<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>HASTAC Commons | Julia M. Wright | Group Activity</title>
	<link>https://hastac.hcommons.org/members/jmwright/activity/groups/</link>
	<atom:link href="https://hastac.hcommons.org/members/jmwright/activity/groups/feed/" rel="self" type="application/rss+xml" />
	<description>Public group activity feed of which Julia M. Wright is a member.</description>
	<lastBuildDate>Sun, 05 Apr 2026 04:36:49 +0000</lastBuildDate>
	<generator>https://buddypress.org/?v=10.6.0</generator>
	<language>en-US</language>
	<ttl>30</ttl>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>2</sy:updateFrequency>
	
						<item>
				<guid isPermaLink="false">c816b817b008b4edcd8fee8466805037</guid>
				<title>Alexa Alice Joubin started the topic CFP: Virtuality, Embodiment, and Meaning-Making in AI in the forum MS Screen Arts and Culture</title>
				<link>https://mla.hcommons.org/groups/screen-arts-and-culture/forum/topic/cfp-virtuality-embodiment-and-meaning-making-in-ai/</link>
				<pubDate>Sun, 22 Feb 2026 05:48:02 +0000</pubDate>

									<content:encoded><![CDATA[<p>&lt;p style=&#8221;text-align: center;&#8221;&gt;Call for Papers&lt;/p&gt;<br />
&lt;p style=&#8221;text-align: center;&#8221;&gt;<em>Critical AI</em> (Duke University Press)&lt;/p&gt;<br />
&lt;p style=&#8221;text-align: center;&#8221;&gt;Virtuality, Embodiment, and Meaning-Making in AI Technologies&lt;/p&gt;<br />
&lt;p style=&#8221;text-align: center;&#8221;&gt;Special cluster edited by Alexa Alice Joubin&lt;/p&gt;<br />
&nbsp;</p>
<p>This special issue cluster calls on&hellip;<span class="activity-read-more" id="activity-read-more-1944517"><a href="https://mla.hcommons.org/groups/screen-arts-and-culture/forum/topic/cfp-virtuality-embodiment-and-meaning-making-in-ai/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">38842ee7f8a17c84de4adc97253101bc</guid>
				<title>Yoon-Sun Lee started the topic Nominations and Self-nominations for Executive Committee in the forum LLC English Romantic</title>
				<link>https://mla.hcommons.org/groups/english-romantic/forum/topic/nominations-and-self-nominations-for-executive-committee/</link>
				<pubDate>Mon, 12 Jan 2026 18:01:06 +0000</pubDate>

									<content:encoded><![CDATA[<p>&lt;span style=&#8221;font-weight: 400;&#8221;&gt;The English Romantic LLC Forum Executive Committee seeks nominations and self-nominations to join the committee for a five-year term, beginning in 2027. The committee typically meets during the convention to discuss and organize roundtables and panels for the following year’s convention, as well to nominate d&hellip;<span class="activity-read-more" id="activity-read-more-1940975"><a href="https://mla.hcommons.org/groups/english-romantic/forum/topic/nominations-and-self-nominations-for-executive-committee/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">7ede33aeabe52948ed4d23eac2a70e9c</guid>
				<title>Philip Trotter started the topic MLA 2026 Convention Session in the forum TC Medical Humanities and Health Studies</title>
				<link>https://mla.hcommons.org/groups/medical-humanities-and-health-studies/forum/topic/mla-2026-convention-session/</link>
				<pubDate>Sat, 03 Jan 2026 17:44:07 +0000</pubDate>

									<content:encoded><![CDATA[<p>Please find attached a <a href="https://mla.hcommons.org/?get_group_doc=144/1767461751-MLA26_IllnessHealingandRelationalitySession_AbstractandDetails1.pdf" rel="nofollow ugc">link</a> to the abstract and details for the MLA 2026 Convention Session: “Illness, Healing, and Relationality in Eighteenth-Century Women’s Health Writing.”</p>
<p>&nbsp;</p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">c8b2a73e1808fbbc74cee42424de5f98</guid>
				<title>Berna Gueneli started the topic CF Applicants: Assistant Professor of Film Studies, UGA, Athens, due 1/15/26 in the forum MS Screen Arts and Culture</title>
				<link>https://mla.hcommons.org/groups/screen-arts-and-culture/forum/topic/cf-applicants-assistant-professor-of-film-studies-uga-athens-due-1-15-26/</link>
				<pubDate>Thu, 20 Nov 2025 16:47:57 +0000</pubDate>

									<content:encoded><![CDATA[<p>&lt;span style=&#8221;font-weight: 400;&#8221;&gt;The Department of Theatre and Film at the University of Georgia welcomes applications for the position of Assistant Professor of Film Studies. &lt;/span&gt;</p>
<p>&nbsp;</p>
<p>&lt;span style=&#8221;font-weight: 400;&#8221;&gt;Area of specialization is open. Desired areas of specialization include, but are not limited to, one or more of the following:&hellip;<span class="activity-read-more" id="activity-read-more-1934957"><a href="https://mla.hcommons.org/groups/screen-arts-and-culture/forum/topic/cf-applicants-assistant-professor-of-film-studies-uga-athens-due-1-15-26/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">b877a6cf3316f13060c8bcaf632c4055</guid>
				<title>Robert Nguyen started the topic MLA 2026 CFPs, TC Adaptation Studies forum in the forum MS Screen Arts and Culture</title>
				<link>https://mla.hcommons.org/groups/screen-arts-and-culture/forum/topic/mla-2026-cfps-tc-adaptation-studies-forum/</link>
				<pubDate>Mon, 10 Mar 2025 15:39:32 +0000</pubDate>

									<content:encoded><![CDATA[<p>Good morning,</p>
<p>Good morning,</p>
<p>As I thought they may be of interest to folks working in Screen Arts and Culture, I am posting here info on the panels that the TC Adaptation Studies forum will be sponsoring for the 2026 MLA convention. Also included is further detail on the panel we are co-sponsoring with the GS Comics and Graphic Narratives&hellip;<span class="activity-read-more" id="activity-read-more-1913593"><a href="https://mla.hcommons.org/groups/screen-arts-and-culture/forum/topic/mla-2026-cfps-tc-adaptation-studies-forum/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">e94efe99d5b627aed803ba118342e062</guid>
				<title>Tanya Shilina-Conte started the topic New Book: Black Screens, White Frames: Gilles Deleuze and the Filmmaking Machine in the forum MS Screen Arts and Culture</title>
				<link>https://mla.hcommons.org/groups/screen-arts-and-culture/forum/topic/new-book-black-screens-white-frames-gilles-deleuze-and-the-filmmaking-machine-4/</link>
				<pubDate>Sun, 16 Feb 2025 03:38:23 +0000</pubDate>

