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	<title>HASTAC Commons | James Gifford | Activity</title>
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				<title>James Gifford wrote a new post, Tying Three Loops: A Spell for the Modrybedd, on the site James Gifford</title>
				<link>https://gifford.mla.hcommons.org/?p=314</link>
				<pubDate>Mon, 22 Dec 2025 18:05:00 +0000</pubDate>

									<content:encoded><![CDATA[<p>Each year at Christmas I sew up some chapbooks for friends and family with bits of poetry or CNF I&#8217;ve published during the year. This piece poured out after reading Daniel Mendelsohn while thinking about [&hellip;] <img loading="lazy" src="https://gifford.mla.hcommons.org/files/2025/12/chap-1024x188.jpg" /></p>
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				<title>James Gifford wrote a new post, Terrace Nostoi, on the site James Gifford</title>
				<link>https://gifford.mla.hcommons.org/?p=339</link>
				<pubDate>Sat, 06 Dec 2025 20:45:29 +0000</pubDate>

									<content:encoded><![CDATA[<p>(first published in the Quarantine Review 2021)</p>
<p>Near the southern tip of Alaska, in a tiny propeller plane jostled by turbulence, I flew back into Terrace. I was seated beside a crying baby. He cried like [&hellip;] <img loading="lazy" src="https://gifford.mla.hcommons.org/files/2025/12/Terrace01-1.jpg" /></p>
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				<title>James Gifford&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1920512/</link>
				<pubDate>Sat, 21 Jun 2025 18:14:54 +0000</pubDate>

				
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				<title>James Gifford&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1916547/</link>
				<pubDate>Tue, 15 Apr 2025 20:48:14 +0000</pubDate>

				
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				<title>James Gifford&#039;s profile was updated</title>
				<link>https://mla.hcommons.org/activity/p/1911612/</link>
				<pubDate>Sat, 15 Feb 2025 00:10:38 +0000</pubDate>

				
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				<title>James Gifford&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1905900/</link>
				<pubDate>Thu, 28 Nov 2024 22:24:03 +0000</pubDate>

				
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				<title>James Gifford&#039;s profile was updated</title>
				<link>https://mla.hcommons.org/activity/p/1905451/</link>
				<pubDate>Thu, 21 Nov 2024 16:51:44 +0000</pubDate>

				
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				<title>James Gifford deposited "The Frontiers of Love" and Queer Literature of Place: Sexual and Territorial Ambiguity in Durrell's Novels in the group Postcolonial Studies</title>
				<link>https://hcommons.org/activity/p/1897543/</link>
				<pubDate>Fri, 30 Aug 2024 03:00:02 +0000</pubDate>

									<content:encoded><![CDATA[<p>My title queers Lawrence Durrell’s notion of “spirit of place,” the idea that identity is protean and has more to do with embeddedness in place than any essentialist or fixed being. To do so, this article reads two passages in Durrell’s novel Monsieur that link sexuality and colonialism by presenting similar ambiguities. The novel’s formal in&hellip;<span class="activity-read-more" id="activity-read-more-1897543"><a href="https://hcommons.org/activity/p/1897543/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>James Gifford deposited "The Frontiers of Love" and Queer Literature of Place: Sexual and Territorial Ambiguity in Durrell's Novels</title>
				<link>https://hcommons.org/activity/p/1897456/</link>
				<pubDate>Thu, 29 Aug 2024 01:43:35 +0000</pubDate>

									<content:encoded><![CDATA[<p>My title queers Lawrence Durrell’s notion of “spirit of place,” the idea that identity is protean and has more to do with embeddedness in place than any essentialist or fixed being. To do so, this article reads two passages in Durrell’s novel Monsieur that link sexuality and colonialism by presenting similar ambiguities. The novel’s formal in&hellip;<span class="activity-read-more" id="activity-read-more-1897456"><a href="https://hcommons.org/activity/p/1897456/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>James Gifford&#039;s profile was updated</title>
				<link>https://mla.hcommons.org/activity/p/1896104/</link>
				<pubDate>Mon, 12 Aug 2024 23:37:26 +0000</pubDate>

				
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				<title>James Gifford&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1855763/</link>
				<pubDate>Fri, 18 Aug 2023 16:29:28 +0000</pubDate>

