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	<title>HASTAC Commons | Gil Rodman | Activity</title>
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				<title>Gil Rodman&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1929146/</link>
				<pubDate>Sat, 27 Sep 2025 22:30:20 +0000</pubDate>

				
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				<guid isPermaLink="false">9da2e342587690a8f91c72f2b841dc73</guid>
				<title>Gil Rodman deposited Waiting for the Great Leap Forwards: Mixing Pop, Politics, and Cultural Studies in the group Cultural Studies</title>
				<link>https://hcommons.org/activity/p/1783615/</link>
				<pubDate>Thu, 09 Jun 2022 02:23:56 +0000</pubDate>

									<content:encoded><![CDATA[<p>A handbook essay that explains cultural studies apprroaches to the study of popular music.</p>
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				<title>Gil Rodman deposited Waiting for the Great Leap Forwards: Mixing Pop, Politics, and Cultural Studies</title>
				<link>https://hcommons.org/activity/p/1783562/</link>
				<pubDate>Wed, 08 Jun 2022 16:08:59 +0000</pubDate>

									<content:encoded><![CDATA[<p>A handbook essay that explains cultural studies apprroaches to the study of popular music.</p>
]]></content:encoded>
				
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				<title>Gil Rodman deposited Thirteen Ways of Looking at a Black Film: What Does It Mean to Be a Black Film in Twenty-First Century America? in the group Cultural Studies</title>
				<link>https://hcommons.org/activity/p/1779139/</link>
				<pubDate>Thu, 21 Apr 2022 02:23:38 +0000</pubDate>

									<content:encoded><![CDATA[<p>“What does it mean to be a black film in twenty-first century America?”<br />
 <br />
Riffing off of Henry Louis Gates, Jr.’s work in Thirteen Ways of Looking at a Black Man, who in turn drew heavily from Wallace Stevens’ 1917 poem “Thirteen Ways of Looking at a Blackbird,” this chapter wrestles with some of the controversies surrounding the 2012 film Dj&hellip;<span class="activity-read-more" id="activity-read-more-1779139"><a href="https://hcommons.org/activity/p/1779139/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">78f7ae5969eb1837bb6ba40351d4f531</guid>
				<title>Gil Rodman deposited Thirteen Ways of Looking at a Black Film: What Does It Mean to Be a Black Film in Twenty-First Century America?</title>
				<link>https://hcommons.org/activity/p/1779022/</link>
				<pubDate>Wed, 20 Apr 2022 00:41:18 +0000</pubDate>

									<content:encoded><![CDATA[<p>“What does it mean to be a black film in twenty-first century America?”<br />
 <br />
Riffing off of Henry Louis Gates, Jr.’s work in Thirteen Ways of Looking at a Black Man, who in turn drew heavily from Wallace Stevens’ 1917 poem “Thirteen Ways of Looking at a Blackbird,” this chapter wrestles with some of the controversies surrounding the 2012 film Dj&hellip;<span class="activity-read-more" id="activity-read-more-1779022"><a href="https://hcommons.org/activity/p/1779022/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">7491700b9e832c71e3b01b5cfb834742</guid>
				<title>Gil Rodman deposited Textual Stealing?: Copyright, Race, and Elusive Justice in the group Cultural Studies</title>
				<link>https://hcommons.org/activity/p/1778521/</link>
				<pubDate>Wed, 13 Apr 2022 02:24:44 +0000</pubDate>

									<content:encoded><![CDATA[<p>A critical analysis of the racial politics of the &#8220;Blurred Lines&#8221; copyright infringement case.</p>
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				<guid isPermaLink="false">78d89352bf62c0ce79a4d9765897f076</guid>
				<title>Gil Rodman deposited Textual Stealing?: Copyright, Race, and Elusive Justice</title>
				<link>https://hcommons.org/activity/p/1778512/</link>
				<pubDate>Tue, 12 Apr 2022 22:46:37 +0000</pubDate>

									<content:encoded><![CDATA[<p>A critical analysis of the racial politics of the &#8220;Blurred Lines&#8221; copyright infringement case.</p>
]]></content:encoded>
				
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				<title>Gil Rodman deposited The Net Effect: The Public’s Fear and the Public Sphere in the group Cultural Studies</title>
				<link>https://hcommons.org/activity/p/1764285/</link>
				<pubDate>Sat, 01 Jan 2022 02:23:41 +0000</pubDate>