									<content:encoded><![CDATA[<p><em><strong>Black Screens, White Frames: Gilles Deleuze and the Filmmaking Machine</strong></em><strong> by Tanya Shilina-Conte is now available from Oxford University Press&lt;u&gt;: &lt;/u&gt;</strong><a href="https://global.oup.com/academic/product/black-screens-white-frames-9780197511336?cc=us&amp;lang=en&amp;" rel="nofollow ugc">&lt;u&gt;</a><a href="https://global.oup.com/academic/product/black-screens-white-frames-9780197511336?cc=us&#038;lang=en&#038;#&lt;/u&#038;gt" rel="nofollow ugc">https://global.oup.com/academic/product/black-screens-white-frames-9780197511336?cc=us&#038;lang=en&#038;#&lt;/u&#038;gt</a>;<br />
&lt;div class=&#8221;clearfix text-formatted field field&#8211;name-body field&#8211;type-text-with-summary&hellip;<span class="activity-read-more" id="activity-read-more-1911692"><a href="https://mla.hcommons.org/groups/screen-arts-and-culture/forum/topic/new-book-black-screens-white-frames-gilles-deleuze-and-the-filmmaking-machine-4/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">aef748796a789733b7c5b1b1b2927cba</guid>
				<title>Kevis Goodman started the topic Call for Self-nominations to Forum Executive Committee in the forum LLC English Romantic</title>
				<link>https://mla.hcommons.org/groups/english-romantic/forum/topic/call-for-self-nominations-to-forum-executive-committee/</link>
				<pubDate>Tue, 07 Jan 2025 18:57:46 +0000</pubDate>

									<content:encoded><![CDATA[<p>The British Romanticism Forum Executive Committee seeks self-nominations to join the committee for a five-year term, beginning in 2026. The committee typically meets during the convention to discuss and organize roundtables and panels for the following year’s convention, as well to nominate delegates to the MLA Delegate Assembly every three y&hellip;<span class="activity-read-more" id="activity-read-more-1908180"><a href="https://mla.hcommons.org/groups/english-romantic/forum/topic/call-for-self-nominations-to-forum-executive-committee/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">b8dd031dfe5905ecc12ee8893ea78aa3</guid>
				<title>Doris Hambuch deposited Humorous Takes on Marriage in the UAE: Digital Comics, Social Media Comedy and Short Films in the group MS Screen Arts and Culture</title>
				<link>https://mla.hcommons.org/activity/p/1900964/</link>
				<pubDate>Mon, 07 Oct 2024 03:08:29 +0000</pubDate>

									<content:encoded><![CDATA[<p>This article investigates humorous representations of marriage in digital comics, standup comedy and short films created by Emirati artists and content creators who primarily rely on social media as their most effective form of distribution. Studied against theories of humor in the Western and the Arabic traditions, selected examples demonstrate&hellip;<span class="activity-read-more" id="activity-read-more-1900964"><a href="https://mla.hcommons.org/activity/p/1900964/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">6ec34b11565be267a1b47eb36f4a4a09</guid>
				<title>Doris Hambuch deposited Ways of Seeing Nujoom Alghanem’s Nearby Sky (سماء قريبة) and Sharp Tools (آلات حادة) as Docupoetry,Comment voir le ciel proche de Nujoom Alghanem (سماء قريبة) et les outils tranchants (آلات حادة) comme docupoésie in the group MS Screen Arts and Culture</title>
				<link>https://mla.hcommons.org/activity/p/1900962/</link>
				<pubDate>Mon, 07 Oct 2024 03:03:00 +0000</pubDate>

									<content:encoded><![CDATA[<p>This article proposes to establish a<br />
sub-category called “docupoetry” to<br />
classify the documentary films by<br />
Emirati poet and filmmaker Nujoom<br />
Alghanem. Detailed analysis of two<br />
selected films, Sharp Tools (2017) and<br />
Nearby Sky (2014), illustrates the<br />
unique composition, cinematography,<br />
and use of poetic devices, such<br />
as rhythm, sym&hellip;<span class="activity-read-more" id="activity-read-more-1900962"><a href="https://mla.hcommons.org/activity/p/1900962/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">cb076292c9c94f2692c88f0f8bd29076</guid>
				<title>Alexa Alice Joubin deposited "Screens as Anthropomorphic Interfaces: How AI Changes Shakespearean Theatrical Publics," Shakespeare Bulletin 41.4 (Winter 2023): 529-553 in the group MS Screen Arts and Culture</title>
				<link>https://mla.hcommons.org/activity/p/1900896/</link>
				<pubDate>Sun, 06 Oct 2024 04:21:10 +0000</pubDate>

									<content:encoded><![CDATA[<p>Whom does the screen interface serve, and how do artificial intelligence (AI) tools affect theatrical publics across both the playing space and the playgoing space? Screens are a site where cultural and performative meanings are generated and negotiated. This article draws on interface theories to analyze the roles of screens in regulating&hellip;<span class="activity-read-more" id="activity-read-more-1900896"><a href="https://mla.hcommons.org/activity/p/1900896/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">da5c2e5fcbcc7f2ea5cc8cb86f9b49da</guid>
				<title>Alexa Alice Joubin deposited Enhancing the Trustworthiness of Generative Artificial Intelligence in Responsive Pedagogy in the Context of Humanities Higher Education in the group MS Screen Arts and Culture</title>
				<link>https://mla.hcommons.org/activity/p/1900890/</link>
				<pubDate>Sun, 06 Oct 2024 04:13:22 +0000</pubDate>

