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Joseph Galbo deposited A Decadence Baedeker: D’Annunzio’s The Triumph of Death in the group
Textual Scholarship on Humanities Commons 5 years, 6 months agoThis article investigates how Gabriele D’Annunzio’s The Triumph of Death brings together Nietzsche’s ideas and Wagner’s music and interweaves them with the motifs of literary Decadence and the author’s own particular sexual politics. The novel is an experimental text striving to be a Gesemtkunstswerk, an integrated work that incorporates music, pa…[Read more]
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Joseph Galbo deposited A Decadence Baedeker: D’Annunzio’s The Triumph of Death in the group
Place Studies on Humanities Commons 5 years, 6 months agoThis article investigates how Gabriele D’Annunzio’s The Triumph of Death brings together Nietzsche’s ideas and Wagner’s music and interweaves them with the motifs of literary Decadence and the author’s own particular sexual politics. The novel is an experimental text striving to be a Gesemtkunstswerk, an integrated work that incorporates music, pa…[Read more]
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Joseph Galbo deposited A Decadence Baedeker: D’Annunzio’s The Triumph of Death in the group
Cultural Studies on Humanities Commons 5 years, 6 months agoThis article investigates how Gabriele D’Annunzio’s The Triumph of Death brings together Nietzsche’s ideas and Wagner’s music and interweaves them with the motifs of literary Decadence and the author’s own particular sexual politics. The novel is an experimental text striving to be a Gesemtkunstswerk, an integrated work that incorporates music, pa…[Read more]
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Joseph Galbo deposited A Decadence Baedeker: D’Annunzio’s The Triumph of Death on Humanities Commons 5 years, 6 months ago
This article investigates how Gabriele D’Annunzio’s The Triumph of Death brings together Nietzsche’s ideas and Wagner’s music and interweaves them with the motifs of literary Decadence and the author’s own particular sexual politics. The novel is an experimental text striving to be a Gesemtkunstswerk, an integrated work that incorporates music, pa…[Read more]