				
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				<title>James Gifford&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1841492/</link>
				<pubDate>Fri, 14 Apr 2023 16:00:51 +0000</pubDate>

				
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				<title>James Gifford&#039;s profile was updated</title>
				<link>https://mla.hcommons.org/activity/p/1820962/</link>
				<pubDate>Wed, 09 Nov 2022 03:09:12 +0000</pubDate>

				
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				<title>James Gifford&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1793062/</link>
				<pubDate>Tue, 06 Sep 2022 21:56:45 +0000</pubDate>

				
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				<title>James Gifford deposited The Sealed Book of the Future: The Collected Prose of Edward Taylor Fletcher in the group Speculative and Science Fiction</title>
				<link>https://hcommons.org/activity/p/1791046/</link>
				<pubDate>Sat, 20 Aug 2022 02:26:09 +0000</pubDate>

									<content:encoded><![CDATA[<p>This digital book is a companion to Of Sunken Islands and Pestilence: Restoring the Voice of Edward Taylor Fletcher to Nineteenth-Century Canadian Literature. It is intended as an aid to readers, in particular students and scholars, who wish to know more about Fletcher&#8217;s works. The ideas that drove Fletcher&#8217;s creative works are on display here,&hellip;<span class="activity-read-more" id="activity-read-more-1791046"><a href="https://hcommons.org/activity/p/1791046/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>James Gifford deposited The Sealed Book of the Future: The Collected Prose of Edward Taylor Fletcher in the group Archives</title>
				<link>https://hcommons.org/activity/p/1791045/</link>
				<pubDate>Sat, 20 Aug 2022 02:25:56 +0000</pubDate>

									<content:encoded><![CDATA[<p>This digital book is a companion to Of Sunken Islands and Pestilence: Restoring the Voice of Edward Taylor Fletcher to Nineteenth-Century Canadian Literature. It is intended as an aid to readers, in particular students and scholars, who wish to know more about Fletcher&#8217;s works. The ideas that drove Fletcher&#8217;s creative works are on display here,&hellip;<span class="activity-read-more" id="activity-read-more-1791045"><a href="https://hcommons.org/activity/p/1791045/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>James Gifford deposited The Sealed Book of the Future: The Collected Prose of Edward Taylor Fletcher in the group American Literature</title>
				<link>https://hcommons.org/activity/p/1791044/</link>
				<pubDate>Sat, 20 Aug 2022 02:25:27 +0000</pubDate>

									<content:encoded><![CDATA[<p>This digital book is a companion to Of Sunken Islands and Pestilence: Restoring the Voice of Edward Taylor Fletcher to Nineteenth-Century Canadian Literature. It is intended as an aid to readers, in particular students and scholars, who wish to know more about Fletcher&#8217;s works. The ideas that drove Fletcher&#8217;s creative works are on display here,&hellip;<span class="activity-read-more" id="activity-read-more-1791044"><a href="https://hcommons.org/activity/p/1791044/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>James Gifford deposited The Sealed Book of the Future: The Collected Prose of Edward Taylor Fletcher</title>
				<link>https://hcommons.org/activity/p/1790952/</link>
				<pubDate>Fri, 19 Aug 2022 04:20:08 +0000</pubDate>

									<content:encoded><![CDATA[<p>This digital book is a companion to Of Sunken Islands and Pestilence: Restoring the Voice of Edward Taylor Fletcher to Nineteenth-Century Canadian Literature. It is intended as an aid to readers, in particular students and scholars, who wish to know more about Fletcher&#8217;s works. The ideas that drove Fletcher&#8217;s creative works are on display here,&hellip;<span class="activity-read-more" id="activity-read-more-1790952"><a href="https://hcommons.org/activity/p/1790952/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>James Gifford deposited Durrell’s Delta and Dylan Thomas’ ‘Prologue to an Adventure’ in the group LLC Victorian and Early-20th-Century English</title>
				<link>https://mla.hcommons.org/activity/p/1774918/</link>
				<pubDate>Thu, 17 Mar 2022 03:51:48 +0000</pubDate>