									<content:encoded><![CDATA[<p>How do we enhance the trustworthiness of generative artificial intelligence (AI) as a tool to foster students’ curiosity to learn about humanities subjects in higher education? This study analyzes what conversational AI tools can realistically accomplish in the humanities higher education context and what the substantive, rather than hyped, c&hellip;<span class="activity-read-more" id="activity-read-more-1900890"><a href="https://mla.hcommons.org/activity/p/1900890/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">7182408e0c0cdb3d93778ea6ee074eb6</guid>
				<title>Alexa Alice Joubin deposited "Encountering global Shakespeare in Yemen, Kuwait and China," in Contemporary Readings in Global Performances of Shakespeare, ed. Alexa Alice Joubin (Arden Bloomsbury, 2024), pp. 285-294 in the group MS Screen Arts and Culture</title>
				<link>https://mla.hcommons.org/activity/p/1900885/</link>
				<pubDate>Sun, 06 Oct 2024 04:05:26 +0000</pubDate>

									<content:encoded><![CDATA[<p>This chapter consists of Alexa Alice Joubin&#8217;s interview of a scholar and educator who has practiced global Shakespeare around the globe. Katherine Hennessey has had the unique experiences and privilege of teaching Shakespeare in Yemen, Kuwait, China, and elsewhere. She has lived and worked in eight very different countries over the past fifteen&hellip;<span class="activity-read-more" id="activity-read-more-1900885"><a href="https://mla.hcommons.org/activity/p/1900885/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">d2b6dd91861405bf7327b60fcab37d3f</guid>
				<title>Alexa Alice Joubin deposited Contemporary Readings in Global Performances of Shakespeare, ed. Alexa Alice Joubin. London: Arden Bloomsbury, 2024 in the group MS Screen Arts and Culture</title>
				<link>https://mla.hcommons.org/activity/p/1900083/</link>
				<pubDate>Sun, 29 Sep 2024 04:05:17 +0000</pubDate>

									<content:encoded><![CDATA[<p>Focusing on the modern period, this book employs a site-specific lens to examine global performances of Shakespeare onstage and onscreen. Heterotopia and thick description as methodologies help us capture, rather than flatten, cultural spaces and their dynamic interplay. The global is a set of geographical and cultural sites created by artistic&hellip;<span class="activity-read-more" id="activity-read-more-1900083"><a href="https://mla.hcommons.org/activity/p/1900083/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">66c6832003cd8d722395a1818832c367</guid>
				<title>Niamh Thornton deposited María Félix A Mexican Film Star and her Legacy in the group MS Screen Arts and Culture</title>
				<link>https://mla.hcommons.org/activity/p/1890470/</link>
				<pubDate>Fri, 28 Jun 2024 03:01:22 +0000</pubDate>

									<content:encoded><![CDATA[<p>María Félix (1914-2002) left her mark on Mexican and European film as well as fashion, art and jewellery design. Cartier created one-of-a-kind pieces; Leonora Carrington and Diego Rivera painted portraits; Carlos Fuentes wrote a play; Agustín Lara, a bestselling song. But she was nobody&#8217;s muse.</p>
<p>Did Félix really bring baby crocodiles to the Car&hellip;<span class="activity-read-more" id="activity-read-more-1890470"><a href="https://mla.hcommons.org/activity/p/1890470/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">a04eca7d0e61cf1615cabebfd0f77c37</guid>
				<title>Susan Larson deposited Comfort and Domestic Space in Modern Spain in the group MS Screen Arts and Culture</title>
				<link>https://mla.hcommons.org/activity/p/1890326/</link>
				<pubDate>Thu, 27 Jun 2024 03:05:42 +0000</pubDate>

									<content:encoded><![CDATA[<p>Comfort and domestic space are complex narratives that can help draw our attention to everything from urban planning, everyday objects, and new technologies to class conflict, racial and ethnic segregation, and the gendering of domestic labour. Comfort and Domestic Space in Modern Spain delves into the history of ideas surrounding the modern home.&hellip;<span class="activity-read-more" id="activity-read-more-1890326"><a href="https://mla.hcommons.org/activity/p/1890326/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">b8d4102dda5b37ebec9583fa2165172f</guid>
				<title>Alexa Alice Joubin deposited The Shakespearean International Yearbook: Disability Performance and Global Shakespeare. General Editor: Alexa Alice Joubin; Co-editor: Natalia Khomenko; Guest Editor: Katherine Schaap Williams. Routledge, 2024 in the group MS Screen Arts and Culture</title>
				<link>https://mla.hcommons.org/activity/p/1886051/</link>
				<pubDate>Mon, 13 May 2024 04:19:53 +0000</pubDate>

									<content:encoded><![CDATA[<p>The fields of critical disability studies and global Shakespeare have a great deal to say to each other, which is why we are creating this opportunity for an interdisciplinary dialogue and reflection.</p>
<p>     This year’s Shakespearean International Yearbook focuses on the theme of global disability performances of Shakespeare. Curated by K&hellip;<span class="activity-read-more" id="activity-read-more-1886051"><a href="https://mla.hcommons.org/activity/p/1886051/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">ea47e2a2da1d60baf21b7ce85da03bd3</guid>
				<title>Alexa Alice Joubin deposited "Screening Dutch Formosa in 2000: Taiwan as China’s Renegade Province in Wu Ziniu’s The Sino-Dutch War 1661," in Scenes from Dutch Formosa: Staging Taiwan’s Colonial Past, ed. Llyn Scott (Portland ME: MerwinAsia, 2014), pp. 153-179 in the group MS Screen Arts and Culture</title>
				<link>https://mla.hcommons.org/activity/p/1886042/</link>
				<pubDate>Mon, 13 May 2024 04:01:41 +0000</pubDate>

									<content:encoded><![CDATA[<p>What does Koxinga mean to today’s China and Taiwan? How does Wu Ziniu’s film The Sino-Dutch War 1661, a 2000 mainland Chinese film about seventeenth-century Dutch Formosa–with a mainland Chinese / Hong Kong / Japanese cast–complicate the questions of belonging and betrayal?</p>
<p>     Taiwan’s cultural identities have always been political&hellip;<span class="activity-read-more" id="activity-read-more-1886042"><a href="https://mla.hcommons.org/activity/p/1886042/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">8ba0877b688b1df686bd077a80b64133</guid>
				<title>Alexa Alice Joubin deposited Keynote: Cinematic Representations of East Asian American Women, Tucker-Boatwright Festival and Symposium: Hollywood &#38; the Asian American Imagination, Richmond, February 23, 2024 in the group MS Screen Arts and Culture</title>
				<link>https://mla.hcommons.org/activity/p/1878852/</link>
				<pubDate>Thu, 07 Mar 2024 04:03:03 +0000</pubDate>

