<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>HASTAC Commons | Matthew Chovanec | Activity</title>
	<link>https://hastac.hcommons.org/members/mchovanec/activity/</link>
	<atom:link href="https://hastac.hcommons.org/members/mchovanec/activity/feed/" rel="self" type="application/rss+xml" />
	<description>Activity feed for Matthew Chovanec.</description>
	<lastBuildDate>Sat, 04 Apr 2026 15:04:43 +0000</lastBuildDate>
	<generator>https://buddypress.org/?v=10.6.0</generator>
	<language>en-US</language>
	<ttl>30</ttl>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>2</sy:updateFrequency>
	
						<item>
				<guid isPermaLink="false">9fed2e9a19cabe96703e7942cfb7b6e5</guid>
				<title>Matthew Chovanec deposited Voices on Trial in Al-Maqāmāt Al-Aswāniyyah</title>
				<link>https://hcommons.org/activity/p/1853212/</link>
				<pubDate>Mon, 31 Jul 2023 13:24:31 +0000</pubDate>

									<content:encoded><![CDATA[<p>Al-Maqāmāt Al-Aswāniyyah (1970) are a collection of modern maqāmāt featuring a cast of characters from Cairo’s literary scene in the late 1960s. Written by the Egyptian lawyer and author ʻAbbās al-Aswānī (1926-1978), they were a casual and contemporary iteration of the genre, depicting everything from nightlife to Nasserism. They were so modern,&hellip;<span class="activity-read-more" id="activity-read-more-1853212"><a href="https://hcommons.org/activity/p/1853212/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">c174c54fb830bbcbbd88f828bfba5034</guid>
				<title>Matthew Chovanec deposited Arabic Digital Culture</title>
				<link>https://hcommons.org/activity/p/1748419/</link>
				<pubDate>Wed, 04 Aug 2021 15:38:55 +0000</pubDate>

									<content:encoded><![CDATA[<p>This open textbook serves as a guide to digital cultural immersion in the Arab world. Each chapter looks at a different country, theme, and medium of Arab culture online. They look at specific sites and conversations taking place online, and offer suggestions and tips for how to engage with the content. The book is meant as a guide to culture&hellip;<span class="activity-read-more" id="activity-read-more-1748419"><a href="https://hcommons.org/activity/p/1748419/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">1b0f91e2c00a061e1aec31ec451f7d6d</guid>
				<title>Matthew Chovanec&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1746329/</link>
				<pubDate>Mon, 19 Jul 2021 18:45:13 +0000</pubDate>

				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">e35383acaf3c35b0921078d4fd9ad784</guid>
				<title>Matthew Chovanec deposited Languages of Rupture: Language Ideology and the Modern Novel in Egypt and Turkey</title>
				<link>https://hcommons.org/activity/p/1734932/</link>
				<pubDate>Wed, 14 Apr 2021 16:36:42 +0000</pubDate>

									<content:encoded><![CDATA[<p>In arguing for the central role of language in the creation of the modern nationalist imaginary, scholars of recent literary histories of both Egypt and Turkey have focused a great deal of energy on commonly accepted narratives of linguistic dysfunction. In Egypt and other Arabic speaking countries, the “diglossia problem” has been the locus for&hellip;<span class="activity-read-more" id="activity-read-more-1734932"><a href="https://hcommons.org/activity/p/1734932/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">935c0a0f2b080178760bced16a29eca3</guid>
				<title>Matthew Chovanec changed their profile picture</title>
				<link>https://hcommons.org/activity/p/1575060/</link>
				<pubDate>Sat, 01 Jul 2017 19:05:47 +0000</pubDate>

				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">239cb0e0554805e8cc55209b55c5d3c4</guid>
				<title>Matthew Chovanec deposited 21st Century Ottoman: The Ottoman Turkish Linguistic Revival in Digital Affinity Spaces</title>
				<link>https://hcommons.org/activity/p/1575059/</link>
				<pubDate>Sat, 01 Jul 2017 18:51:38 +0000</pubDate>

									<content:encoded><![CDATA[<p>In 2014, the Turkish National Education Council recommending teaching Ottoman Turkish as a mandatory subject in all high schools. Since that time, this historical register of the Turkish language has been making a popular comeback. This is especially true online, where participants are creating and sharing new content written in Ottoman. This&hellip;<span class="activity-read-more" id="activity-read-more-1575059"><a href="https://hcommons.org/activity/p/1575059/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">023609b5beebbefc313c6cefc4e902bd</guid>
				<title>Matthew Chovanec deposited Ottomania and the Revival of Intertextual Practices in Contemporary Turkish Literature</title>
				<link>https://hcommons.org/activity/p/1563972/</link>
				<pubDate>Tue, 07 Mar 2017 13:13:56 +0000</pubDate>

									<content:encoded><![CDATA[<p>this paper looks at trends in contemporary Turkish literature to see how classic categories of Ottoman poetics are showing up in modern novels.</p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
		
	</channel>
</rss>