fury Road in the group
Cultural Studies on Humanities Commons 5 years, 2 months agoMad Max: Fury Road has been critiqued for its feminist, masculine, biblical, and environmental themes, but these critiques fail to engage with the connection between humans, machines, and the Earth in Fury Road. Nuclear technology may have produced the apocalyptic wasteland in which the film is set, but machines and industrial technology remain…[Read more]
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Michael W. Pesses deposited ‘So shiny, so chrome’: images and ideology of humans, machines, and the Earth in George Miller’s Mad Max: Fury Road on Humanities Commons 5 years, 2 months ago
Mad Max: Fury Road has been critiqued for its feminist, masculine, biblical, and environmental themes, but these critiques fail to engage with the connection between humans, machines, and the Earth in Fury Road. Nuclear technology may have produced the apocalyptic wasteland in which the film is set, but machines and industrial technology remain…[Read more]
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Michael W. Pesses deposited What’s He Building in There? The Existential Geography of Tom Waits in the group
Cultural Studies on Humanities Commons 5 years, 3 months agoThe growl of Tom Waits is unmistakable and more so than ever in his latter works. The music is theatrical in nature; telling the tales of assorted characters and using the mellow plucking of a banjo or a cacophony of mismatched instruments to invoke the right mood for the story. His earlier albums evoke images of American working class men and…[Read more]
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Michael W. Pesses's profile was updated on Humanities Commons 5 years, 5 months ago
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Michael W. Pesses deposited What’s He Building in There? The Existential Geography of Tom Waits on Humanities Commons 5 years, 5 months ago
The growl of Tom Waits is unmistakable and more so than ever in his latter works. The music is theatrical in nature; telling the tales of assorted characters and using the mellow plucking of a banjo or a cacophony of mismatched instruments to invoke the right mood for the story. His earlier albums evoke images of American working class men and…[Read more]
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Michael W. Pesses changed their profile picture on Humanities Commons 6 years, 6 months ago