									<content:encoded><![CDATA[<p>My keynote explores such questions as: What are the patterns in Hollywood representations of East Asian American women from romantic comedy to science fiction films? How do racism and sexism intersect in these patterns? Watch the video recording on YouTube (<a href="https://youtu.be/iHjKOYf-IXQ" rel="nofollow ugc">https://youtu.be/iHjKOYf-IXQ</a>) to gain a better understanding how gender biases are&hellip;<span class="activity-read-more" id="activity-read-more-1878852"><a href="https://mla.hcommons.org/activity/p/1878852/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">25c74d38b6ef22c19411a42b8c0e9591</guid>
				<title>Alexa Alice Joubin deposited Global Shakespeare as Heterotopia, Lecture at University of Oxford and Georgetown University, February 26, 2024 in the group MS Screen Arts and Culture</title>
				<link>https://mla.hcommons.org/activity/p/1878067/</link>
				<pubDate>Thu, 29 Feb 2024 04:24:33 +0000</pubDate>

									<content:encoded><![CDATA[<p>Global Shakespeare as Heterotopia by Alexa Alice Joubin. Lecture video now available on YouTube, <a href="https://youtu.be/R8mbUd_mHjQ" rel="nofollow ugc">https://youtu.be/R8mbUd_mHjQ</a>   Drawing on her forthcoming book, Contemporary Readings in Global Performances of Shakespeare (Bloomsbury, 2024), Alexa Alice Joubin examines cultural encounters with Shakespeare’s plays as heterotopia, a set of parallel s&hellip;<span class="activity-read-more" id="activity-read-more-1878067"><a href="https://mla.hcommons.org/activity/p/1878067/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">8bf601f65afa35ec93e1a544b3b3bc72</guid>
				<title>Kendra Leonard deposited Jewishness between Performance and Appropriation: Music for The Merchant of Venice (2004) in the group MS Screen Arts and Culture</title>
				<link>https://mla.hcommons.org/activity/p/1877420/</link>
				<pubDate>Thu, 22 Feb 2024 03:06:31 +0000</pubDate>

									<content:encoded><![CDATA[<p>The performance history of The Merchant of Venice is one entangled with what producers and directors hear as the sounds of Jewishness, be it traditional prayer, like the Shema or Kaddish, or contrived nonsense, like the “old Hebraic song of sacrifice” sung by Anthony Sher in a 1987 stage production. In this essay, I interrogate composer Joc&hellip;<span class="activity-read-more" id="activity-read-more-1877420"><a href="https://mla.hcommons.org/activity/p/1877420/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">6d72ce91f2a351d77190843f0d1662bf</guid>
				<title>Kendra Leonard deposited Imagining Women’s Archives of Silent Film Music in the group MS Screen Arts and Culture</title>
				<link>https://mla.hcommons.org/activity/p/1877413/</link>
				<pubDate>Thu, 22 Feb 2024 03:01:54 +0000</pubDate>

									<content:encoded><![CDATA[<p>Although women comprised the majority of American cinema accompanists during the silent film period (c. 1895–1927), few of their music libraries or compositions have survived, whereas collections created by male cinema musicians dominate the silent film music archives. Women musicians suggested, shaped, and helped define the musical tastes of t&hellip;<span class="activity-read-more" id="activity-read-more-1877413"><a href="https://mla.hcommons.org/activity/p/1877413/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">41589079f77abc23207c6a5341a15e3c</guid>
				<title>Kevis Goodman started the topic Call for Abstracts: "Desire without Objects," MLA 2025 in the discussion LLC English Romantic</title>
				<link>https://mla.hcommons.org/groups/english-romantic/forum/topic/call-for-abstracts-desire-without-objects-mla-2025/</link>
				<pubDate>Sat, 17 Feb 2024 01:38:11 +0000</pubDate>

									<content:encoded><![CDATA[<p>The MLA Forum on English Romantic Studies invites you to submit an abstract for the following guaranteed forum session:</p>
<p><strong>Desire without Objects:  </strong></p>
<p>Romantic desire’s ambivalence toward objects: formlessness, the infinite, irony, disability, fragments, affects, music, rhythm, attunement, nostalgia, queerness, movement, conflict, aggregation, di&hellip;<span class="activity-read-more" id="activity-read-more-1876878"><a href="https://mla.hcommons.org/groups/english-romantic/forum/topic/call-for-abstracts-desire-without-objects-mla-2025/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">e76833cdfb5b163ed27a869c66f659ea</guid>
				<title>Alexa Alice Joubin deposited Review of Rethinking Chinese Socialist Theaters of Reform, in CLEAR: Chinese Literature: Essays, Articles, Reviews 45 (2023): 335-338 in the group MS Screen Arts and Culture</title>
				<link>https://mla.hcommons.org/activity/p/1876066/</link>
				<pubDate>Mon, 12 Feb 2024 04:16:30 +0000</pubDate>

									<content:encoded><![CDATA[<p>Going against the grain, this collection counters the common perception of the Maoist era as a time of ideological conformity. The contributors persuasively demonstrate that theatre activities were varied and lively between the 1950s and 1970s. While there was state control over the arts, performances in urban spaces were more frequently censored&hellip;<span class="activity-read-more" id="activity-read-more-1876066"><a href="https://mla.hcommons.org/activity/p/1876066/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">b4f1955780d09e11fc4062ed0c2b194d</guid>
				<title>Alexa Alice Joubin deposited Review of Performing the Socialist State by Xiaomei Chen, in CLEAR: Chinese Literature: Essays, Articles, Reviews 45 (2023): 338-340 in the group MS Screen Arts and Culture</title>
				<link>https://mla.hcommons.org/activity/p/1876062/</link>
				<pubDate>Mon, 12 Feb 2024 04:11:08 +0000</pubDate>

