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	<title>HASTAC Commons | Joel Edelman | Activity</title>
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				<title>Joel Edelman deposited On the Origin of Music; A Convergence of Theories in the group Society for Music Theory (SMT)</title>
				<link>https://hcommons.org/activity/p/1899093/</link>
				<pubDate>Wed, 18 Sep 2024 03:00:58 +0000</pubDate>

									<content:encoded><![CDATA[<p>Much of today&#8217;s research into the nature of musical pleasure can be divided into two distinct areas &#8211; the study of the overtone spectra of musical consonance and the study of human physiological responses to musical sounds.  The former is largely focused on adult participatory responses and the latter on the detection of biochemical activity.&hellip;<span class="activity-read-more" id="activity-read-more-1899093"><a href="https://hcommons.org/activity/p/1899093/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Joel Edelman deposited On the Origin of Music; A Convergence of Theories in the group Music and Sound</title>
				<link>https://hcommons.org/activity/p/1899092/</link>
				<pubDate>Wed, 18 Sep 2024 03:00:53 +0000</pubDate>

									<content:encoded><![CDATA[<p>Much of today&#8217;s research into the nature of musical pleasure can be divided into two distinct areas &#8211; the study of the overtone spectra of musical consonance and the study of human physiological responses to musical sounds.  The former is largely focused on adult participatory responses and the latter on the detection of biochemical activity.&hellip;<span class="activity-read-more" id="activity-read-more-1899092"><a href="https://hcommons.org/activity/p/1899092/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Joel Edelman deposited On the Origin of Music; A Convergence of Theories in the group International Musicological Society (IMS)</title>
				<link>https://hcommons.org/activity/p/1899091/</link>
				<pubDate>Wed, 18 Sep 2024 03:00:50 +0000</pubDate>

									<content:encoded><![CDATA[<p>Much of today&#8217;s research into the nature of musical pleasure can be divided into two distinct areas &#8211; the study of the overtone spectra of musical consonance and the study of human physiological responses to musical sounds.  The former is largely focused on adult participatory responses and the latter on the detection of biochemical activity.&hellip;<span class="activity-read-more" id="activity-read-more-1899091"><a href="https://hcommons.org/activity/p/1899091/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Joel Edelman deposited On the Origin of Music; A Convergence of Theories</title>
				<link>https://hcommons.org/activity/p/1898993/</link>
				<pubDate>Tue, 17 Sep 2024 01:24:29 +0000</pubDate>

									<content:encoded><![CDATA[<p>Much of today&#8217;s research into the nature of musical pleasure can be divided into two distinct areas &#8211; the study of the overtone spectra of musical consonance and the study of human physiological responses to musical sounds.  The former is largely focused on adult participatory responses and the latter on the detection of biochemical activity.&hellip;<span class="activity-read-more" id="activity-read-more-1898993"><a href="https://hcommons.org/activity/p/1898993/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Joel Edelman deposited On the Origin of Music; A Mathematician's Perspective in the group Society for Music Theory (SMT)</title>
				<link>https://hcommons.org/activity/p/1896378/</link>
				<pubDate>Fri, 16 Aug 2024 03:01:09 +0000</pubDate>

									<content:encoded><![CDATA[<p>Recent studies of consonance combined with related neurological studies of musical pleasure both point to the prenatal exposure to the human voice as the origin of our affinity for harmonics sounds.  The response of a neonate to the maternal voice is compared to the adult response to music, and the physical components of tonal sounds provide an&hellip;<span class="activity-read-more" id="activity-read-more-1896378"><a href="https://hcommons.org/activity/p/1896378/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Joel Edelman deposited On the Origin of Music; A Mathematician's Perspective in the group Music and Sound</title>
				<link>https://hcommons.org/activity/p/1896377/</link>
				<pubDate>Fri, 16 Aug 2024 03:01:03 +0000</pubDate>

									<content:encoded><![CDATA[<p>Recent studies of consonance combined with related neurological studies of musical pleasure both point to the prenatal exposure to the human voice as the origin of our affinity for harmonics sounds.  The response of a neonate to the maternal voice is compared to the adult response to music, and the physical components of tonal sounds provide an&hellip;<span class="activity-read-more" id="activity-read-more-1896377"><a href="https://hcommons.org/activity/p/1896377/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Joel Edelman deposited On the Origin of Music; A Mathematician's Perspective in the group International Musicological Society (IMS)</title>
				<link>https://hcommons.org/activity/p/1896376/</link>
				<pubDate>Fri, 16 Aug 2024 03:01:01 +0000</pubDate>