									<content:encoded><![CDATA[<p>In 1939, Keidrych Rhys charged that Dylan Thomas&#8217; &#8220;Prologue to an Adventure&#8221; was reprinted &#8220;in Delta (Paris) without acknowledgement&#8230; without permission&#8221;; however, Ralph Maud contrarily argues &#8220;Durrell, as editor of Delta, asked Thomas for contributions and published something by him in all three issues&#8221; (123). Thomas&#8217; letters support the latter&hellip;<span class="activity-read-more" id="activity-read-more-1774918"><a href="https://mla.hcommons.org/activity/p/1774918/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>James Gifford deposited Durrell’s Delta and Dylan Thomas’ ‘Prologue to an Adventure’ in the group LLC 20th- and 21st-Century English and Anglophone</title>
				<link>https://mla.hcommons.org/activity/p/1774917/</link>
				<pubDate>Thu, 17 Mar 2022 03:48:43 +0000</pubDate>

									<content:encoded><![CDATA[<p>In 1939, Keidrych Rhys charged that Dylan Thomas&#8217; &#8220;Prologue to an Adventure&#8221; was reprinted &#8220;in Delta (Paris) without acknowledgement&#8230; without permission&#8221;; however, Ralph Maud contrarily argues &#8220;Durrell, as editor of Delta, asked Thomas for contributions and published something by him in all three issues&#8221; (123). Thomas&#8217; letters support the latter&hellip;<span class="activity-read-more" id="activity-read-more-1774917"><a href="https://mla.hcommons.org/activity/p/1774917/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>James Gifford deposited Durrell’s Delta and Dylan Thomas’ ‘Prologue to an Adventure’</title>
				<link>https://mla.hcommons.org/activity/p/1774795/</link>
				<pubDate>Wed, 16 Mar 2022 02:00:01 +0000</pubDate>

									<content:encoded><![CDATA[<p>In 1939, Keidrych Rhys charged that Dylan Thomas&#8217; &#8220;Prologue to an Adventure&#8221; was reprinted &#8220;in Delta (Paris) without acknowledgement&#8230; without permission&#8221;; however, Ralph Maud contrarily argues &#8220;Durrell, as editor of Delta, asked Thomas for contributions and published something by him in all three issues&#8221; (123). Thomas&#8217; letters support the latter&hellip;<span class="activity-read-more" id="activity-read-more-1774795"><a href="https://mla.hcommons.org/activity/p/1774795/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>James Gifford&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1773877/</link>
				<pubDate>Fri, 04 Mar 2022 17:37:17 +0000</pubDate>

				
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				<guid isPermaLink="false">4b613b10c870c7154e0db73c2ee90761</guid>
				<title>James Gifford&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1759457/</link>
				<pubDate>Tue, 23 Nov 2021 01:34:08 +0000</pubDate>

				
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				<title>James Gifford&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1753482/</link>
				<pubDate>Sat, 02 Oct 2021 00:49:01 +0000</pubDate>

				
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				<title>James Gifford posted a new activity comment</title>
				<link>https://gifford.mla.hcommons.org/2020/02/03/on-reading-monsters/#comment-100291</link>
				<pubDate>Wed, 08 Sep 2021 02:10:49 +0000</pubDate>

									<content:encoded><![CDATA[<p>Well, that&#8217;s a start! The article still has several errors, but editors at Wikipedia (or other readers) can have very deep set opinions. It&#8217;s the nature of the beast, I suppose… Maybe I&#8217;ll try updating it, but I&#8217;m sure someone will revert things or change them eventually.</p>
<p>I&#8217;d like to say academics never do such things, but I suppose it&#8217;s p&hellip;<span class="activity-read-more" id="activity-read-more-1751035"><a href="https://gifford.mla.hcommons.org/2020/02/03/on-reading-monsters/#comment-100291" rel="nofollow ugc">[Read more]</a></span></p>
				<strong>In reply to</strong> -
				<a href="https://mla.hcommons.org/members/gifford/" rel="nofollow ugc">James Gifford</a> wrote a new post, <a href="https://gifford.mla.hcommons.org/?p=249" rel="nofollow ugc">On Reading Monsters</a>, on the site <a href="https://gifford.mla.hcommons.org" rel="nofollow ugc">James Gifford</a> 