									<content:encoded><![CDATA[<p>In this review, Alexa Alice Joubin outlines the main argument of Xiaomei Chen&#8217;s Performing the Socialist State: Modern Chinese Theater and Film Culture. &#8220;The eight chronologically- and thematically-organized chapters in this book provide a much-needed critical survey of spoken drama (huaju) from its inception through the Republican and Maoist eras&hellip;<span class="activity-read-more" id="activity-read-more-1876062"><a href="https://mla.hcommons.org/activity/p/1876062/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">5a4a2667e2f24460194fee72a9d8e1bb</guid>
				<title>Alexa Alice Joubin deposited "Trans Studies at the Crossroad: From Racialized Invisibility to Gendered Legibility," The Oxford Handbook of Shakespeare and Race, ed. Patricia Akhimie (Oxford University Press, 2024), pp. 195-211. in the group MS Screen Arts and Culture</title>
				<link>https://mla.hcommons.org/activity/p/1876057/</link>
				<pubDate>Mon, 12 Feb 2024 04:05:28 +0000</pubDate>

									<content:encoded><![CDATA[<p>Premodern critical race studies, long intertwined with Shakespeare studies, have broadened our understanding of the definitions and discourse of race and racism to include not only phenotype, but also religious and political identity, regional, national, and linguistic difference, and systems of differentiation based upon culture and custom. This&hellip;<span class="activity-read-more" id="activity-read-more-1876057"><a href="https://mla.hcommons.org/activity/p/1876057/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">cc2efe0805683b25b551f5c32fe5d8c8</guid>
				<title>Alexa Alice Joubin deposited AI, Theater, and Interface Theory, keynote at Imaging Across Time: Wenshan International Conference, National Chengchi University, Taipei, Taiwan, November 18, 2023 in the group MS Screen Arts and Culture</title>
				<link>https://mla.hcommons.org/activity/p/1875820/</link>
				<pubDate>Sun, 11 Feb 2024 04:05:29 +0000</pubDate>

									<content:encoded><![CDATA[<p>What happens when AI goes to theatre with human audiences? Generative AI&#8217;s natural-language conversational interface has frequently been cast as an anthropomorphic interface. In performance, digital screen as interface has evolved from a vehicle for dramatic messages to a meaning-making agent with an anthropomorphic presence. While the tendency to&hellip;<span class="activity-read-more" id="activity-read-more-1875820"><a href="https://mla.hcommons.org/activity/p/1875820/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">ff984c9c3179bd3665b2c4a2f6f8e19b</guid>
				<title>Alexa Alice Joubin deposited "Open and Intersectional Pedagogy: Teaching the Early Modern with Generative Artificial Intelligence," MLA, Philadelphia, January 6, 2024 in the group MS Screen Arts and Culture</title>
				<link>https://mla.hcommons.org/activity/p/1872233/</link>
				<pubDate>Wed, 24 Jan 2024 04:05:38 +0000</pubDate>

									<content:encoded><![CDATA[<p>What a piece of theatre work is AI. Since AI outputs can be seen as a theatrical performance, in her 10-minute paper at the MLA, Alexa Alice Joubin argued that we can teach critical questioning skills using generative AI. She demonstrated responsible and creative ways to teach students meta-cognition, using Shakespeare and early modern studies as&hellip;<span class="activity-read-more" id="activity-read-more-1872233"><a href="https://mla.hcommons.org/activity/p/1872233/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">9d4f5b8a2035d5f61348ef0963235cb1</guid>
				<title>Alexa Alice Joubin deposited "Open and Intersectional Pedagogy: Teaching the Early Modern with Generative Artificial Intelligence," MLA convention, Philadelphia, January 6, 2024 in the group MS Screen Arts and Culture</title>
				<link>https://mla.hcommons.org/activity/p/1872218/</link>
				<pubDate>Wed, 24 Jan 2024 03:05:57 +0000</pubDate>

									<content:encoded><![CDATA[<p>What a piece of theatre work is AI Since AI outputs can be seen as a theatrical performance, in her 10-minute paper at the MLA, Alexa Alice Joubin argued that we can teach critical questioning skills using generative AI. She demonstrated responsible and creative ways to teach students meta-cognition, using Shakespeare and early modern studies as&hellip;<span class="activity-read-more" id="activity-read-more-1872218"><a href="https://mla.hcommons.org/activity/p/1872218/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">a9dfd11ebb211e89928c23b80186a910</guid>
				<title>Laura G. Gutierrez replied to the topic Nominations for Forum Executive Committee in the discussion MS Screen Arts and Culture via email</title>
				<link>https://mla.hcommons.org/groups/screen-arts-and-culture/forum/topic/nominations-for-forum-executive-committee/#post-1036981</link>
				<pubDate>Thu, 18 Jan 2024 19:14:03 +0000</pubDate>

									<content:encoded><![CDATA[<p>I have gotten this email close to 20 times. I am also no longer a member of MLA so I don’t have an active account and don’t know how to unsubscribe. Make it stop please</p>
<p>From: Alenda Chang &lt;noreply@hcommons.org&gt;<br />
Date: Thursday, January 18, 2024 at 1:11 PM<br />
To: Gutierrez, Laura G &lt;lauragutierrez@utexas.edu&gt;<br />
Subject: [MLA Commons] MS Screen Arts and&hellip;<span class="activity-read-more" id="activity-read-more-1871632"><a href="https://mla.hcommons.org/groups/screen-arts-and-culture/forum/topic/nominations-for-forum-executive-committee/#post-1036981" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">fa18fa14c00cef3497f8a97e1db01a7b</guid>
				<title>Alenda Chang started the topic MS Screen Arts and Culture sessions at MLA 2024 in the discussion MS Screen Arts and Culture</title>
				<link>https://mla.hcommons.org/groups/screen-arts-and-culture/forum/topic/ms-screen-arts-and-culture-sessions-at-mla-2024/</link>
				<pubDate>Thu, 04 Jan 2024 03:11:46 +0000</pubDate>

