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	<title>HASTAC Commons | Laura Vivanco | Activity</title>
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				<title>Laura Vivanco posted an update: @dwl I'm probably doing this the wrong way, but hopefully [&#133;]</title>
				<link>https://hcommons.org/activity/p/1896589/</link>
				<pubDate>Fri, 16 Aug 2024 22:40:43 +0000</pubDate>

									<content:encoded><![CDATA[<p><a href='https://hcommons.org/members/dwl/' rel="nofollow ugc">@dwl</a> I&#8217;m probably doing this the wrong way, but hopefully you&#8217;ll see the message. I got a contact email about the Independent Scholars group and I clicked on reject request and then everything from you vanished (at least, I hope it was you, but obviously I can&#8217;t go back to check, because of the vanishing bit). And I tried sending a private&hellip;<span class="activity-read-more" id="activity-read-more-1896589"><a href="https://hcommons.org/activity/p/1896589/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Laura Vivanco deposited Feeling Judged: Reflections on Pornography and Romance from a Minotaur Milking Farm</title>
				<link>https://hcommons.org/activity/p/1880394/</link>
				<pubDate>Fri, 22 Mar 2024 20:00:48 +0000</pubDate>

									<content:encoded><![CDATA[<p>In general, “pornography has been defined in terms of content (sexually explicit depictions of genitalia and sexual acts), lack thereof (materials without any redeeming artistic, cultural or social value), intention (texts intended to arouse their consumers) and effect (texts arousing their consumers)” (Paasonen, Nikunen and Saarenmaa 1). This art&hellip;<span class="activity-read-more" id="activity-read-more-1880394"><a href="https://hcommons.org/activity/p/1880394/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Laura Vivanco deposited Historical Accuracy, Racism, Courtney Milan, and The Duke Who Didn’t Conform to Genre Norms</title>
				<link>https://hcommons.org/activity/p/1785099/</link>
				<pubDate>Mon, 27 Jun 2022 20:18:07 +0000</pubDate>

									<content:encoded><![CDATA[<p>This essay seeks to demonstrate that Courtney Milan’s The Duke Who Didn’t (2020) is a “novel of ideas” which challenges readers to examine the concept of “historical accuracy” and the racism that may be perpetuated by its invocation. The historical context in which the novel itself emerged is also examined.</p>
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				<title>Laura Vivanco deposited Faith, Love, Hope and Popular Romance Fiction</title>
				<link>https://hcommons.org/activity/p/1747543/</link>
				<pubDate>Sun, 25 Jul 2021 22:35:35 +0000</pubDate>

									<content:encoded><![CDATA[<p>Faith, Love, Hope and Popular Romance Fiction (2020) explores romance novels from a theological perspective and suggests a new definition of the romance novel to complement other definitions which focus on structural elements: &#8220;modern popular romances are novels whose authors have assumed pastoral roles, offering hope to their readers through&hellip;<span class="activity-read-more" id="activity-read-more-1747543"><a href="https://hcommons.org/activity/p/1747543/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Laura Vivanco deposited Let’s Not Get Carried Away by The Sheik</title>
				<link>https://hcommons.org/activity/p/1739923/</link>
				<pubDate>Fri, 28 May 2021 19:06:20 +0000</pubDate>

									<content:encoded><![CDATA[<p>E. M. Hull’s The Sheik is, unquestionably, a bestseller which left a mark on popular romance. It is debatable, however, whether “The Sheik is the ur-romance novel of the twentieth century.” Like many bestsellers it seems to have drawn on a variety of genres and its hybrid nature could account for its success while making it less than repre&hellip;<span class="activity-read-more" id="activity-read-more-1739923"><a href="https://hcommons.org/activity/p/1739923/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Laura Vivanco deposited Georgette Heyer: The Nonesuch of Regency Romance</title>
				<link>https://hcommons.org/activity/p/1739922/</link>
				<pubDate>Fri, 28 May 2021 19:00:46 +0000</pubDate>

									<content:encoded><![CDATA[<p>Georgette Heyer is one of the most influential authors of popular romance novels and it is a mark of her continuing popularity that after her death she became the subject of two biographies: Jane Aiken Hodge’s The Private World of Georgette Heyer (1984) and Jennifer Kloester’s Georgette Heyer: Biography of a Bestseller (2011). However, as rep&hellip;<span class="activity-read-more" id="activity-read-more-1739922"><a href="https://hcommons.org/activity/p/1739922/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Laura Vivanco deposited Jennifer Crusie’s Literary Lingerie</title>
				<link>https://hcommons.org/activity/p/1739919/</link>
				<pubDate>Fri, 28 May 2021 17:47:31 +0000</pubDate>

									<content:encoded><![CDATA[<p>Lingerie plays a significant role in many of Jennifer Crusie’s romances from Sizzle,“the first book I wrote even though it was published as my third,”through to Bet Me, which she has described as her “last classic romance.” Its function and symbolism varies depending on differences in context, colour, fabric and design: in Bet Me sexy underwear&hellip;<span class="activity-read-more" id="activity-read-more-1739919"><a href="https://hcommons.org/activity/p/1739919/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Laura Vivanco deposited There Are Six Bodies in This Relationship: An Anthropological Approach to the Romance Genre</title>
				<link>https://hcommons.org/activity/p/1739918/</link>
				<pubDate>Fri, 28 May 2021 17:38:34 +0000</pubDate>

									<content:encoded><![CDATA[<p>Following Nancy Scheper‐Hughes and Margaret M. Lock, we suggest that each romance protagonist has three bodies: a physical body, a social body, and a political body. In applying this insight to the romance genre we focus on the socio‐sexual aspects of the social  body and the socio‐political aspects of the political body, and draw on exist&hellip;<span class="activity-read-more" id="activity-read-more-1739918"><a href="https://hcommons.org/activity/p/1739918/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Laura Vivanco deposited Birds of a Feather: Predator and Prey in Celestina</title>
				<link>https://hcommons.org/activity/p/1739917/</link>
				<pubDate>Fri, 28 May 2021 17:24:52 +0000</pubDate>

									<content:encoded><![CDATA[<p>This article looks at avian imagery in Celestina.</p>
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				<title>Laura Vivanco&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1739911/</link>
				<pubDate>Fri, 28 May 2021 16:54:51 +0000</pubDate>

				
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