Modernist Monsters

I’ve made a terrible mistake… As a scholar of modernist literature, the idea of reading monsters isn’t surpr [&hellip;]			]]></content:encoded>
				
				
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				<title>James Gifford posted a new activity comment</title>
				<link>https://gifford.mla.hcommons.org/2020/02/03/on-reading-monsters/#comment-100289</link>
				<pubDate>Wed, 08 Sep 2021 02:06:31 +0000</pubDate>

									<content:encoded><![CDATA[<p>That&#8217;s very kind, Steve, and I&#8217;m glad that the article was helpful to you.</p>
				<strong>In reply to</strong> -
				<a href="https://mla.hcommons.org/members/gifford/" rel="nofollow ugc">James Gifford</a> wrote a new post, <a href="https://gifford.mla.hcommons.org/?p=249" rel="nofollow ugc">On Reading Monsters</a>, on the site <a href="https://gifford.mla.hcommons.org" rel="nofollow ugc">James Gifford</a> 

Modernist Monsters

I’ve made a terrible mistake… As a scholar of modernist literature, the idea of reading monsters isn’t surpr [&hellip;]			]]></content:encoded>
				
				
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				<title>James Gifford posted a new activity comment</title>
				<link>https://gifford.mla.hcommons.org/2020/02/03/on-reading-monsters/#comment-100288</link>
				<pubDate>Wed, 08 Sep 2021 02:05:20 +0000</pubDate>

									<content:encoded><![CDATA[<p>I understand those feelings, John. In a strange way, I think his profound failures as a father eventually led to the kind of writing that was meaningful for the reasons you outline. The productive reintegration of criminals into the community is a very difficult thing, especially for anyone who has been a victim. But could we imagine a good&hellip;<span class="activity-read-more" id="activity-read-more-1751032"><a href="https://gifford.mla.hcommons.org/2020/02/03/on-reading-monsters/#comment-100288" rel="nofollow ugc">[Read more]</a></span></p>
				<strong>In reply to</strong> -
				<a href="https://mla.hcommons.org/members/gifford/" rel="nofollow ugc">James Gifford</a> wrote a new post, <a href="https://gifford.mla.hcommons.org/?p=249" rel="nofollow ugc">On Reading Monsters</a>, on the site <a href="https://gifford.mla.hcommons.org" rel="nofollow ugc">James Gifford</a> 

Modernist Monsters

I’ve made a terrible mistake… As a scholar of modernist literature, the idea of reading monsters isn’t surpr [&hellip;]			]]></content:encoded>
				
				
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				<title>James Gifford posted a new activity comment</title>
				<link>https://gifford.mla.hcommons.org/2020/02/03/on-reading-monsters/#comment-96618</link>
				<pubDate>Fri, 05 Mar 2021 16:37:05 +0000</pubDate>

									<content:encoded><![CDATA[<p>Thanks for your comments, Travis. For what it&#8217;s worth, I was adopted in the 70s, so my sympathies are very clear here. We readers invest a lot in our authors, but it may be helpful to remember that the books that hold meaning for you are not the author nor the author&#8217;s life. They can have meaning for you all on their own (and evidently his&hellip;<span class="activity-read-more" id="activity-read-more-1730235"><a href="https://gifford.mla.hcommons.org/2020/02/03/on-reading-monsters/#comment-96618" rel="nofollow ugc">[Read more]</a></span></p>
				<strong>In reply to</strong> -
				<a href="https://mla.hcommons.org/members/gifford/" rel="nofollow ugc">James Gifford</a> wrote a new post, <a href="https://gifford.mla.hcommons.org/?p=249" rel="nofollow ugc">On Reading Monsters</a>, on the site <a href="https://gifford.mla.hcommons.org" rel="nofollow ugc">James Gifford</a> 

Modernist Monsters

I’ve made a terrible mistake… As a scholar of modernist literature, the idea of reading monsters isn’t surpr [&hellip;]			]]></content:encoded>
				
				
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				<title>James Gifford&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1725561/</link>
				<pubDate>Sat, 30 Jan 2021 04:58:22 +0000</pubDate>

