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	<title>HASTAC Commons | Marc Edward Hannaford | Activity</title>
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				<title>Marc Edward Hannaford changed their profile picture</title>
				<link>https://hcommons.org/activity/p/1946424/</link>
				<pubDate>Fri, 20 Mar 2026 14:23:32 +0000</pubDate>

				
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				<title>Marc Edward Hannaford&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1791420/</link>
				<pubDate>Wed, 24 Aug 2022 16:08:17 +0000</pubDate>

				
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				<title>Marc Edward Hannaford replied to the topic Hit the Road, Jack in the discussion Society for Music Theory – Jazz Interest Group</title>
				<link>https://hcommons.org/groups/society-for-music-theory-jazz-interest-group/forum/topic/hit-the-road-jack/#post-36194</link>
				<pubDate>Fri, 31 Jul 2020 15:47:22 +0000</pubDate>

									<content:encoded><![CDATA[<p>I respect your point of view, Ben, but I want to restate my point that confronting these problems is best done by participating and using one&#8217;s privilege and power, rather than ceding it.</p>
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				<title>Marc Edward Hannaford replied to the topic Hit the Road, Jack in the discussion Society for Music Theory – Jazz Interest Group</title>
				<link>https://hcommons.org/groups/society-for-music-theory-jazz-interest-group/forum/topic/hit-the-road-jack/#post-36186</link>
				<pubDate>Fri, 31 Jul 2020 14:24:48 +0000</pubDate>

									<content:encoded><![CDATA[<p>For me—and this point of view stems from asking mentors who are BIPOC in our field—is that we can help the field by participating in it more than we can through absence. I respect the act of leaving as an act of protest, but at the same time it means that many others particularly contingent, junior, and BIPOC scholars, are left to do the wor&hellip;<span class="activity-read-more" id="activity-read-more-1703846"><a href="https://hcommons.org/groups/society-for-music-theory-jazz-interest-group/forum/topic/hit-the-road-jack/#post-36186" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Marc Edward Hannaford replied to the topic 2020 Meeting Ideas in the discussion Society for Music Theory – Jazz Interest Group</title>
				<link>https://hcommons.org/groups/society-for-music-theory-jazz-interest-group/forum/topic/2020-meeting-ideas/#post-32828</link>
				<pubDate>Thu, 25 Jun 2020 18:45:59 +0000</pubDate>

									<content:encoded><![CDATA[<p>Thanks for keeping this conversation going.  I strongly agree with Garrett that it&#8217;s up to us white folx to help dismantle white supremacy, which to my mind makes the topic of whiteness all the more crucial in the very-white SMT, particularly sub-disciplines that focus on black music.</p>
<p>If we <em>do</em> decide to invite BIPOC from outside our discipline&hellip;<span class="activity-read-more" id="activity-read-more-1693474"><a href="https://hcommons.org/groups/society-for-music-theory-jazz-interest-group/forum/topic/2020-meeting-ideas/#post-32828" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Marc Edward Hannaford&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1691132/</link>
				<pubDate>Mon, 15 Jun 2020 12:34:26 +0000</pubDate>

				
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				<title>Marc Edward Hannaford replied to the topic 2020 Meeting Ideas in the discussion Society for Music Theory – Jazz Interest Group</title>
				<link>https://hcommons.org/groups/society-for-music-theory-jazz-interest-group/forum/topic/2020-meeting-ideas/#post-32193</link>
				<pubDate>Thu, 11 Jun 2020 21:08:20 +0000</pubDate>

