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	<title>HASTAC Commons | Harrison Meadows | Activity</title>
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				<title>Harrison Meadows deposited Wild Theater: Staging the Margins of Ideology in the Spanish Comedia in the group Iberian Theater and Performance Network (ITPN)</title>
				<link>https://mla.hcommons.org/activity/p/1592095/</link>
				<pubDate>Sun, 10 Dec 2017 05:43:22 +0000</pubDate>

									<content:encoded><![CDATA[<p>The theatrical production of Baroque Iberia exhibits an obsession with wildness that remains to be fully explored. By the time Segismundo takes the stage dressed in animal pelts in Calderón’s La vida es sueño, the wild figure had already enjoyed a long history on the Spanish stage, first appearing in Lope de Vega’s El nacimiento de Ursón y Valent&hellip;<span class="activity-read-more" id="activity-read-more-1592095"><a href="https://mla.hcommons.org/activity/p/1592095/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Harrison Meadows deposited Wild Theater: Staging the Margins of Ideology in the Spanish Comedia in the group Iberian Theater and Performance Network (ITPN)</title>
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				<pubDate>Sun, 10 Dec 2017 05:37:31 +0000</pubDate>

									<content:encoded><![CDATA[<p>The theatrical production of Baroque Iberia exhibits an obsession with wildness that remains to be fully explored. By the time Segismundo takes the stage dressed in animal pelts in Calderón’s La vida es sueño, the wild figure had already enjoyed a long history on the Spanish stage, first appearing in Lope de Vega’s El nacimiento de Ursón y Valent&hellip;<span class="activity-read-more" id="activity-read-more-1592086"><a href="https://mla.hcommons.org/activity/p/1592086/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Harrison Meadows deposited Wild Theater: Staging the Margins of Ideology in the Spanish Comedia</title>
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				<pubDate>Sat, 09 Dec 2017 08:06:41 +0000</pubDate>

									<content:encoded><![CDATA[<p>The theatrical production of Baroque Iberia exhibits an obsession with wildness that remains to be fully explored. By the time Segismundo takes the stage dressed in animal pelts in Calderón’s La vida es sueño, the wild figure had already enjoyed a long history on the Spanish stage, first appearing in Lope de Vega’s El nacimiento de Ursón y Valent&hellip;<span class="activity-read-more" id="activity-read-more-1591949"><a href="https://mla.hcommons.org/activity/p/1591949/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Harrison Meadows became a registered member</title>
				<link>https://mla.hcommons.org/activity/p/549302/</link>
				<pubDate>Wed, 20 Jul 2016 20:29:59 +0000</pubDate>

				
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