				
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				<title>James Gifford deposited WRIT 1002 V3/V4S (Spring 2021)</title>
				<link>https://mla.hcommons.org/activity/p/1723535/</link>
				<pubDate>Sun, 17 Jan 2021 22:16:33 +0000</pubDate>

									<content:encoded><![CDATA[<p>This course provides students with intensive study and practice in process-oriented writing, critical reading, and rhetorical inquiry. Students engage expository texts in order to describe and evaluate the choices writers make and then apply that knowledge to their own compositions. Throughout the course, students give and receive feedback, revise&hellip;<span class="activity-read-more" id="activity-read-more-1723535"><a href="https://mla.hcommons.org/activity/p/1723535/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>James Gifford posted a new activity comment</title>
				<link>https://gifford.mla.hcommons.org/2020/02/03/on-reading-monsters/#comment-67669</link>
				<pubDate>Mon, 14 Sep 2020 17:21:27 +0000</pubDate>

									<content:encoded><![CDATA[<p>I&#8217;m glad it was helpful, Greg. This can be a hard thing with any writer since their works outlive themselves, and we&#8217;re left with just the work.</p>
				<strong>In reply to</strong> -
				<a href="https://mla.hcommons.org/members/gifford/" rel="nofollow ugc">James Gifford</a> wrote a new post, <a href="https://gifford.mla.hcommons.org/?p=249" rel="nofollow ugc">On Reading Monsters</a>, on the site <a href="https://gifford.mla.hcommons.org" rel="nofollow ugc">James Gifford</a> 

Modernist Monsters

I’ve made a terrible mistake… As a scholar of modernist literature, the idea of reading monsters isn’t surpr [&hellip;]			]]></content:encoded>
				
				
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				<title>James Gifford&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1700508/</link>
				<pubDate>Mon, 20 Jul 2020 17:44:39 +0000</pubDate>

				
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				<title>James Gifford deposited Political &#38; Social History of Music (Study Guide PDF) in the group Music and Sound</title>
				<link>https://hcommons.org/activity/p/1691934/</link>
				<pubDate>Wed, 17 Jun 2020 16:26:07 +0000</pubDate>

									<content:encoded><![CDATA[<p>An introduction to music appreciation and history that emphasizes the political, cultural, and social influences on music from antiquity to the 20th century. Contents include sacred and secular, vocal and instrumental, and folk and art music from across the Western world, including modern popular song. No previous musical experience necessary. All&hellip;<span class="activity-read-more" id="activity-read-more-1691934"><a href="https://hcommons.org/activity/p/1691934/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">53f0ddf47563c28a2777d588e3072cd0</guid>
				<title>James Gifford deposited Political &#38; Social History of Music (Study Guide PDF) in the group MS Opera and Musical Performance</title>
				<link>https://mla.hcommons.org/activity/p/1691933/</link>
				<pubDate>Wed, 17 Jun 2020 16:25:24 +0000</pubDate>

									<content:encoded><![CDATA[<p>An introduction to music appreciation and history that emphasizes the political, cultural, and social influences on music from antiquity to the 20th century. Contents include sacred and secular, vocal and instrumental, and folk and art music from across the Western world, including modern popular song. No previous musical experience necessary. All&hellip;<span class="activity-read-more" id="activity-read-more-1691933"><a href="https://mla.hcommons.org/activity/p/1691933/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>James Gifford deposited Political &#38; Social History of Music (Study Guide PDF) in the group Modernist Studies Association</title>
				<link>https://mla.hcommons.org/activity/p/1691932/</link>
				<pubDate>Wed, 17 Jun 2020 16:25:22 +0000</pubDate>

									<content:encoded><![CDATA[<p>An introduction to music appreciation and history that emphasizes the political, cultural, and social influences on music from antiquity to the 20th century. Contents include sacred and secular, vocal and instrumental, and folk and art music from across the Western world, including modern popular song. No previous musical experience necessary. All&hellip;<span class="activity-read-more" id="activity-read-more-1691932"><a href="https://mla.hcommons.org/activity/p/1691932/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">35f2068561e5cee5545be755e4cd46ee</guid>
				<title>James Gifford deposited Political &#38; Social History of Music (Study Guide PDF)</title>
				<link>https://hcommons.org/activity/p/1691773/</link>
				<pubDate>Wed, 17 Jun 2020 03:33:35 +0000</pubDate>

