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	<title>HASTAC Commons | Michael Lyons | Activity</title>
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				<title>Michael Lyons deposited Indiscretions of a Contemporary Artist:  Reflections on Trevor Paglen's (ab)use of the JAFFE dataset in the group Science and Technology Studies (STS)</title>
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				<pubDate>Wed, 29 Sep 2021 02:24:46 +0000</pubDate>

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				<title>Michael Lyons deposited Indiscretions of a Contemporary Artist:  Reflections on Trevor Paglen's (ab)use of the JAFFE dataset in the group Linked Open Data</title>
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				<pubDate>Wed, 29 Sep 2021 02:24:25 +0000</pubDate>

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				<title>Michael Lyons deposited Indiscretions of a Contemporary Artist:  Reflections on Trevor Paglen's (ab)use of the JAFFE dataset in the group Digital Humanists</title>
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				<title>Michael Lyons deposited Indiscretions of a Contemporary Artist:  Reflections on Trevor Paglen's (ab)use of the JAFFE dataset in the group Digital Art History</title>
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				<pubDate>Wed, 29 Sep 2021 02:23:38 +0000</pubDate>

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				<title>Michael Lyons deposited Indiscretions of a Contemporary Artist:  Reflections on Trevor Paglen's (ab)use of the JAFFE dataset</title>
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				<pubDate>Tue, 28 Sep 2021 07:24:52 +0000</pubDate>

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				<title>Michael Lyons deposited Indiscretions of a Contemporary Artist: Reflections on Trevor Paglen's (ab)use of the JAFFE dataset in the group Science and Technology Studies (STS)</title>
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				<pubDate>Fri, 24 Sep 2021 02:24:43 +0000</pubDate>

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				<title>Michael Lyons deposited Indiscretions of a Contemporary Artist: Reflections on Trevor Paglen's (ab)use of the JAFFE dataset in the group Digital Humanists</title>
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				<pubDate>Fri, 24 Sep 2021 02:24:08 +0000</pubDate>

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				<title>Michael Lyons deposited Indiscretions of a Contemporary Artist: Reflections on Trevor Paglen's (ab)use of the JAFFE dataset in the group Digital Art History</title>
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				<pubDate>Fri, 24 Sep 2021 02:23:58 +0000</pubDate>

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				<title>Michael Lyons deposited Indiscretions of a Contemporary Artist: Reflections on Trevor Paglen's (ab)use of the JAFFE dataset in the group Archives</title>
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				<pubDate>Fri, 24 Sep 2021 02:23:39 +0000</pubDate>

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				<title>Michael Lyons deposited Indiscretions of a Contemporary Artist: Reflections on Trevor Paglen's (ab)use of the JAFFE dataset</title>
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				<title>Michael Lyons deposited Indiscretions of a Contemporary Artist: Reflections on Trevor Paglen's (ab)use of the JAFFE dataset in the group Science and Technology Studies (STS)</title>
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									<content:encoded><![CDATA[<p>The article contains a historical account and commentary on Trevor Paglen and Kate Crawford&#8217;s unauthorized use of the JAFFE dataset.</p>
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				<title>Michael Lyons deposited Indiscretions of a Contemporary Artist: Reflections on Trevor Paglen's (ab)use of the JAFFE dataset in the group Linked Open Data</title>
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				<pubDate>Thu, 23 Sep 2021 03:49:15 +0000</pubDate>

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				<pubDate>Thu, 23 Sep 2021 03:48:52 +0000</pubDate>

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				<title>Michael Lyons deposited Indiscretions of a Contemporary Artist: Reflections on Trevor Paglen's (ab)use of the JAFFE dataset in the group Digital Art History</title>
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				<title>Michael Lyons deposited Indiscretions of a Contemporary Artist: Reflections on Trevor Paglen's (ab)use of the JAFFE dataset</title>
				<link>https://mla.hcommons.org/activity/p/1752631/</link>
				<pubDate>Thu, 23 Sep 2021 00:40:24 +0000</pubDate>

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				<title>Michael Lyons deposited “Excavating AI” Re-excavated: Debunking a Fallacious Account of the JAFFE Dataset in the group Science and Technology Studies (STS)</title>
				<link>https://hcommons.org/activity/p/1747829/</link>
				<pubDate>Thu, 29 Jul 2021 02:24:59 +0000</pubDate>

