Education

BA, Williams College
MA and PhD, Northwestern University

Publications

Editor, Fashion in European Art: Dress and Identity, Politics and the Body, 1775-1925. London: I.B. Tauris, 2017.

“Introduction: Addressing Fashion in Art” in Fashion in European Art: Dress and Identity, Politics and the Body, 1775-1925, edited by Justine De Young, 1-10. London: I.B. Tauris, 2017.

“Mourning for Paris: The Art and Politics of Dress after ‘l’année terrible’ (1870-71)” in Fashion in European Art: Dress and Identity, Politics and the Body, 1775-1925, edited by Justine De Young, 120-49. London: I.B. Tauris, 2017.

“Visual Representations of Fashion and Dress, 1800-1920.” In The Age of Empire, 1800-1920, edited by Denise Baxter. A Cultural History of Dress and Fashion, edited by Susan Vincent, 165-88. London: Bloomsbury Academic, 2016.

“Fashioning the (Masculine) Interior: Tissot, Portraiture, Photography & the Fashion Plate.” In Visualizing the Nineteenth-Century Home: Modern Art and the Decorative Impulse, edited by Anca I. Lasc, 104-121. New York: Routledge, 2016.

“Not Just a Pretty Picture: Fashion as News.” In Getting the Picture: The Visual Culture of the News, edited by Jason E. Hill and Vanessa R. Schwartz, 109-115. London: Bloomsbury Academic, 2015.

“Representing the Modern Woman: The Fashion Plate Reconsidered (1865-1875).” In Women, Femininity, and Public Space in European Visual Culture, 1789-1914, edited by Temma Balducci and Heather Belnap Jensen, 97-114. Burlington, VT: Ashgate, 2014.

“Fashion and Intimate Portraits” and “Fashion and the Press.” In Impressionism, Fashion and Modernity, edited by Gloria Groom, exh. cat.[ Art Institute of Chicago (June 26-September 22, 2013), the Metropolitan Museum of Art, New York (February 26-May 27, 2013), and the Musée d’Orsay, Paris (September 25, 2012-January 20, 2013)], 106-123, 232-243. New Haven: Yale University Press, 2012.

“La mode en portraits intimes” and “La mode des impressionnistes face à la presse.” In L’Impressionnisme et la Mode, edited by Gloria Groom, exh. cat., 145-151, 257-263. Paris: Skira Flammarion for Musée d’Orsay, 2012.

“‘Housewife or Harlot’: Art, Fashion & Morality in the Paris Salon of 1868.” In Cultures of Femininity in Modern Fashion, edited by Ilya Parkins and Elizabeth M. Sheehan, 124-47. Becoming Modern: New Nineteenth-Century Studies. Hanover: University of New Hampshire Press, 2011.

“‘Gardening with Silk and Gold’: Embroideries by May Morris and John Henry Dearle.” In “How we might live”: Morris, Stickley and the Arts and Crafts Interior, edited by Stephen Eisenman. Evanston, IL: Northwestern University, 2005.

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