									<content:encoded><![CDATA[<p>This chapter examines the public discourse &#8212; both utopian and panic-driven &#8212; about the growth in popularity of the internet in the late 1990s and early 2000s</p>
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				<guid isPermaLink="false">dfc45066f6b1d8f8b6efaebd0529a694</guid>
				<title>Gil Rodman deposited The Net Effect: The Public’s Fear and the Public Sphere</title>
				<link>https://hcommons.org/activity/p/1764208/</link>
				<pubDate>Fri, 31 Dec 2021 15:51:06 +0000</pubDate>

									<content:encoded><![CDATA[<p>This chapter examines the public discourse &#8212; both utopian and panic-driven &#8212; about the growth in popularity of the internet in the late 1990s and early 2000s</p>
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				<title>Gil Rodman deposited What We (Still) Need to Learn: Stuart Hall and the Struggle Against Racism in the group Cultural Studies</title>
				<link>https://hcommons.org/activity/p/1746390/</link>
				<pubDate>Tue, 20 Jul 2021 02:23:40 +0000</pubDate>

									<content:encoded><![CDATA[<p>Forty years ago, in his seminal essay, ‘The Whites of Their Eyes’, Stuart Hall admonished the left for its – our – collective failure in figuring out how to fight back against racism effectively. Sadly, his criticism is no less valid today than it was then, and we still have a lot to learn about how to defeat racism once and for all. We’ve k&hellip;<span class="activity-read-more" id="activity-read-more-1746390"><a href="https://hcommons.org/activity/p/1746390/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">926de1eb4bebb13a6f4f74dfa3f9d734</guid>
				<title>Gil Rodman deposited What We (Still) Need to Learn: Stuart Hall and the Struggle Against Racism</title>
				<link>https://hcommons.org/activity/p/1746211/</link>
				<pubDate>Mon, 19 Jul 2021 09:50:17 +0000</pubDate>

									<content:encoded><![CDATA[<p>Forty years ago, in his seminal essay, ‘The Whites of Their Eyes’, Stuart Hall admonished the left for its – our – collective failure in figuring out how to fight back against racism effectively. Sadly, his criticism is no less valid today than it was then, and we still have a lot to learn about how to defeat racism once and for all. We’ve k&hellip;<span class="activity-read-more" id="activity-read-more-1746211"><a href="https://hcommons.org/activity/p/1746211/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">56ab7d23a716745b562630fc8b50327f</guid>
				<title>Gil Rodman deposited The Impossibility of Teaching Cultural Studies in the group Cultural Studies</title>
				<link>https://hcommons.org/activity/p/1672838/</link>
				<pubDate>Tue, 17 Dec 2019 16:25:23 +0000</pubDate>

									<content:encoded><![CDATA[<p>&#8220;When I said that part of what the Centre was about was trying to produce organic intellectual work, I of course had the question of pedagogy essentially in mind.&#8221;<br />
&#8212; Stuart Hall, &#8220;Cultural Studies and Its Theoretical Legacies&#8221;</p>
<p>Those of us in the academy who call cultural studies &#8220;home&#8221; often claim that one of the main things we do is to teach&hellip;<span class="activity-read-more" id="activity-read-more-1672838"><a href="https://hcommons.org/activity/p/1672838/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">4d6b5dda246709e4d6978da590d6f69c</guid>
				<title>Gil Rodman deposited The Impossibility of Teaching Cultural Studies</title>
				<link>https://hcommons.org/activity/p/1672790/</link>
				<pubDate>Mon, 16 Dec 2019 17:03:19 +0000</pubDate>

									<content:encoded><![CDATA[<p>&#8220;When I said that part of what the Centre was about was trying to produce organic intellectual work, I of course had the question of pedagogy essentially in mind.&#8221;<br />
&#8212; Stuart Hall, &#8220;Cultural Studies and Its Theoretical Legacies&#8221;</p>
<p>Those of us in the academy who call cultural studies &#8220;home&#8221; often claim that one of the main things we do is to teach&hellip;<span class="activity-read-more" id="activity-read-more-1672790"><a href="https://hcommons.org/activity/p/1672790/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">432271734ffd153592aabb63df270565</guid>
				<title>Gil Rodman deposited Cultural Studies Is Ordinary in the group Cultural Studies</title>
				<link>https://hcommons.org/activity/p/1635659/</link>
				<pubDate>Tue, 19 Mar 2019 16:27:44 +0000</pubDate>