									<content:encoded><![CDATA[<p>Recent studies of consonance combined with related neurological studies of musical pleasure both point to the prenatal exposure to the human voice as the origin of our affinity for harmonics sounds.  The response of a neonate to the maternal voice is compared to the adult response to music, and the physical components of tonal sounds provide an&hellip;<span class="activity-read-more" id="activity-read-more-1896376"><a href="https://hcommons.org/activity/p/1896376/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Joel Edelman deposited On the Origin of Music; A Mathematician's Perspective</title>
				<link>https://hcommons.org/activity/p/1896362/</link>
				<pubDate>Thu, 15 Aug 2024 23:18:49 +0000</pubDate>

									<content:encoded><![CDATA[<p>Recent studies of consonance combined with related neurological studies of musical pleasure both point to the prenatal exposure to the human voice as the origin of our affinity for harmonics sounds.  The response of a neonate to the maternal voice is compared to the adult response to music, and the physical components of tonal sounds provide an&hellip;<span class="activity-read-more" id="activity-read-more-1896362"><a href="https://hcommons.org/activity/p/1896362/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Joel Edelman deposited A Coherent Model of Musical Consonance in the group Society for Music Theory (SMT)</title>
				<link>https://hcommons.org/activity/p/1852218/</link>
				<pubDate>Wed, 19 Jul 2023 02:24:54 +0000</pubDate>

									<content:encoded><![CDATA[<p>Without fail a study in any depth of our fondness for music must eventually address the issue of consonance and dissonance. Past approaches to this issue have been bounded by a limited knowledge base and, further, marred by logical flaws, occasional hand waving, and the myopia of reductionism. Despite the explosion of progress in the last few&hellip;<span class="activity-read-more" id="activity-read-more-1852218"><a href="https://hcommons.org/activity/p/1852218/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Joel Edelman deposited A Coherent Model of Musical Consonance in the group Music and Sound</title>
				<link>https://hcommons.org/activity/p/1852217/</link>
				<pubDate>Wed, 19 Jul 2023 02:24:45 +0000</pubDate>

									<content:encoded><![CDATA[<p>Without fail a study in any depth of our fondness for music must eventually address the issue of consonance and dissonance. Past approaches to this issue have been bounded by a limited knowledge base and, further, marred by logical flaws, occasional hand waving, and the myopia of reductionism. Despite the explosion of progress in the last few&hellip;<span class="activity-read-more" id="activity-read-more-1852217"><a href="https://hcommons.org/activity/p/1852217/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Joel Edelman deposited A Coherent Model of Musical Consonance in the group International Musicological Society (IMS)</title>
				<link>https://hcommons.org/activity/p/1852216/</link>
				<pubDate>Wed, 19 Jul 2023 02:24:43 +0000</pubDate>

									<content:encoded><![CDATA[<p>Without fail a study in any depth of our fondness for music must eventually address the issue of consonance and dissonance. Past approaches to this issue have been bounded by a limited knowledge base and, further, marred by logical flaws, occasional hand waving, and the myopia of reductionism. Despite the explosion of progress in the last few&hellip;<span class="activity-read-more" id="activity-read-more-1852216"><a href="https://hcommons.org/activity/p/1852216/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Joel Edelman deposited A Coherent Model of Musical Consonance</title>
				<link>https://hcommons.org/activity/p/1852080/</link>
				<pubDate>Tue, 18 Jul 2023 01:16:28 +0000</pubDate>

									<content:encoded><![CDATA[<p>Without fail a study in any depth of our fondness for music must eventually address the issue of consonance and dissonance. Past approaches to this issue have been bounded by a limited knowledge base and, further, marred by logical flaws, occasional hand waving, and the myopia of reductionism. Despite the explosion of progress in the last few&hellip;<span class="activity-read-more" id="activity-read-more-1852080"><a href="https://hcommons.org/activity/p/1852080/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Joel Edelman deposited Clarifying Musical Consonance in the group Music and Sound</title>
				<link>https://hcommons.org/activity/p/1850890/</link>
				<pubDate>Sun, 02 Jul 2023 02:24:39 +0000</pubDate>