									<content:encoded><![CDATA[<p>An introduction to music appreciation and history that emphasizes the political, cultural, and social influences on music from antiquity to the 20th century. Contents include sacred and secular, vocal and instrumental, and folk and art music from across the Western world, including modern popular song. No previous musical experience necessary. All&hellip;<span class="activity-read-more" id="activity-read-more-1691773"><a href="https://hcommons.org/activity/p/1691773/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>James Gifford posted a new activity comment</title>
				<link>https://gifford.mla.hcommons.org/2020/02/03/on-reading-monsters/#comment-32178</link>
				<pubDate>Tue, 31 Mar 2020 06:27:11 +0000</pubDate>

									<content:encoded><![CDATA[<p>Hi Barb (correct?) – I appreciate your comment very much. To be candid, I felt I&#8217;d signaled where my sympathies lie when I noted that I&#8217;m also an adopted child and thought about how my own life could easily have been quite different. That was very much part of what concerned me while I was thinking through this piece (and also as a father th&hellip;<span class="activity-read-more" id="activity-read-more-1682482"><a href="https://gifford.mla.hcommons.org/2020/02/03/on-reading-monsters/#comment-32178" rel="nofollow ugc">[Read more]</a></span></p>
				<strong>In reply to</strong> -
				<a href="https://mla.hcommons.org/members/gifford/" rel="nofollow ugc">James Gifford</a> wrote a new post, <a href="https://gifford.mla.hcommons.org/?p=249" rel="nofollow ugc">On Reading Monsters</a>, on the site <a href="https://gifford.mla.hcommons.org" rel="nofollow ugc">James Gifford</a> 

Modernist Monsters

I’ve made a terrible mistake… As a scholar of modernist literature, the idea of reading monsters isn’t surpr [&hellip;]			]]></content:encoded>
				
				
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				<title>James Gifford deposited in our time: The 1924 Text in the group LLC 20th- and 21st-Century American</title>
				<link>https://mla.hcommons.org/activity/p/1679081/</link>
				<pubDate>Sat, 22 Feb 2020 03:59:47 +0000</pubDate>

									<content:encoded><![CDATA[<p>This critical edition of Hemingway&#8217;s 1924 version of in our time is the second of three volumes for each major state of the text. Few writers have shaped the style of twentieth century prose as did Hemingway, and it all began with the &#8220;vignettes&#8221; of in our time, which have been largely unavailable for scholars and entirely out of reach for&hellip;<span class="activity-read-more" id="activity-read-more-1679081"><a href="https://mla.hcommons.org/activity/p/1679081/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">c48e670e5a1c1e336568a2b5c59b8919</guid>
				<title>James Gifford deposited in our time: The 1924 Text in the group CLCS 20th- and 21st-Century</title>
				<link>https://mla.hcommons.org/activity/p/1679080/</link>
				<pubDate>Sat, 22 Feb 2020 03:55:00 +0000</pubDate>

									<content:encoded><![CDATA[<p>This critical edition of Hemingway&#8217;s 1924 version of in our time is the second of three volumes for each major state of the text. Few writers have shaped the style of twentieth century prose as did Hemingway, and it all began with the &#8220;vignettes&#8221; of in our time, which have been largely unavailable for scholars and entirely out of reach for&hellip;<span class="activity-read-more" id="activity-read-more-1679080"><a href="https://mla.hcommons.org/activity/p/1679080/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">f7e4e11f23f223f524183fc5dde0ee2c</guid>
				<title>James Gifford deposited in our time: The 1924 Text in the group American Literature</title>
				<link>https://hcommons.org/activity/p/1679079/</link>
				<pubDate>Sat, 22 Feb 2020 03:54:21 +0000</pubDate>

									<content:encoded><![CDATA[<p>This critical edition of Hemingway&#8217;s 1924 version of in our time is the second of three volumes for each major state of the text. Few writers have shaped the style of twentieth century prose as did Hemingway, and it all began with the &#8220;vignettes&#8221; of in our time, which have been largely unavailable for scholars and entirely out of reach for&hellip;<span class="activity-read-more" id="activity-read-more-1679079"><a href="https://hcommons.org/activity/p/1679079/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>James Gifford deposited “In Our Time” and “They All Made Peace—What Is Peace?”: The 1923 Text in the group Theory and Modernism</title>
				<link>https://mla.hcommons.org/activity/p/1679078/</link>
				<pubDate>Sat, 22 Feb 2020 03:54:14 +0000</pubDate>