									<content:encoded><![CDATA[<p>Twenty-five years ago, my colleagues Miyuki Kamachi and Jiro Gyoba and I designed and photographed JAFFE, a set of facial expression images intended for use in a study of face perception. In 2019, without seeking permission or informing us, Kate Crawford and Trevor Paglen exhibited JAFFE in two widely publicized art shows. In addition, they&hellip;<span class="activity-read-more" id="activity-read-more-1747829"><a href="https://hcommons.org/activity/p/1747829/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Michael Lyons deposited “Excavating AI” Re-excavated: Debunking a Fallacious Account of the JAFFE Dataset in the group Linked Open Data</title>
				<link>https://hcommons.org/activity/p/1747828/</link>
				<pubDate>Thu, 29 Jul 2021 02:24:37 +0000</pubDate>

									<content:encoded><![CDATA[<p>Twenty-five years ago, my colleagues Miyuki Kamachi and Jiro Gyoba and I designed and photographed JAFFE, a set of facial expression images intended for use in a study of face perception. In 2019, without seeking permission or informing us, Kate Crawford and Trevor Paglen exhibited JAFFE in two widely publicized art shows. In addition, they&hellip;<span class="activity-read-more" id="activity-read-more-1747828"><a href="https://hcommons.org/activity/p/1747828/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Michael Lyons deposited “Excavating AI” Re-excavated: Debunking a Fallacious Account of the JAFFE Dataset in the group Digital Humanists</title>
				<link>https://hcommons.org/activity/p/1747827/</link>
				<pubDate>Thu, 29 Jul 2021 02:24:05 +0000</pubDate>

									<content:encoded><![CDATA[<p>Twenty-five years ago, my colleagues Miyuki Kamachi and Jiro Gyoba and I designed and photographed JAFFE, a set of facial expression images intended for use in a study of face perception. In 2019, without seeking permission or informing us, Kate Crawford and Trevor Paglen exhibited JAFFE in two widely publicized art shows. In addition, they&hellip;<span class="activity-read-more" id="activity-read-more-1747827"><a href="https://hcommons.org/activity/p/1747827/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Michael Lyons deposited “Excavating AI” Re-excavated: Debunking a Fallacious Account of the JAFFE Dataset in the group Digital Art History</title>
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				<pubDate>Thu, 29 Jul 2021 02:23:56 +0000</pubDate>

									<content:encoded><![CDATA[<p>Twenty-five years ago, my colleagues Miyuki Kamachi and Jiro Gyoba and I designed and photographed JAFFE, a set of facial expression images intended for use in a study of face perception. In 2019, without seeking permission or informing us, Kate Crawford and Trevor Paglen exhibited JAFFE in two widely publicized art shows. In addition, they&hellip;<span class="activity-read-more" id="activity-read-more-1747826"><a href="https://hcommons.org/activity/p/1747826/" rel="nofollow ugc">[Read more]</a></span></p>
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									<content:encoded><![CDATA[<p>Twenty-five years ago, my colleagues Miyuki Kamachi and Jiro Gyoba and I designed and photographed JAFFE, a set of facial expression images intended for use in a study of face perception. In 2019, without seeking permission or informing us, Kate Crawford and Trevor Paglen exhibited JAFFE in two widely publicized art shows. In addition, they&hellip;<span class="activity-read-more" id="activity-read-more-1747825"><a href="https://hcommons.org/activity/p/1747825/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Michael Lyons deposited “Excavating AI” Re-excavated: Debunking a Fallacious Account of the JAFFE Dataset</title>
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				<pubDate>Wed, 28 Jul 2021 00:51:42 +0000</pubDate>

									<content:encoded><![CDATA[<p>Twenty-five years ago, my colleagues Miyuki Kamachi and Jiro Gyoba and I designed and photographed JAFFE, a set of facial expression images intended for use in a study of face perception. In 2019, without seeking permission or informing us, Kate Crawford and Trevor Paglen exhibited JAFFE in two widely publicized art shows. In addition, they&hellip;<span class="activity-read-more" id="activity-read-more-1747756"><a href="https://hcommons.org/activity/p/1747756/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Michael Lyons deposited Excavating 'Excavating AI': The Elephant in the Gallery in the group Science and Technology Studies (STS)</title>
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				<pubDate>Tue, 09 Feb 2021 02:24:43 +0000</pubDate>