									<content:encoded><![CDATA[<p>In “Culture Is Ordinary,” Raymond Williams challenged the then prevalent notion that “culture” is a phenomenon possessed only by social elites and educated highbrows, and attempted to replace it with a more expansive vision of culture as something commonly found at all levels of a social hierarchy. A truly democratic society, he insisted, could n&hellip;<span class="activity-read-more" id="activity-read-more-1635659"><a href="https://hcommons.org/activity/p/1635659/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">d108632abc4d5d6b8cee771cb56d1960</guid>
				<title>Gil Rodman deposited Cultural Studies Is Ordinary</title>
				<link>https://hcommons.org/activity/p/1635576/</link>
				<pubDate>Mon, 18 Mar 2019 18:23:03 +0000</pubDate>

									<content:encoded><![CDATA[<p>In “Culture Is Ordinary,” Raymond Williams challenged the then prevalent notion that “culture” is a phenomenon possessed only by social elites and educated highbrows, and attempted to replace it with a more expansive vision of culture as something commonly found at all levels of a social hierarchy. A truly democratic society, he insisted, could n&hellip;<span class="activity-read-more" id="activity-read-more-1635576"><a href="https://hcommons.org/activity/p/1635576/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">eeee35a88ae1bd5363ae9f31b3ebed72</guid>
				<title>Gil Rodman&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1631719/</link>
				<pubDate>Mon, 11 Feb 2019 21:08:24 +0000</pubDate>

				
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				<guid isPermaLink="false">1263f456e1049de2ff88b5b0d279cf7a</guid>
				<title>Gil Rodman deposited Cultural Studies and History in the group Cultural Studies</title>
				<link>https://hcommons.org/activity/p/1627558/</link>
				<pubDate>Tue, 01 Jan 2019 16:25:24 +0000</pubDate>

									<content:encoded><![CDATA[<p>A handbook chapter discussing the relationship between &#8220;cultural studies&#8221; and &#8220;historical theory,&#8221; with a specific focus on four facets of cultural studies that help to shape its approach to scholarly research, evidence, and analysis: (1) its overtly political nature, (2) its interdisciplinarity, (3) its constructivism, and (4) its radical contextualism.</p>
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				<guid isPermaLink="false">0664ce37e95137b5262752c3a585ad32</guid>
				<title>Gil Rodman deposited Cultural Studies and History</title>
				<link>https://hcommons.org/activity/p/1627530/</link>
				<pubDate>Mon, 31 Dec 2018 20:45:48 +0000</pubDate>

									<content:encoded><![CDATA[<p>A handbook chapter discussing the relationship between &#8220;cultural studies&#8221; and &#8220;historical theory,&#8221; with a specific focus on four facets of cultural studies that help to shape its approach to scholarly research, evidence, and analysis: (1) its overtly political nature, (2) its interdisciplinarity, (3) its constructivism, and (4) its radical contextualism.</p>
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				<guid isPermaLink="false">7c0e5d117f8381570378d2de847a59a1</guid>
				<title>Gil Rodman deposited Histories in the group Cultural Studies</title>
				<link>https://hcommons.org/activity/p/1624292/</link>
				<pubDate>Thu, 22 Nov 2018 16:25:21 +0000</pubDate>

									<content:encoded><![CDATA[<p>A chapter on &#8220;Histories&#8221; in an edited collection on key terms in popular music studies. I make an argument for the need to always historicize the study of popular music, with 4 major points of emphasis:<br />
1.  Doing history is about interpreting facts, not just reporting them.<br />
2. Historical contexts are things that we have to construct in our&hellip;<span class="activity-read-more" id="activity-read-more-1624292"><a href="https://hcommons.org/activity/p/1624292/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">fac3bfe1b21b176d23ed140abb523022</guid>
				<title>Gil Rodman deposited Histories</title>
				<link>https://hcommons.org/activity/p/1624265/</link>
				<pubDate>Wed, 21 Nov 2018 20:14:17 +0000</pubDate>