									<content:encoded><![CDATA[<p>Without fail a study in any depth of our fondness for music must eventually address the issue of consonance and dissonance.  Past approaches to this issue have been bounded by a limited knowledge base and, further, marred by logical flaws, occasional hand waving, and the myopia of reductionism.  Despite the explosion of progress in the last few&hellip;<span class="activity-read-more" id="activity-read-more-1850890"><a href="https://hcommons.org/activity/p/1850890/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">2282b313529c439371dcc3d0baf2e4fc</guid>
				<title>Joel Edelman deposited Clarifying Musical Consonance in the group International Musicological Society (IMS)</title>
				<link>https://hcommons.org/activity/p/1850889/</link>
				<pubDate>Sun, 02 Jul 2023 02:24:37 +0000</pubDate>

									<content:encoded><![CDATA[<p>Without fail a study in any depth of our fondness for music must eventually address the issue of consonance and dissonance.  Past approaches to this issue have been bounded by a limited knowledge base and, further, marred by logical flaws, occasional hand waving, and the myopia of reductionism.  Despite the explosion of progress in the last few&hellip;<span class="activity-read-more" id="activity-read-more-1850889"><a href="https://hcommons.org/activity/p/1850889/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">af1d7718a00961d3ab52ed39b342dc0f</guid>
				<title>Joel Edelman deposited Clarifying Musical Consonance</title>
				<link>https://hcommons.org/activity/p/1850837/</link>
				<pubDate>Sat, 01 Jul 2023 15:33:03 +0000</pubDate>

									<content:encoded><![CDATA[<p>Without fail a study in any depth of our fondness for music must eventually address the issue of consonance and dissonance.  Past approaches to this issue have been bounded by a limited knowledge base and, further, marred by logical flaws, occasional hand waving, and the myopia of reductionism.  Despite the explosion of progress in the last few&hellip;<span class="activity-read-more" id="activity-read-more-1850837"><a href="https://hcommons.org/activity/p/1850837/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Joel Edelman deposited Seven Sisters; The Contribution of Timbre in Resolving Inconsistencies and Filling Voids in the Attribution of Consonance to Tonal Structures. in the group Society for Music Theory (SMT)</title>
				<link>https://hcommons.org/activity/p/1832899/</link>
				<pubDate>Mon, 06 Feb 2023 02:24:46 +0000</pubDate>

									<content:encoded><![CDATA[<p>Abstract submitted to Timbre 2023 conference.  This abstract describes a new approach to understanding consonance and dissonance.</p>
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				<title>Joel Edelman deposited Seven Sisters; The Contribution of Timbre in Resolving Inconsistencies and Filling Voids in the Attribution of Consonance to Tonal Structures. in the group Music and Sound</title>
				<link>https://hcommons.org/activity/p/1832898/</link>
				<pubDate>Mon, 06 Feb 2023 02:24:38 +0000</pubDate>

									<content:encoded><![CDATA[<p>Abstract submitted to Timbre 2023 conference.  This abstract describes a new approach to understanding consonance and dissonance.</p>
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				<guid isPermaLink="false">d2ce1c612f758a4b743ceff8a836b80b</guid>
				<title>Joel Edelman deposited Seven Sisters; The Contribution of Timbre in Resolving Inconsistencies and Filling Voids in the Attribution of Consonance to Tonal Structures. in the group International Musicological Society (IMS)</title>
				<link>https://hcommons.org/activity/p/1832897/</link>
				<pubDate>Mon, 06 Feb 2023 02:24:36 +0000</pubDate>

									<content:encoded><![CDATA[<p>Abstract submitted to Timbre 2023 conference.  This abstract describes a new approach to understanding consonance and dissonance.</p>
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				<guid isPermaLink="false">8e684c9ce76b73d8b41a478c9713a3f0</guid>
				<title>Joel Edelman deposited Seven Sisters; The Contribution of Timbre in Resolving Inconsistencies and Filling Voids in the Attribution of Consonance to Tonal Structures.</title>
				<link>https://hcommons.org/activity/p/1832822/</link>
				<pubDate>Sun, 05 Feb 2023 16:20:22 +0000</pubDate>