									<content:encoded><![CDATA[<p>This critical edition of the 1923 state of Hemingway&#8217;s In Our Time is the first of three volumes for each major state of the text. Few writers have shaped the style of twentieth century prose as did Hemingway, and it all began with the &#8220;vignettes&#8221; in The Little Review, which have been largely unavailable for scholars and entirely out of reach for&hellip;<span class="activity-read-more" id="activity-read-more-1679078"><a href="https://mla.hcommons.org/activity/p/1679078/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">86856fde6f5762ffc01b49e7745c84e6</guid>
				<title>James Gifford deposited “In Our Time” and “They All Made Peace—What Is Peace?”: The 1923 Text in the group Modernist Studies Association</title>
				<link>https://mla.hcommons.org/activity/p/1679077/</link>
				<pubDate>Sat, 22 Feb 2020 03:54:12 +0000</pubDate>

									<content:encoded><![CDATA[<p>This critical edition of the 1923 state of Hemingway&#8217;s In Our Time is the first of three volumes for each major state of the text. Few writers have shaped the style of twentieth century prose as did Hemingway, and it all began with the &#8220;vignettes&#8221; in The Little Review, which have been largely unavailable for scholars and entirely out of reach for&hellip;<span class="activity-read-more" id="activity-read-more-1679077"><a href="https://mla.hcommons.org/activity/p/1679077/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">1c49184d5f75ba12ea56a460796b476e</guid>
				<title>James Gifford deposited “In Our Time” and “They All Made Peace—What Is Peace?”: The 1923 Text in the group CLCS 20th- and 21st-Century</title>
				<link>https://mla.hcommons.org/activity/p/1679076/</link>
				<pubDate>Sat, 22 Feb 2020 03:49:21 +0000</pubDate>

									<content:encoded><![CDATA[<p>This critical edition of the 1923 state of Hemingway&#8217;s In Our Time is the first of three volumes for each major state of the text. Few writers have shaped the style of twentieth century prose as did Hemingway, and it all began with the &#8220;vignettes&#8221; in The Little Review, which have been largely unavailable for scholars and entirely out of reach for&hellip;<span class="activity-read-more" id="activity-read-more-1679076"><a href="https://mla.hcommons.org/activity/p/1679076/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">9fa2e086f9f069c41781ce3a2e1c2744</guid>
				<title>James Gifford deposited “In Our Time” and “They All Made Peace—What Is Peace?”: The 1923 Text in the group American Literature</title>
				<link>https://hcommons.org/activity/p/1679075/</link>
				<pubDate>Sat, 22 Feb 2020 03:48:43 +0000</pubDate>

									<content:encoded><![CDATA[<p>This critical edition of the 1923 state of Hemingway&#8217;s In Our Time is the first of three volumes for each major state of the text. Few writers have shaped the style of twentieth century prose as did Hemingway, and it all began with the &#8220;vignettes&#8221; in The Little Review, which have been largely unavailable for scholars and entirely out of reach for&hellip;<span class="activity-read-more" id="activity-read-more-1679075"><a href="https://hcommons.org/activity/p/1679075/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">2c93034d4f53123badcc5c6ba63d5662</guid>
				<title>James Gifford deposited in our time: The 1924 Text</title>
				<link>https://mla.hcommons.org/activity/p/1679057/</link>
				<pubDate>Fri, 21 Feb 2020 20:57:46 +0000</pubDate>

									<content:encoded><![CDATA[<p>This critical edition of Hemingway&#8217;s 1924 version of in our time is the second of three volumes for each major state of the text. Few writers have shaped the style of twentieth century prose as did Hemingway, and it all began with the &#8220;vignettes&#8221; of in our time, which have been largely unavailable for scholars and entirely out of reach for&hellip;<span class="activity-read-more" id="activity-read-more-1679057"><a href="https://mla.hcommons.org/activity/p/1679057/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">ba24d651b61a997f9f323dd3158ea3fc</guid>
				<title>James Gifford deposited “In Our Time” and “They All Made Peace—What Is Peace?”: The 1923 Text</title>
				<link>https://mla.hcommons.org/activity/p/1679055/</link>
				<pubDate>Fri, 21 Feb 2020 20:52:37 +0000</pubDate>