									<content:encoded><![CDATA[<p>A chapter on &#8220;Histories&#8221; in an edited collection on key terms in popular music studies. I make an argument for the need to always historicize the study of popular music, with 4 major points of emphasis:<br />
1.  Doing history is about interpreting facts, not just reporting them.<br />
2. Historical contexts are things that we have to construct in our&hellip;<span class="activity-read-more" id="activity-read-more-1624265"><a href="https://hcommons.org/activity/p/1624265/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">a965b2010ae9d8bd07c2ad51f6322a0f</guid>
				<title>Gil Rodman deposited Media:Culture:Policy, or What We Talk About When We Talk About (Cultural) Policy in the group Cultural Studies</title>
				<link>https://hcommons.org/activity/p/1605280/</link>
				<pubDate>Tue, 03 Apr 2018 04:12:29 +0000</pubDate>

									<content:encoded><![CDATA[<p>The relationship between culture and policy has long been a major topic for media and cultural studies. With<br />
this issue, we hope to broaden the meaning of cultural policy, from policies that are explicitly regulating<br />
something we call the “cultural” (including media or traditional rituals or symbols) to include the practice of<br />
policy-making and&hellip;<span class="activity-read-more" id="activity-read-more-1605280"><a href="https://hcommons.org/activity/p/1605280/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">e1c933d89e1260f0593320d7ee2396a4</guid>
				<title>Gil Rodman deposited Media:Culture:Policy, or What We Talk About When We Talk About (Cultural) Policy</title>
				<link>https://hcommons.org/activity/p/1605252/</link>
				<pubDate>Mon, 02 Apr 2018 21:54:01 +0000</pubDate>

									<content:encoded><![CDATA[<p>The relationship between culture and policy has long been a major topic for media and cultural studies. With<br />
this issue, we hope to broaden the meaning of cultural policy, from policies that are explicitly regulating<br />
something we call the “cultural” (including media or traditional rituals or symbols) to include the practice of<br />
policy-making and&hellip;<span class="activity-read-more" id="activity-read-more-1605252"><a href="https://hcommons.org/activity/p/1605252/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
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				<guid isPermaLink="false">e11efb0ee4c7dc4a043a81bbf9fdbb2c</guid>
				<title>Gil Rodman deposited Cultural Studies in the group Cultural Studies</title>
				<link>https://hcommons.org/activity/p/1604528/</link>
				<pubDate>Tue, 27 Mar 2018 04:13:10 +0000</pubDate>

									<content:encoded><![CDATA[<p>This essay explains that cultural studies is, by design, too diverse and heterogeneous a project to be reduced to a single methodology.  It goes on to offer a brief definition of project, and to describe four of its major characteristics: (1) its leftist politics, (2) its radical contextualism, (3) its radical interdisciplinarity, and (4) its&hellip;<span class="activity-read-more" id="activity-read-more-1604528"><a href="https://hcommons.org/activity/p/1604528/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">4771b9f339d1e300f71d92876ca368e7</guid>
				<title>Gil Rodman deposited Cultural Studies</title>
				<link>https://hcommons.org/activity/p/1604516/</link>
				<pubDate>Mon, 26 Mar 2018 22:10:03 +0000</pubDate>

									<content:encoded><![CDATA[<p>This essay explains that cultural studies is, by design, too diverse and heterogeneous a project to be reduced to a single methodology.  It goes on to offer a brief definition of project, and to describe four of its major characteristics: (1) its leftist politics, (2) its radical contextualism, (3) its radical interdisciplinarity, and (4) its&hellip;<span class="activity-read-more" id="activity-read-more-1604516"><a href="https://hcommons.org/activity/p/1604516/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
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				<guid isPermaLink="false">516aa3060d6ac0d6c929ac0491209a33</guid>
				<title>Gil Rodman deposited Notes on Reconstructing “the Popular” in the group Cultural Studies</title>
				<link>https://hcommons.org/activity/p/1603975/</link>
				<pubDate>Tue, 20 Mar 2018 04:13:12 +0000</pubDate>

									<content:encoded><![CDATA[<p>Drawing on Stuart Hall’s influential “Notes on deconstructing ‘the<br />
popular’” [Hall, S. (1981). In R. Samuel (Eds.), People’s history and<br />
socialist theory (pp. 227–240). London: Routledge and Kegan Paul.],<br />
this essay maps out some of the major shifts in cultural studies’<br />
relationship to popular culture over the past several decades. It<br />
co&hellip;<span class="activity-read-more" id="activity-read-more-1603975"><a href="https://hcommons.org/activity/p/1603975/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">c310504529fcf3bc505f6e27688128a6</guid>
				<title>Gil Rodman deposited Notes on Reconstructing “the Popular”</title>
				<link>https://hcommons.org/activity/p/1603957/</link>
				<pubDate>Mon, 19 Mar 2018 22:49:48 +0000</pubDate>

