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medievalmatt's profile was updated on Humanities Commons 5 years, 3 months ago
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medievalmatt deposited Content is not Context: Radical Transparency and the Acknowledgement of Informational Palimpsests in Online Display. on Humanities Commons 5 years, 4 months ago
Whether for print or for the internet, dividing structure and content—the layer approach used in modern web development—has influenced our modern notions of textual presentation. Conscious of it or not, popular conceptions of “content” treat the text as a Platonic ideal loating in the cloud, divorced from any mechanisms of production or display…[Read more]
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medievalmatt's profile was updated on Humanities Commons 5 years, 6 months ago
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medievalmatt's profile was updated on Humanities Commons 6 years ago
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medievalmatt's profile was updated on Humanities Commons 6 years, 3 months ago
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medievalmatt's profile was updated on Humanities Commons 6 years, 3 months ago
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medievalmatt's profile was updated on Humanities Commons 6 years, 6 months ago
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medievalmatt's profile was updated on Humanities Commons 6 years, 7 months ago
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medievalmatt's profile was updated on Humanities Commons 6 years, 10 months ago
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medievalmatt's profile was updated on Humanities Commons 6 years, 10 months ago
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medievalmatt's profile was updated on Humanities Commons 6 years, 10 months ago
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medievalmatt's profile was updated on Humanities Commons 6 years, 10 months ago
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medievalmatt's profile was updated on Humanities Commons 6 years, 10 months ago
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medievalmatt deposited “As Above, So Below: Staging the Digby Mary Magdalene” in the group
LLC Middle English on MLA Commons 6 years, 10 months ago
With thirty-seven named locations, the Digby Mary Magdalene is rightfully considered to require the most elaborate staging of the Middle English dramatic corpus. In this article, I re-examine the manuscript to find evidence of how the various locations in the play can be grouped into what I term staging complexes. Beginning with the division of…[Read more]
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medievalmatt deposited “As Above, So Below: Staging the Digby Mary Magdalene” in the group
Interdisciplinary Approaches to Culture and Society on MLA Commons 6 years, 10 months ago
With thirty-seven named locations, the Digby Mary Magdalene is rightfully considered to require the most elaborate staging of the Middle English dramatic corpus. In this article, I re-examine the manuscript to find evidence of how the various locations in the play can be grouped into what I term staging complexes. Beginning with the division of…[Read more]
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medievalmatt deposited “As Above, So Below: Staging the Digby Mary Magdalene” in the group
GS Drama and Performance on MLA Commons 6 years, 10 months ago
With thirty-seven named locations, the Digby Mary Magdalene is rightfully considered to require the most elaborate staging of the Middle English dramatic corpus. In this article, I re-examine the manuscript to find evidence of how the various locations in the play can be grouped into what I term staging complexes. Beginning with the division of…[Read more]
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medievalmatt deposited “As Above, So Below: Staging the Digby Mary Magdalene” in the group
CLCS Medieval on MLA Commons 6 years, 10 months ago
With thirty-seven named locations, the Digby Mary Magdalene is rightfully considered to require the most elaborate staging of the Middle English dramatic corpus. In this article, I re-examine the manuscript to find evidence of how the various locations in the play can be grouped into what I term staging complexes. Beginning with the division of…[Read more]
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medievalmatt deposited “As Above, So Below: Staging the Digby Mary Magdalene” on Humanities Commons 6 years, 10 months ago
With thirty-seven named locations, the Digby Mary Magdalene is rightfully considered to require the most elaborate staging of the Middle English dramatic corpus. In this article, I re-examine the manuscript to find evidence of how the various locations in the play can be grouped into what I term staging complexes. Beginning with the division of…[Read more]
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medievalmatt deposited Lydgate at Long Melford: Reassessing the Testament and “Quis Dabit Meo Capiti Fontem Lacrimarum” in Their Local Context in the group
TM Book History, Print Cultures, Lexicography on MLA Commons 6 years, 10 months ago
The extracodical stanzas of John Lydgate’s Testament and “Quis Dabit Meo Capiti Fontem Lacrimarum” in the Clopton chantry chapel of the Great Church of Holy Trinity, Long Melford, not only are two intriguing witnesses differing in presentation and language from the manuscript copies but also can be considered as part of a rhetorical program where…[Read more]
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medievalmatt deposited Lydgate at Long Melford: Reassessing the Testament and “Quis Dabit Meo Capiti Fontem Lacrimarum” in Their Local Context in the group
LLC Middle English on MLA Commons 6 years, 10 months ago
The extracodical stanzas of John Lydgate’s Testament and “Quis Dabit Meo Capiti Fontem Lacrimarum” in the Clopton chantry chapel of the Great Church of Holy Trinity, Long Melford, not only are two intriguing witnesses differing in presentation and language from the manuscript copies but also can be considered as part of a rhetorical program where…[Read more]
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