									<content:encoded><![CDATA[<p>This critical edition of the 1923 state of Hemingway&#8217;s In Our Time is the first of three volumes for each major state of the text. Few writers have shaped the style of twentieth century prose as did Hemingway, and it all began with the &#8220;vignettes&#8221; in The Little Review, which have been largely unavailable for scholars and entirely out of reach for&hellip;<span class="activity-read-more" id="activity-read-more-1679055"><a href="https://mla.hcommons.org/activity/p/1679055/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>James Gifford wrote a new post, On Reading Monsters, on the site James Gifford</title>
				<link>https://gifford.mla.hcommons.org/?p=249</link>
				<pubDate>Mon, 03 Feb 2020 00:02:46 +0000</pubDate>

									<content:encoded><![CDATA[<p>Modernist Monsters</p>
<p>I’ve made a terrible mistake… As a scholar of modernist literature, the idea of reading monsters isn’t surprising. We accustom ourselves to knowing the great figures of our academic disci [&hellip;] <img loading="lazy" src="https://gifford.mla.hcommons.org/files/2020/02/monster-300x82.jpg" /></p>
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				<title>James Gifford deposited Hobgoblins of Fantasy: American Fantasy Fiction in Theory in the group Theory and Modernism</title>
				<link>https://mla.hcommons.org/activity/p/1672843/</link>
				<pubDate>Tue, 17 Dec 2019 16:33:39 +0000</pubDate>

									<content:encoded><![CDATA[<p>&#8220;A frightful hobgoblin stalks through Europe. We are haunted by a ghost, the ghost of Communism.&#8221; This epigraph comes from the 1850 translation of The Communist Manifesto by Helen Macfarlane, and this special feature in The New Americanist assumes that a similarly frightful hobgoblin stalks through genre fiction, too. Fantasy as a genre is haunted&hellip;<span class="activity-read-more" id="activity-read-more-1672843"><a href="https://mla.hcommons.org/activity/p/1672843/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">839e65925e4a6eb90c040206d8afd0b9</guid>
				<title>James Gifford deposited Hobgoblins of Fantasy: American Fantasy Fiction in Theory in the group GS Speculative Fiction</title>
				<link>https://mla.hcommons.org/activity/p/1672842/</link>
				<pubDate>Tue, 17 Dec 2019 16:31:33 +0000</pubDate>

									<content:encoded><![CDATA[<p>&#8220;A frightful hobgoblin stalks through Europe. We are haunted by a ghost, the ghost of Communism.&#8221; This epigraph comes from the 1850 translation of The Communist Manifesto by Helen Macfarlane, and this special feature in The New Americanist assumes that a similarly frightful hobgoblin stalks through genre fiction, too. Fantasy as a genre is haunted&hellip;<span class="activity-read-more" id="activity-read-more-1672842"><a href="https://mla.hcommons.org/activity/p/1672842/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">7c8337746eb22436b8acb88c837c001c</guid>
				<title>James Gifford deposited Hobgoblins of Fantasy: American Fantasy Fiction in Theory in the group Cultural Studies</title>
				<link>https://hcommons.org/activity/p/1672841/</link>
				<pubDate>Tue, 17 Dec 2019 16:31:24 +0000</pubDate>

									<content:encoded><![CDATA[<p>&#8220;A frightful hobgoblin stalks through Europe. We are haunted by a ghost, the ghost of Communism.&#8221; This epigraph comes from the 1850 translation of The Communist Manifesto by Helen Macfarlane, and this special feature in The New Americanist assumes that a similarly frightful hobgoblin stalks through genre fiction, too. Fantasy as a genre is haunted&hellip;<span class="activity-read-more" id="activity-read-more-1672841"><a href="https://hcommons.org/activity/p/1672841/" rel="nofollow ugc">[Read more]</a></span></p>
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