									<content:encoded><![CDATA[<p>Two art exhibitions, &#8220;Training Humans&#8221; and &#8220;Making Faces,&#8221; and the accompanying essay &#8220;Excavating AI: The politics of images in machine learning training sets&#8221; by Kate Crawford and Trevor Paglen, are making substantial impact on discourse taking place in the social and mass media networks, and some scholarly circles. Critical scrutiny reveals,&hellip;<span class="activity-read-more" id="activity-read-more-1726755"><a href="https://hcommons.org/activity/p/1726755/" rel="nofollow ugc">[Read more]</a></span></p>
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				<pubDate>Tue, 09 Feb 2021 02:24:21 +0000</pubDate>

									<content:encoded><![CDATA[<p>Two art exhibitions, &#8220;Training Humans&#8221; and &#8220;Making Faces,&#8221; and the accompanying essay &#8220;Excavating AI: The politics of images in machine learning training sets&#8221; by Kate Crawford and Trevor Paglen, are making substantial impact on discourse taking place in the social and mass media networks, and some scholarly circles. Critical scrutiny reveals,&hellip;<span class="activity-read-more" id="activity-read-more-1726754"><a href="https://hcommons.org/activity/p/1726754/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Michael Lyons deposited Excavating 'Excavating AI': The Elephant in the Gallery in the group Digital Humanists</title>
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				<pubDate>Tue, 09 Feb 2021 02:23:57 +0000</pubDate>

									<content:encoded><![CDATA[<p>Two art exhibitions, &#8220;Training Humans&#8221; and &#8220;Making Faces,&#8221; and the accompanying essay &#8220;Excavating AI: The politics of images in machine learning training sets&#8221; by Kate Crawford and Trevor Paglen, are making substantial impact on discourse taking place in the social and mass media networks, and some scholarly circles. Critical scrutiny reveals,&hellip;<span class="activity-read-more" id="activity-read-more-1726753"><a href="https://hcommons.org/activity/p/1726753/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Michael Lyons deposited Excavating 'Excavating AI': The Elephant in the Gallery in the group Digital Art History</title>
				<link>https://hcommons.org/activity/p/1726752/</link>
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									<content:encoded><![CDATA[<p>Two art exhibitions, &#8220;Training Humans&#8221; and &#8220;Making Faces,&#8221; and the accompanying essay &#8220;Excavating AI: The politics of images in machine learning training sets&#8221; by Kate Crawford and Trevor Paglen, are making substantial impact on discourse taking place in the social and mass media networks, and some scholarly circles. Critical scrutiny reveals,&hellip;<span class="activity-read-more" id="activity-read-more-1726752"><a href="https://hcommons.org/activity/p/1726752/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Michael Lyons deposited Excavating 'Excavating AI': The Elephant in the Gallery in the group Archives</title>
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									<content:encoded><![CDATA[<p>Two art exhibitions, &#8220;Training Humans&#8221; and &#8220;Making Faces,&#8221; and the accompanying essay &#8220;Excavating AI: The politics of images in machine learning training sets&#8221; by Kate Crawford and Trevor Paglen, are making substantial impact on discourse taking place in the social and mass media networks, and some scholarly circles. Critical scrutiny reveals,&hellip;<span class="activity-read-more" id="activity-read-more-1726751"><a href="https://hcommons.org/activity/p/1726751/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Michael Lyons&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1726278/</link>
				<pubDate>Thu, 04 Feb 2021 09:30:53 +0000</pubDate>

				
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				<title>Michael Lyons deposited Excavating 'Excavating AI': The Elephant in the Gallery</title>
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									<content:encoded><![CDATA[<p>Two art exhibitions, &#8220;Training Humans&#8221; and &#8220;Making Faces,&#8221; and the accompanying essay &#8220;Excavating AI: The politics of images in machine learning training sets&#8221; by Kate Crawford and Trevor Paglen, are making substantial impact on discourse taking place in the social and mass media networks, and some scholarly circles. Critical scrutiny reveals,&hellip;<span class="activity-read-more" id="activity-read-more-1726277"><a href="https://hcommons.org/activity/p/1726277/" rel="nofollow ugc">[Read more]</a></span></p>
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