									<content:encoded><![CDATA[<p>Abstract submitted to Timbre 2023 conference.  This abstract describes a new approach to understanding consonance and dissonance.</p>
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				<guid isPermaLink="false">5b7727cf4b3b8bda56e617c4e9ed8a57</guid>
				<title>Joel Edelman deposited Voice Based Affinity; A Recipe for Auditory Cheesecake in the group Society for Music Theory (SMT)</title>
				<link>https://hcommons.org/activity/p/1818820/</link>
				<pubDate>Thu, 27 Oct 2022 02:25:29 +0000</pubDate>

									<content:encoded><![CDATA[<p>The age-old search for an understanding of &#8220;consonance&#8221; has been hobbled from the beginning by the expectation that a silver bullet can be found.  In this section from a book-in-progress, the historical searches are analyzed for their failings and a new approach is suggested based on observing the effects of tonal sounds within the context of&hellip;<span class="activity-read-more" id="activity-read-more-1818820"><a href="https://hcommons.org/activity/p/1818820/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">2d0864ab3e711ad5d6d700bc531aedcd</guid>
				<title>Joel Edelman deposited Voice Based Affinity; A Recipe for Auditory Cheesecake in the group Music and Sound</title>
				<link>https://hcommons.org/activity/p/1818819/</link>
				<pubDate>Thu, 27 Oct 2022 02:25:21 +0000</pubDate>

									<content:encoded><![CDATA[<p>The age-old search for an understanding of &#8220;consonance&#8221; has been hobbled from the beginning by the expectation that a silver bullet can be found.  In this section from a book-in-progress, the historical searches are analyzed for their failings and a new approach is suggested based on observing the effects of tonal sounds within the context of&hellip;<span class="activity-read-more" id="activity-read-more-1818819"><a href="https://hcommons.org/activity/p/1818819/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">f9a10b93dd56341929513782eb4accc3</guid>
				<title>Joel Edelman deposited Voice Based Affinity; A Recipe for Auditory Cheesecake in the group International Musicological Society (IMS)</title>
				<link>https://hcommons.org/activity/p/1818818/</link>
				<pubDate>Thu, 27 Oct 2022 02:25:19 +0000</pubDate>

									<content:encoded><![CDATA[<p>The age-old search for an understanding of &#8220;consonance&#8221; has been hobbled from the beginning by the expectation that a silver bullet can be found.  In this section from a book-in-progress, the historical searches are analyzed for their failings and a new approach is suggested based on observing the effects of tonal sounds within the context of&hellip;<span class="activity-read-more" id="activity-read-more-1818818"><a href="https://hcommons.org/activity/p/1818818/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">a3c598e29d3f138b98c95b2d4fc852b7</guid>
				<title>Joel Edelman deposited Voice Based Affinity; A Recipe for Auditory Cheesecake</title>
				<link>https://hcommons.org/activity/p/1818795/</link>
				<pubDate>Wed, 26 Oct 2022 21:18:17 +0000</pubDate>

									<content:encoded><![CDATA[<p>The age-old search for an understanding of &#8220;consonance&#8221; has been hobbled from the beginning by the expectation that a silver bullet can be found.  In this section from a book-in-progress, the historical searches are analyzed for their failings and a new approach is suggested based on observing the effects of tonal sounds within the context of&hellip;<span class="activity-read-more" id="activity-read-more-1818795"><a href="https://hcommons.org/activity/p/1818795/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Joel Edelman deposited Overtone Invariants are the Framework for Musical Consonance</title>
				<link>https://hcommons.org/activity/p/1780500/</link>
				<pubDate>Mon, 02 May 2022 18:57:55 +0000</pubDate>

									<content:encoded><![CDATA[<p>In this paper I am proposing a novel paradigm for the musical experience of &#8220;consonance&#8221;.  This is a rebuttal of the long-standing train of thought which pays homage to frequency ratios, beats, and roughness and which leads us repeatedly into a conceptual corner from which we are forced to reach and grasp in order to formulate a credible theory.&hellip;<span class="activity-read-more" id="activity-read-more-1780500"><a href="https://hcommons.org/activity/p/1780500/" rel="nofollow ugc">[Read more]</a></span></p>
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