									<content:encoded><![CDATA[<p>Drawing on Stuart Hall’s influential “Notes on deconstructing ‘the<br />
popular’” [Hall, S. (1981). In R. Samuel (Eds.), People’s history and<br />
socialist theory (pp. 227–240). London: Routledge and Kegan Paul.],<br />
this essay maps out some of the major shifts in cultural studies’<br />
relationship to popular culture over the past several decades. It<br />
co&hellip;<span class="activity-read-more" id="activity-read-more-1603957"><a href="https://hcommons.org/activity/p/1603957/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
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				<guid isPermaLink="false">8a972b81b5186052f12d5e5f35e83c46</guid>
				<title>Gil Rodman deposited Cultural Studies and Critical Literacies in the group Cultural Studies</title>
				<link>https://hcommons.org/activity/p/1603343/</link>
				<pubDate>Tue, 13 Mar 2018 04:12:27 +0000</pubDate>

									<content:encoded><![CDATA[<p>This article introduces a special issue on the topic of Cultural Studies and Critical Literacies. The collection of articles is drawn from the central theme of the inaugural Summer Institute of the Association for Cultural Studies: to explore the implications of studying literacy by combining perspectives from cultural studies and (critical)&hellip;<span class="activity-read-more" id="activity-read-more-1603343"><a href="https://hcommons.org/activity/p/1603343/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">a5a8007cfac1f0b601c2020524fd0220</guid>
				<title>Gil Rodman deposited Cultural Studies and Critical Literacies</title>
				<link>https://hcommons.org/activity/p/1603324/</link>
				<pubDate>Mon, 12 Mar 2018 20:53:53 +0000</pubDate>

									<content:encoded><![CDATA[<p>This article introduces a special issue on the topic of Cultural Studies and Critical Literacies. The collection of articles is drawn from the central theme of the inaugural Summer Institute of the Association for Cultural Studies: to explore the implications of studying literacy by combining perspectives from cultural studies and (critical)&hellip;<span class="activity-read-more" id="activity-read-more-1603324"><a href="https://hcommons.org/activity/p/1603324/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
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				<title>Gil Rodman deposited Race . . . and Other Four Letter Words: Eminem and the Cultural Politics of Authenticity in the group Cultural Studies</title>
				<link>https://hcommons.org/activity/p/1597314/</link>
				<pubDate>Tue, 16 Jan 2018 04:12:27 +0000</pubDate>

									<content:encoded><![CDATA[<p>Rap superstar Eminem has become the new poster child for everything that’s dangerous about contemporary popular culture.  He’s crude, juvenile, and foul-mouthed.  His lyrics are violent, misogynistic, and homophobic.  He’s corrupting our youth, poisoning our culture, and laughing about it all the way to the bank.  Or so the story goes.  This essay&hellip;<span class="activity-read-more" id="activity-read-more-1597314"><a href="https://hcommons.org/activity/p/1597314/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Gil Rodman deposited Race . . . and Other Four Letter Words: Eminem and the Cultural Politics of Authenticity</title>
				<link>https://hcommons.org/activity/p/1597278/</link>
				<pubDate>Mon, 15 Jan 2018 20:15:30 +0000</pubDate>

									<content:encoded><![CDATA[<p>Rap superstar Eminem has become the new poster child for everything that’s dangerous about contemporary popular culture.  He’s crude, juvenile, and foul-mouthed.  His lyrics are violent, misogynistic, and homophobic.  He’s corrupting our youth, poisoning our culture, and laughing about it all the way to the bank.  Or so the story goes.  This essay&hellip;<span class="activity-read-more" id="activity-read-more-1597278"><a href="https://hcommons.org/activity/p/1597278/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Gil Rodman deposited Music for Nothing or, I Want My MP3: The Regulation and Recirculation of Affect in the group Cultural Studies</title>
				<link>https://hcommons.org/activity/p/1596457/</link>
				<pubDate>Thu, 11 Jan 2018 23:08:32 +0000</pubDate>

