Other Publications

The Disguised Ruler in Shakespeare and His Contemporaries (Aldershot: Ashgate, 2012; reissued in paperback, New York & Abingdon: Routledge, 2016) Shortlisted (3rd place) for the Globe Theatre Book Award 2014 Nominated for the Society for Theatre Research Book Award 2013

Chapters in Books:

“‘Shakespeare in Prison’: A South African Social Justice Alternative,” in The Arden Research Handbook of Shakespeare and Social Justice, ed. David Ruiter (London & New York: Bloomsbury, 2021), pp. 190–206

“Shamanistic Shakespeare: Korea’s Colonization of Hamlet,” in Global and Local Myths in Shakespearean Performance, ed. Alexa Alice Joubin and Aneta Mancewicz (Basingstoke: Palgrave Macmillan, Cham, 2018), pp. 57-73

“Forced Modernity in The Revenger’s Tragedy Performance,” in The Revenger’s Tragedy: The State of Play, ed. Gretchen Minton (London: Bloomsbury, 2018), pp. 231-53

“Sexing Up Goneril: Feminism and Fetishization in Contemporary King Lear Performance,” in Women Making Shakespeare: Essays in Honour of Ann Thompson, ed. Gordon McMullan, Lena Cowen Orlin and Virginia Mason Vaughan (London: Bloomsbury, 2013), pp. 321-33 [Segment chosen for King Lear “Critical Choices” section in The New Oxford Shakespeare (2016), p. 2349]

“Lady Macbeth, First Ladies and the Arab Spring: The Performance of Power on the Twenty-First Century Stage,” Macbeth: The State of Play, ed. Ann Thompson (London: Bloomsbury, 2014), pp. 107-133

“‘What’s mine is yours, and what is yours is mine’: Measure for Measure, Vakhtangov Theatre, Moscow,” in Shakespeare Beyond English: A Global Experiment, ed. Susan Bennett and Christie Carson (Cambridge: Cambridge University Press, 2013), pp. 48-52

Chapters and Articles in Preparation or In Press

“Anti-Shakespeare Rhetoric and Colombia’s ‘Theatre for Peace’,” in Shakespearean International Yearbook, ed. Alexa Alice Joubin and Tom Bishop (London: Routledge, forthcoming 2021)

“PPE for Shakespearians: Pandemic, Performance, and Education,” Shakespeare Survey 74, ed. Emma Smith (Cambridge: Cambridge University Press, forthcoming 2021)

Essays and Articles

“OP PC or PAR RIP,” Shakespeare Bulletin, 36.4 (2018): 567-98

“Enactment and Exegesis: Recontextualizing Wilson’s The Three Ladies of London through Performance as Research,” Performance as Research in Early Modern English Studies: “The Three Ladies of London” in Context, McMaster University Conference Digital Essay (2015): 1-20 http://threeladiesoflondon.mcmaster.ca/par/KevinQuarmby.htm

“‘Would they not wish the feast might ever last?’: Strong Spice, Oral History and the Genesis of Globe to Globe,” Multicultural Shakespeare, 11 (2014): 17-30 https://content.sciendo.com/view/journals/mstap/11/26/article-p17.xml

“Julie Taymor’s Tempests and Miranda’s Transient Castles of Sand,” Cahiers Élisabéthains, 80 (2012): 56- 9

“Narrative of Negativity: Whig Historiography and the Spectre of King James in Measure for Measure,” in Shakespeare Survey, ed. Peter Holland, vol. 64 (Cambridge: Cambridge University Press, 2011): 300-316

“Behind the Scenes: Penn & Teller, Taymor and the Tempest Divide Shakespeare’s Globe, London,” Shakespeare Bulletin, 29 (2011): 383-97

“‘As the cony that you see’: Rosalind’s Risqué Rabbits in As You Like It,” Shakespeare, 6.2 (2010): 153-64 [Segment chosen for As You Like It “Critical Choices” section in The New Oxford Shakespeare (2016), p. 1689]

“A Twenty-Fifth Anniversary Study of Rehearsal and Performance Practice in the 1980 Royal Court Hamlet and the Old Vic Macbeth: An Actor’s View,” Shakespeare, 1.2 (2005): 174-87

Collaborative Writing

“The Wrathful Dragon versus the Foolish, Fond Old Man: Duality of Performance in the 2013 Oregon Shakespeare Festival’s King Lear,” with Gretchen E. Minton, Cahiers Élisabéthains, 86 (2014): 63-73

Book Reviews

“David Lawrence, Wellington Summer Shakespeare 1983–2017 (Victoria University Press, 2017),” Book Review, Scene, 2017.2 (2018): 78-80 https://journals.uvic.ca/index.php/scene/article/view/18357/7757

“Farah Karim-Cooper and Tiffany Stern, eds, Shakespeare’s Theatres and the Effects of Performance (Bloomsbury, 2013),” Book Review, Cahiers Élisabéthains, 85 (2014): 133-6

“Peter Holland, ed., ‘Shakespeare’s English Histories and their Afterlives,’ Shakespeare Survey, 63,” Book

Review, Bulletin of the Society for Renaissance Studies, 29.1 (2012): 45-9 “Shakespeare on Stage, by Julian Curry,” Book Review, Cahiers Élisabéthains, 79 (2011): 113-5

Theatre Reviews

“‘Mercutio, thou consortest [a bit too much] with Romeo’: Romeo and Juliet at the Guthrie Theater, Minneapolis, Minnesota, 2017,” Scene, 2017.2 (2018): 61-5 https://journals.uvic.ca/index.php/scene/article/view/18372/7771

“Lazarus Theatre’s All-Female Henry V at The Union Theatre, London,” Scene, 2017.1 (2017): 25-9 “All’s Well That Ends Well, directed by Ralph Alan Cohen for the American Shakespeare Center at the

Blackfriars Playhouse, Staunton, Virginia, 2013,” Shakespeare, 10 (2014): 332-5
“King John, directed by Phil Willmott, Union Theatre, Southwark, London, 2012,” Theatre Rehearsal Reviews, Shakespeare Bulletin, 30 (2012): 555-9

“John Fletcher’s The Chances: ‘Read Not Dead’ at Shakespeare’s Globe,” Play Review, Shakespeare, 7 (2011): 355-7

“Christopher Marlowe’s Tamburlaine,” Play Review, ROMARD, 45 (2006): 143-5

“Ben Jonson’s Volpone,” Play Review, ROMARD, 45 (2006): 128-31

“John Ford’s ‘Tis Pity She’s a Whore,” Play Review, ROMARD, 45 (2006): 117-9

“Thomas Middleton’s Women Beware Women,” Play Review, ROMARD, 44 (2005): 135-8

“Thomas Middleton’s The Revenger’s Tragedy,” Play Review, ROMARD, 44 (2005): 132-4

“Ben Jonson’s Epicoene: or, the Silent Woman,” Play Review, ROMARD, 44 (2005): 122-5