									<content:encoded><![CDATA[<p>I&#8217;m glad that we&#8217;re beginning this discussion and like both suggestions.</p>
<p>I&#8217;d like to suggest that we have a session on the critical race concept of &#8220;whiteness&#8221; and its historical/continuing role jazz studies and jazz theory.  I think it might be a good time to turn the mirror inwards into our sub-discipline.  I&#8217;m open to other ideas for our m&hellip;<span class="activity-read-more" id="activity-read-more-1690750"><a href="https://hcommons.org/groups/society-for-music-theory-jazz-interest-group/forum/topic/2020-meeting-ideas/#post-32193" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Marc Edward Hannaford replied to the topic ideas for dma comp exam pieces in the discussion Society for Music Theory – Jazz Interest Group</title>
				<link>https://hcommons.org/groups/society-for-music-theory-jazz-interest-group/forum/topic/ideas-for-dma-comp-exam-pieces/#post-31383</link>
				<pubDate>Mon, 18 May 2020 18:21:07 +0000</pubDate>

									<content:encoded><![CDATA[<p>A couple of quick thoughts (between marking finals):</p>
<p>You could&#8230;</p>
<p>• present a complete ensemble transcription of a representative performance from the 1940s/50s (from the back of Berliner&#8217;s <em>Thinking in Jazz</em>, for example), and ask them to comment on solos, ensemble roles, and/or interaction.</p>
<p>• ask for an analysis of transcription of  impr&hellip;<span class="activity-read-more" id="activity-read-more-1687717"><a href="https://hcommons.org/groups/society-for-music-theory-jazz-interest-group/forum/topic/ideas-for-dma-comp-exam-pieces/#post-31383" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Marc Edward Hannaford replied to the topic ideas for dma comp exam pieces in the discussion Society for Music Theory – Jazz Interest Group</title>
				<link>https://hcommons.org/groups/society-for-music-theory-jazz-interest-group/forum/topic/ideas-for-dma-comp-exam-pieces/#post-31374</link>
				<pubDate>Mon, 18 May 2020 16:20:27 +0000</pubDate>

									<content:encoded><![CDATA[<p>Please reply here so that we can contribute!</p>
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				<title>Marc Edward Hannaford&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1669920/</link>
				<pubDate>Tue, 12 Nov 2019 22:43:21 +0000</pubDate>

				
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				<title>Marc Edward Hannaford deposited One Line, Many Views: Perspectives on Music Theory, Composition, and Improvisation through the Work of Muhal Richard Abrams in the group Society for Music Theory – Jazz Interest Group</title>
				<link>https://hcommons.org/activity/p/1662912/</link>
				<pubDate>Mon, 09 Sep 2019 16:26:19 +0000</pubDate>

									<content:encoded><![CDATA[<p>This dissertation examines aspects of the creative practice of Muhal Richard Abrams, composer, improviser, pianist, and cofounder of the Association for the Advancement of Creative Musicians (AACM). Abrams’s work intersects with various facets of creative music. I focus on free improvisation, both as a stand-alone performance and in conjunction w&hellip;<span class="activity-read-more" id="activity-read-more-1662912"><a href="https://hcommons.org/activity/p/1662912/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Marc Edward Hannaford deposited One Line, Many Views: Perspectives on Music Theory, Composition, and Improvisation through the Work of Muhal Richard Abrams</title>
				<link>https://hcommons.org/activity/p/1662800/</link>
				<pubDate>Sat, 07 Sep 2019 02:06:25 +0000</pubDate>

									<content:encoded><![CDATA[<p>This dissertation examines aspects of the creative practice of Muhal Richard Abrams, composer, improviser, pianist, and cofounder of the Association for the Advancement of Creative Musicians (AACM). Abrams’s work intersects with various facets of creative music. I focus on free improvisation, both as a stand-alone performance and in conjunction w&hellip;<span class="activity-read-more" id="activity-read-more-1662800"><a href="https://hcommons.org/activity/p/1662800/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Marc Edward Hannaford&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1662799/</link>
				<pubDate>Sat, 07 Sep 2019 01:53:21 +0000</pubDate>

				
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				<title>Marc Edward Hannaford&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1632195/</link>
				<pubDate>Sun, 17 Feb 2019 01:58:29 +0000</pubDate>

				
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