									<content:encoded><![CDATA[<p>With the public discourse around filesharing veering towards punitive extremes, our aim in this essay it to reframe the issue in two ways.  First, we argue that the filesharing debates are “too economic,” insofar as they reduce a multi-faceted phenomenon to a single issue: financial loss resulting from the theft of intellectual property.  Lost in&hellip;<span class="activity-read-more" id="activity-read-more-1596457"><a href="https://hcommons.org/activity/p/1596457/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Gil Rodman deposited Music for Nothing or, I Want My MP3: The Regulation and Recirculation of Affect</title>
				<link>https://hcommons.org/activity/p/1596047/</link>
				<pubDate>Wed, 10 Jan 2018 00:34:02 +0000</pubDate>

									<content:encoded><![CDATA[<p>With the public discourse around filesharing veering towards punitive extremes, our aim in this essay it to reframe the issue in two ways.  First, we argue that the filesharing debates are “too economic,” insofar as they reduce a multi-faceted phenomenon to a single issue: financial loss resulting from the theft of intellectual property.  Lost in&hellip;<span class="activity-read-more" id="activity-read-more-1596047"><a href="https://hcommons.org/activity/p/1596047/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Gil Rodman deposited Subject To Debate: (Mis)Reading Cultural Studies in the group Cultural Studies</title>
				<link>https://hcommons.org/activity/p/1593292/</link>
				<pubDate>Fri, 22 Dec 2017 05:41:07 +0000</pubDate>

									<content:encoded><![CDATA[<p>A critical analysis of (and intervention into) various misreadings of cultural studies.</p>
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				<title>Gil Rodman deposited Subject To Debate: (Mis)Reading Cultural Studies</title>
				<link>https://hcommons.org/activity/p/1593204/</link>
				<pubDate>Thu, 21 Dec 2017 17:16:55 +0000</pubDate>

									<content:encoded><![CDATA[<p>A critical analysis of (and intervention into) various misreadings of cultural studies.</p>
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				<title>Gil Rodman deposited A Hero to Most?: Elvis, Myth, and the Politics of Race in the group Cultural Studies</title>
				<link>https://hcommons.org/activity/p/1581390/</link>
				<pubDate>Fri, 15 Sep 2017 01:00:44 +0000</pubDate>

									<content:encoded><![CDATA[<p>A critical analysis of the racial politics and cultural mythologies surrounding Elvis Presley&#8217;s career and stardom.</p>
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				<title>Gil Rodman deposited A Hero to Most?: Elvis, Myth, and the Politics of Race</title>
				<link>https://hcommons.org/activity/p/1581297/</link>
				<pubDate>Wed, 13 Sep 2017 20:09:13 +0000</pubDate>

									<content:encoded><![CDATA[<p>A critical analysis of the racial politics and cultural mythologies surrounding Elvis Presley&#8217;s career and stardom.</p>
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				<title>Gil Rodman deposited Making a Better Mystery Out of History: Of Plateaus, Roads, and Traces in the group Cultural Studies</title>
				<link>https://hcommons.org/activity/p/1580270/</link>
				<pubDate>Fri, 01 Sep 2017 01:00:02 +0000</pubDate>

									<content:encoded><![CDATA[<p>An essay exploring the serendipitous connections (theoretical, methodological, historiographic) between three seemingly unrelated books: Deleuze and Guattari&#8217;s _A Thousand Plateaus_, Carter&#8217;s _The Road to Botany Bay_, and Marcus&#8217; _Lipstick Traces_.</p>
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				<title>Gil Rodman deposited Making a Better Mystery Out of History: Of Plateaus, Roads, and Traces</title>
				<link>https://hcommons.org/activity/p/1580017/</link>
				<pubDate>Tue, 29 Aug 2017 01:42:58 +0000</pubDate>

									<content:encoded><![CDATA[<p>An essay exploring the serendipitous connections (theoretical, methodological, historiographic) between three seemingly unrelated books: Deleuze and Guattari&#8217;s _A Thousand Plateaus_, Carter&#8217;s _The Road to Botany Bay_, and Marcus&#8217; _Lipstick Traces_.</p>
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				<title>Gil Rodman changed their profile picture</title>
				<link>https://hcommons.org/activity/p/1578572/</link>
				<pubDate>Fri, 11 Aug 2017 22:02:24 +0000</pubDate>

				
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				<title>Gil Rodman&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1578571/</link>
				<pubDate>Fri, 11 Aug 2017 21:45:01 +0000</pubDate>

				
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