									<content:encoded><![CDATA[<p>Hi everyone! As this year&#8217;s forum executive committee chair for MS Screen Arts and Culture, I just wanted to alert everyone to the sessions that our forum has organized/sponsored. Thanks to our committee members for their hard work.</p>
<p>Organized by yours truly, tomorrow (THU) at 3:30PM we kick off with #92 &#8220;The Micropolitics of Environmental Media&#8221;&hellip;<span class="activity-read-more" id="activity-read-more-1869725"><a href="https://mla.hcommons.org/groups/screen-arts-and-culture/forum/topic/ms-screen-arts-and-culture-sessions-at-mla-2024/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">ea7d5818e4382fcbcfd270969c42f44e</guid>
				<title>Arif Camoglu deposited Provincializing Romanticism: Ottoman Hayaliyyun and Literary Globality in the Nineteenth Century in the group LLC English Romantic</title>
				<link>https://mla.hcommons.org/activity/p/1868242/</link>
				<pubDate>Sat, 16 Dec 2023 04:07:19 +0000</pubDate>

									<content:encoded><![CDATA[<p>This essay considers the shortfalls of globalizing tendencies in nineteenth-century<br />
literary studies with a focus on the Ottoman Turkish articulation of romanticism, i.e.,<br />
hayaliyyun. Retrieving a historically and geographically hybrid genealogy of romanticism<br />
through the Ottoman Turkish context, my discussion situates romantic imaginary&hellip;<span class="activity-read-more" id="activity-read-more-1868242"><a href="https://mla.hcommons.org/activity/p/1868242/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">fb8cdfccc9e9c8e07c198107f8e124a0</guid>
				<title>Arif Camoglu deposited “Supreme in Ruin”: Empire’s Afterlife in Romantic Encounters with Imperial Ruins in the group LLC English Romantic</title>
				<link>https://mla.hcommons.org/activity/p/1866468/</link>
				<pubDate>Fri, 01 Dec 2023 04:05:48 +0000</pubDate>

									<content:encoded><![CDATA[<p>Registered in Romantic depictions of imperial ruins is the endurance of empire in its immateriality: the imageries of empire’s ruination announce a future where imperial sovereignty maintains its presence spectrally. Using Jacques Derrida’s notion of hauntology, and recruiting further insight from political theory, this essay argues that emp&hellip;<span class="activity-read-more" id="activity-read-more-1866468"><a href="https://mla.hcommons.org/activity/p/1866468/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">09aabae083e645aed6ece17c83f92f2d</guid>
				<title>Alexa Alice Joubin deposited "Radical Listening and the Global Politics of Inclusiveness," Inclusive Shakespeares: Identity, Pedagogy, Performance, ed. Sonya Freeman Loftis, Mardy Philippian, Justin P. Shaw (Palgrave, 2023), pp. 221-234 in the group MS Screen Arts and Culture</title>
				<link>https://mla.hcommons.org/activity/p/1866124/</link>
				<pubDate>Tue, 28 Nov 2023 04:05:33 +0000</pubDate>

									<content:encoded><![CDATA[<p>Inclusiveness in higher education is distinct from advocacy journalism, which means we have to work actively against any ineffectual default to rituals of inclusion. When implemented unilaterally as a one-size-fits-all social imposition, some gestures of inclusion risk becoming empty rituals. As multifocal, multilingual, and multicultural&hellip;<span class="activity-read-more" id="activity-read-more-1866124"><a href="https://mla.hcommons.org/activity/p/1866124/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">a0f798e47734b6093b8311d7e6126cea</guid>
				<title>Hania A.M. Nashef deposited Songs of Nostalgia: Creative Activism and Exile in Elia Suleiman’s "It Must be Heaven" and Panah Panahi’s "Hit the Road" in the group MS Screen Arts and Culture</title>
				<link>https://mla.hcommons.org/activity/p/1864815/</link>
				<pubDate>Thu, 16 Nov 2023 04:00:51 +0000</pubDate>

									<content:encoded><![CDATA[<p>Abstract | The final scene of Elia Suleiman’s film, It Must be Heaven (2019), ends with the actor/director sitting in an Arab bar in the city of Haifa, while the young crowd is dancing to “Arabyon Ana” (2000) by Lebanese singer Yuri Mrakadi. The Arabic music is a testimony to a Palestinian-Arab culture that resists erasure.</p>
<p>The songs in Sulei&hellip;<span class="activity-read-more" id="activity-read-more-1864815"><a href="https://mla.hcommons.org/activity/p/1864815/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">721a6b5806dd561544ddbc6b27a8ef49</guid>
				<title>Alexa Alice Joubin deposited Generative AI as Shadow Publics in an Inquiry-Driven Society, Symposium on Digital Scholarship. Hong Kong Baptist University, October 27, 2023 in the group MS Screen Arts and Culture</title>
				<link>https://mla.hcommons.org/activity/p/1864513/</link>
				<pubDate>Tue, 14 Nov 2023 04:12:44 +0000</pubDate>

									<content:encoded><![CDATA[<p>Generative AI tools, such as ChatGPT, simulate human writing and complicate the inquiry-driven culture we live in. These tools use singular first-person pronouns in their textual outputs and are often associated with anthropomorphic qualities. Within the humanities, conversations tend to focus on detecting new forms of plagiarism. What is missing&hellip;<span class="activity-read-more" id="activity-read-more-1864513"><a href="https://mla.hcommons.org/activity/p/1864513/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">4b401a8df6a5396afe4a719d75a25551</guid>
				<title>Alexa Alice Joubin deposited Plenary: "Are There Transgender Characters in Shakespeare?" Blackfriars Conference, American Shakespeare Center, Staunton, Virginia, November 4, 2023. in the group MS Screen Arts and Culture</title>
				<link>https://mla.hcommons.org/activity/p/1864508/</link>
				<pubDate>Tue, 14 Nov 2023 04:05:42 +0000</pubDate>

									<content:encoded><![CDATA[<p>Video recording of Alexa Alice Joubin&#8217;s plenary is available on YouTube, <a href="https://youtu.be/8P5nNv86goQ" rel="nofollow ugc">https://youtu.be/8P5nNv86goQ</a>   There are certainly non-binary actors on stage, but are there Shakespearean characters who can be read as trans? The answer is yes. To ask whether there are transgender characters is to ask questions about the performance of gender roles. We are&hellip;<span class="activity-read-more" id="activity-read-more-1864508"><a href="https://mla.hcommons.org/activity/p/1864508/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">1235add48699b8f87c2f10f7cbc45e68</guid>
				<title>Mike Phillips deposited West by Northeast: The Western in Brazil in the group MS Screen Arts and Culture</title>
				<link>https://mla.hcommons.org/activity/p/1863754/</link>
				<pubDate>Tue, 07 Nov 2023 03:09:01 +0000</pubDate>

