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Luke Fidler deposited The Coercive Function of Early Medieval English Art on Humanities Commons 3 years, 3 months ago
This article examines the spectacular representation of confinement in early medieval English sculpture in the context of poems, sermons, and translations. By identifying a series of features that early medieval spectators would have paid special attention to, it shows that sculptors used imprisoned and fugitive figures to craft a discourse about…[Read more]
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Luke Fidler deposited Poul Anderson, Saxo Grammaticus, and the Idol of Arkona on Humanities Commons 5 years, 6 months ago
Short article examining Poul Anderson’s medieval sources.
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Luke Fidler deposited Review of Emily V. Thornbury. Becoming a Poet in Anglo-Saxon England. Cambridge Studies in Medieval Literature 88. Cambridge: Cambridge University Press, 2016, xi + 322 pp, 11 figures, 15 tables, £ 21.00 (pb) [hb 2014]. on Humanities Commons 5 years, 10 months ago
Review of Emily V. Thornbury. Becoming a Poet in Anglo-Saxon England. Cambridge Studies in Medieval Literature 88. Cambridge: Cambridge University Press, 2016, xi + 322 pp, 11 figures, 15 tables, £ 21.00 (pb) [hb 2014].
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Luke Fidler deposited The Praxis of the Tractrix in the group
History of Art on Humanities Commons 6 years, 3 months ago
This essay analyzes Zorns Lemma (1962–1970), a film made by American artist Hollis Frampton (1936–1984). Noting Frampton’s use of Robert Grosseteste’s thirteenth-century treatise De luce [‘On Light’] as a key aspect of the film’s soundtrack, the essay argues that Grosseteste’s investigations of light as a medium played a key role in Frampton’s t…[Read more]
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Luke Fidler deposited The Praxis of the Tractrix in the group
Film Studies on Humanities Commons 6 years, 3 months ago
This essay analyzes Zorns Lemma (1962–1970), a film made by American artist Hollis Frampton (1936–1984). Noting Frampton’s use of Robert Grosseteste’s thirteenth-century treatise De luce [‘On Light’] as a key aspect of the film’s soundtrack, the essay argues that Grosseteste’s investigations of light as a medium played a key role in Frampton’s t…[Read more]
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This essay analyzes Zorns Lemma (1962–1970), a film made by American artist Hollis Frampton (1936–1984). Noting Frampton’s use of Robert Grosseteste’s thirteenth-century treatise De luce [‘On Light’] as a key aspect of the film’s soundtrack, the essay argues that Grosseteste’s investigations of light as a medium played a key role in Frampton’s t…[Read more]
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Luke Fidler's profile was updated on Humanities Commons 6 years, 3 months ago
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Luke Fidler changed their profile picture on Humanities Commons 6 years, 8 months ago