									<content:encoded><![CDATA[<p>This chapter examines the relationship between American Westerns and Brazilian Nordesterns, films set in the arid northeastern region known as the sertão. US cultural and economic imperialism, in Brazil and throughout Latin America, is both cause and effect of persistent underdevelopment. The northward flow of natural resources has long been&hellip;<span class="activity-read-more" id="activity-read-more-1863754"><a href="https://mla.hcommons.org/activity/p/1863754/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">5e4ff114aaa91731b21b764f39e0f848</guid>
				<title>Mike Phillips deposited Through a Tube, Darkly: Critical Remediation in High and Low (1963) in the group MS Screen Arts and Culture</title>
				<link>https://mla.hcommons.org/activity/p/1863748/</link>
				<pubDate>Tue, 07 Nov 2023 03:04:46 +0000</pubDate>

									<content:encoded><![CDATA[<p>Akira Kurosawa’s 1963 police procedural  is, as its title suggests, intensely interested in the socioeconomic valences of spatial relationships, literalized in Yokohama’s affluent hills and its low-lying slums. The central conflict between inhabitants of these two spaces articulates this local topography into a global framework, in which con&hellip;<span class="activity-read-more" id="activity-read-more-1863748"><a href="https://mla.hcommons.org/activity/p/1863748/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">0d91554cd535a9a183843a5eab1573df</guid>
				<title>Sophie Christman deposited Alt-Burger: Transforming Populist Food Systems in the group MS Screen Arts and Culture</title>
				<link>https://mla.hcommons.org/activity/p/1861777/</link>
				<pubDate>Sun, 15 Oct 2023 04:16:46 +0000</pubDate>

									<content:encoded><![CDATA[<p>This article argues that there exists a problematic nexus between the industrial livestock industry, US food system policies, and American propagandist literature. The essay’s specific aim is to transform carnivorous appetites by subverting the integrity of America’s national gastronomic emblem – the hamburger. The article examines how hambu&hellip;<span class="activity-read-more" id="activity-read-more-1861777"><a href="https://mla.hcommons.org/activity/p/1861777/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">4ea3fbb285dad150fb326864837da518</guid>
				<title>Sophie Christman deposited * Bustin’ Bonaparte: A Post-Apartheid Adaptation of Olive Schreiner’sThe Story of an African Farm in the group MS Screen Arts and Culture</title>
				<link>https://mla.hcommons.org/activity/p/1861776/</link>
				<pubDate>Sun, 15 Oct 2023 04:14:05 +0000</pubDate>

									<content:encoded><![CDATA[<p>This article examines how the South African film Bustin’ Bonaparte (2004) presents a<br />
post-apartheid adaptation of Victorian colonialism in Olive Schreiner’s 1883 English novel The Story<br />
of an African Farm. While both narratives utilize the surprising mode of play to unfold competing<br />
racial and gender hierarchies in colonial Africa, Lis&hellip;<span class="activity-read-more" id="activity-read-more-1861776"><a href="https://mla.hcommons.org/activity/p/1861776/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">1fa4b79d079ee4826b3de6e64bf0a9bc</guid>
				<title>Lisa Zunshine deposited Manipulating Metacognition in Witness for the Prosecution in the group MS Screen Arts and Culture</title>
				<link>https://mla.hcommons.org/activity/p/1857508/</link>
				<pubDate>Wed, 06 Sep 2023 01:22:58 +0000</pubDate>

									<content:encoded><![CDATA[<p>This essay exemplifies a cognitive approach to literary and film studies, with particular emphasis on fictional reimagining of legal institutions. It draws on research of cognitive scientists who study metacognition—specifically, the difference between reflective and intuitive beliefs—to suggest that courtroom dramas, such as Billy Wilder’s Witne&hellip;<span class="activity-read-more" id="activity-read-more-1857508"><a href="https://mla.hcommons.org/activity/p/1857508/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">896be9f64d8f247c6f5e2d6017eef6b4</guid>
				<title>Hania A.M. Nashef deposited Against Stereotypical Representations: On young Saudi directors in the group MS Screen Arts and Culture</title>
				<link>https://mla.hcommons.org/activity/p/1857504/</link>
				<pubDate>Wed, 06 Sep 2023 01:13:27 +0000</pubDate>

									<content:encoded><![CDATA[<p>In his writing, Cultural theorist Stuart Hall has often argued that an image or a set of images has the capability of condensing a number of attributes into a single picture, producing a misleading representation of what other people and cultures are like. As a result, multiple stories evolve into the one story that is told repeatedly and usually&hellip;<span class="activity-read-more" id="activity-read-more-1857504"><a href="https://mla.hcommons.org/activity/p/1857504/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">da851da4cbd29344ff94fe9c3f867439</guid>
				<title>Jacob Jewusiak deposited Aging Earth: Senescent Environmentalism for Dystopian Futures (Introduction) in the group TC Medical Humanities and Health Studies</title>
				<link>https://mla.hcommons.org/activity/p/1855421/</link>
				<pubDate>Thu, 17 Aug 2023 01:22:35 +0000</pubDate>

									<content:encoded><![CDATA[<p>Alarmist demography often situates older people as natural<br />
disasters: images of the “gray flood” and “silver tsunami” imbue<br />
senescence with the destructive force of climatic proportions. This<br />
Element focuses on the demographic dread arising from the relative<br />
shift in younger and older populations: not of a world lacking children,<br />
but of one&hellip;<span class="activity-read-more" id="activity-read-more-1855421"><a href="https://mla.hcommons.org/activity/p/1855421/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">016c3fadc8362c24fb1d6e6bf199047a</guid>
				<title>Kendra Leonard deposited Women’s Compiled Scores in Early Film Music in the group MS Screen Arts and Culture</title>
				<link>https://mla.hcommons.org/activity/p/1847293/</link>
				<pubDate>Fri, 26 May 2023 02:24:08 +0000</pubDate>

									<content:encoded><![CDATA[<p>In this essay I address an area of cinematic musical development where the importance of women’s contributions has gone un(der) noticed: the compiled score, a film score created for early film primarily from pre-existing pieces, in both its written and recorded varieties. I examine written and recorded compiled scores created by Hazel Burnett, A&hellip;<span class="activity-read-more" id="activity-read-more-1847293"><a href="https://mla.hcommons.org/activity/p/1847293/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">26d2fce6c88c8ee3e2e998a8e346e6ca</guid>
				<title>Alexa Alice Joubin deposited "Afterword: Adaptation studies and interactive pedagogies." Liberating Shakespeare: Adaptation and Empowerment for Young Adult Audiences, ed. Jennifer Flaherty and Deborah Uman (Bloomsbury, 2023), pp. 187-200. in the group MS Screen Arts and Culture</title>
				<link>https://mla.hcommons.org/activity/p/1846401/</link>
				<pubDate>Thu, 18 May 2023 02:38:32 +0000</pubDate>

									<content:encoded><![CDATA[<p>Criticism of the Shakespearean canon through adaptation as a genre has the capacity for liberation and social reparation. As a cluster of complex texts that sustains both past practices and contemporary interpretive conventions, Shakespeare provides fertile ground for training students to listen intently and compassionately to other individuals’ v&hellip;<span class="activity-read-more" id="activity-read-more-1846401"><a href="https://mla.hcommons.org/activity/p/1846401/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">5e651335819bee9171e67510681a1e2e</guid>
				<title>Alexa Alice Joubin deposited "What makes Global Shakespeares an exercise in ethics?" Global Shakespeare and Social Justice: Towards a Transformative Encounter, ed. Chris Thurman and Sandra Young (Bloomsbury, 2023), pp. 58-77. in the group MS Screen Arts and Culture</title>
				<link>https://mla.hcommons.org/activity/p/1846390/</link>
				<pubDate>Thu, 18 May 2023 02:29:28 +0000</pubDate>

									<content:encoded><![CDATA[<p>Stage and screen adaptations of Shakespeare’s plays raise ethical questions – that is, questions about how human beings should act and treat one another. In which contexts might cross-cultural enterprises be naturalising the values associated with Shakespeare to exploit unequal power relations among artists of different backgrounds? Con&hellip;<span class="activity-read-more" id="activity-read-more-1846390"><a href="https://mla.hcommons.org/activity/p/1846390/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">031ea02367b7749e6a3ec1956fb512a0</guid>
				<title>Alexa Alice Joubin deposited Joubin receives the bell hooks Legacy Award in the group MS Screen Arts and Culture</title>
				<link>https://mla.hcommons.org/activity/p/1841264/</link>
				<pubDate>Thu, 13 Apr 2023 03:55:09 +0000</pubDate>

									<content:encoded><![CDATA[<p>Alexa Alice Joubin was named the inaugural recipient of the bell hooks Legacy Award on April 7, 2023. The Popular Culture Association and American Culture Association (PCA / ACA) established the award to commemorate the late feminist writer and activist bell hooks (1952-2021) who has authored more than 30 books. The award recognizes Joubin’s a&hellip;<span class="activity-read-more" id="activity-read-more-1841264"><a href="https://mla.hcommons.org/activity/p/1841264/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">a957614edc60d51ac1c82a0f3899a005</guid>
				<title>Alexa Alice Joubin deposited "Trans as Method: The Sociality of Gender and Shakespeare." Borrowers and Lenders: The Journal of Shakespeare and Appropriation 14.2 (2023) in the group MS Screen Arts and Culture</title>
				<link>https://mla.hcommons.org/activity/p/1840261/</link>
				<pubDate>Thu, 06 Apr 2023 04:33:54 +0000</pubDate>

									<content:encoded><![CDATA[<p>This special issue on contemporary performance proposes &#8220;trans&#8221; as method and as a social practice rather than as an immutable identity category that stands in opposition to more established ones such as cis-gender men or cisgender women. We ask new questions about Shakespearean performance: How might the meanings of the plays change if we&hellip;<span class="activity-read-more" id="activity-read-more-1840261"><a href="https://mla.hcommons.org/activity/p/1840261/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">c0fa948136ec36730cf82eb040290f7c</guid>
				<title>Alexa Alice Joubin deposited "Shakespearean Performance through a Trans Lens." Borrowers and Lenders: The Journal of Shakespeare and Appropriation 14.2 (2023) in the group MS Screen Arts and Culture</title>
				<link>https://mla.hcommons.org/activity/p/1840256/</link>
				<pubDate>Thu, 06 Apr 2023 04:26:06 +0000</pubDate>

									<content:encoded><![CDATA[<p>Gender is a set of interpersonal relationships and social practices that evolve in the presence of other people , in social spaces, and over time. My theory of trans lens corrects the institutionalized cis-sexism that assumes the cis status of even those characters with fluid gender practices. It does so by questioning the purported neutrality of&hellip;<span class="activity-read-more" id="activity-read-more-1840256"><a href="https://mla.hcommons.org/activity/p/1840256/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">d9a68ef5a8a54a1316e6efd908884cef</guid>
				<title>Alexa Alice Joubin deposited "The Tempest as Trans Archive: An Interview with Scholar Mary Ann S. Saunders." Borrowers and Lenders: The Journal of Shakespeare and Appropriation 14.2 (2023) in the group MS Screen Arts and Culture</title>
				<link>https://mla.hcommons.org/activity/p/1840251/</link>
				<pubDate>Thu, 06 Apr 2023 04:18:18 +0000</pubDate>

									<content:encoded><![CDATA[<p>This interview with Dr. Mary Ann Saunders, conducted by Alexa Alice Joubin, offers a new interpretation of Julie Taymor&#8217;s 2010 film The Tempest. Bringing her life experience to bear on cisgender biases in non-trans artists&#8217; works, Saunders proposes a new interpretation of Ariel, as performed by Ben Whishaw, as a trans woman who is &#8220;both beautiful&hellip;<span class="activity-read-more" id="activity-read-more-1840251"><a href="https://mla.hcommons.org/activity/p/1840251/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
		
	</channel>
</rss>