https://hastac.hcommons.org/members/garrettlynch/activity/ Activity feed for Garrett Lynch IRL. Sat, 04 Apr 2026 15:04:43 +0000 https://buddypress.org/?v=10.6.0 en-US 30 hourly 2 1887c08096e12de7647167f6ae320bbb https://hcommons.org/activity/p/1889140/ Thu, 13 Jun 2024 14:44:28 +0000 0 625b632dd4bcf4972c1fb6fc6e9ea9cd https://hcommons.org/activity/p/1889141/ Thu, 13 Jun 2024 10:47:07 +0000 0 bead51b347912b9000c3b07ad0c2c51e https://hcommons.org/activity/p/1729104/ Fri, 26 Feb 2021 02:23:54 +0000 A Haunting of Haunts is a collection of media kits that allow artists to reenact or create new networked performance art based on landmark performances. It provides media in image and 3D formats that can be employed within a number of networked environments.

]]> 0 bead51b347912b9000c3b07ad0c2c51e https://hcommons.org/activity/p/1729103/ Fri, 26 Feb 2021 02:23:54 +0000 A Haunting of Haunts is a collection of media kits that allow artists to reenact or create new networked performance art based on landmark performances. It provides media in image and 3D formats that can be employed within a number of networked environments.

]]> 0 a0352ae032782b71ed531184f01f5d26 https://hcommons.org/activity/p/1728937/ Thu, 25 Feb 2021 15:09:55 +0000 A Haunting of Haunts is a collection of media kits that allow artists to reenact or create new networked performance art based on landmark performances. It provides media in image and 3D formats that can be employed within a number of networked environments.

]]> 0 373fe7dbdae64c73aaf4dffb613510e3 https://hcommons.org/activity/p/1728889/ Thu, 25 Feb 2021 02:23:54 +0000 This article discusses a selection from a series of performances created between 2008 and 2019 that as practice as research (PaR) explore ideas of identity, representation and place as they relate to the intersection of what are termed ‘virtual’ and ‘real’ spaces. These include I’m Garrett Lynch (IRL) (2010), I’m not Garrett Lynch (IRL) – Ident…[Read more]

]]> 0 373fe7dbdae64c73aaf4dffb613510e3 https://hcommons.org/activity/p/1728888/ Thu, 25 Feb 2021 02:23:54 +0000 This article discusses a selection from a series of performances created between 2008 and 2019 that as practice as research (PaR) explore ideas of identity, representation and place as they relate to the intersection of what are termed ‘virtual’ and ‘real’ spaces. These include I’m Garrett Lynch (IRL) (2010), I’m not Garrett Lynch (IRL) – Ident…[Read more]

]]> 0 f0a141d4269ab657361daf8629cca696 https://hcommons.org/activity/p/1728766/ Wed, 24 Feb 2021 15:05:52 +0000 This article discusses a selection from a series of performances created between 2008 and 2019 that as practice as research (PaR) explore ideas of identity, representation and place as they relate to the intersection of what are termed ‘virtual’ and ‘real’ spaces. These include I’m Garrett Lynch (IRL) (2010), I’m not Garrett Lynch (IRL) – Ident…[Read more]

]]> 0 630e9186cfd9d11e412248ac215597a9 https://hcommons.org/activity/p/1639453/ Thu, 02 May 2019 16:26:06 +0000 Since the introduction of the World Wide Web in 1991, it has had a significant impact on contemporary art. As a consequence, however, networks are almost exclusively considered as technologically determined, art produced is digital, refers to the internet and is more often than not specifically web-based. This research redefines the role of…[Read more]

]]> 0 630e9186cfd9d11e412248ac215597a9 https://hcommons.org/activity/p/1639452/ Thu, 02 May 2019 16:26:06 +0000 Since the introduction of the World Wide Web in 1991, it has had a significant impact on contemporary art. As a consequence, however, networks are almost exclusively considered as technologically determined, art produced is digital, refers to the internet and is more often than not specifically web-based. This research redefines the role of…[Read more]

]]> 0 8744776552bbe14eab0d7ba28fb3fc30 https://hcommons.org/activity/p/1639367/ Wed, 01 May 2019 15:02:26 +0000 Since the introduction of the World Wide Web in 1991, it has had a significant impact on contemporary art. As a consequence, however, networks are almost exclusively considered as technologically determined, art produced is digital, refers to the internet and is more often than not specifically web-based. This research redefines the role of…[Read more]

]]> 0 0745b15d1fbb54491b23a7a04bb47dd5 https://hcommons.org/activity/p/1634085/ Tue, 05 Mar 2019 14:51:03 +0000 0 a4d42105d28edab75265ea0c70b6a02f https://hcommons.org/activity/p/1634000/ Mon, 04 Mar 2019 16:29:41 +0000 The software used in the performance (RE:corder) allows the performer to explore, select and use radio frequencies creating a live composition made from noise, sounds, words, voices and far away songs, corroded by distortion. The trip across the space of frequencies becomes a voyage in physical and geographical spaces in search of those people,…[Read more]

]]> 0 a4d42105d28edab75265ea0c70b6a02f https://hcommons.org/activity/p/1633999/ Mon, 04 Mar 2019 16:29:41 +0000 The software used in the performance (RE:corder) allows the performer to explore, select and use radio frequencies creating a live composition made from noise, sounds, words, voices and far away songs, corroded by distortion. The trip across the space of frequencies becomes a voyage in physical and geographical spaces in search of those people,…[Read more]

]]> 0 dd34ee72f6be4aff86ae6a06f712aaf3 https://hcommons.org/activity/p/1633929/ Mon, 04 Mar 2019 13:24:50 +0000 The software used in the performance (RE:corder) allows the performer to explore, select and use radio frequencies creating a live composition made from noise, sounds, words, voices and far away songs, corroded by distortion. The trip across the space of frequencies becomes a voyage in physical and geographical spaces in search of those people,…[Read more]

]]> 0 0fc12474ebeee10e9f2a7f8b3d001217 https://hcommons.org/activity/p/1627555/ Tue, 01 Jan 2019 16:25:22 +0000 This article presents and discusses a series of four networked artworks undertaken since 2013. The artworks are performative, created within the web over a duration of time, are visible to an audience throughout their creation and as such can be considered as durational networked performances. Different in subject matter they overlap considerably…[Read more]

]]> 0 b6cf12dfa7650fd0374b2ff24339d3ae https://hcommons.org/activity/p/1627554/ Tue, 01 Jan 2019 16:25:21 +0000 This article presents and discusses a series of four networked artworks undertaken since 2013. The artworks are performative, created within the web over a duration of time, are visible to an audience throughout their creation and as such can be considered as durational networked performances. Different in subject matter they overlap considerably…[Read more]

]]> 0 b4e365c1a2ea4873c3f0d290f1a14ed2 https://hcommons.org/activity/p/1627510/ Mon, 31 Dec 2018 17:03:13 +0000 This article presents and discusses a series of four networked artworks undertaken since 2013. The artworks are performative, created within the web over a duration of time, are visible to an audience throughout their creation and as such can be considered as durational networked performances. Different in subject matter they overlap considerably…[Read more]

]]> 0 eda849b15a10a95a94426aec3c59e1cc https://hcommons.org/activity/p/1615134/ Fri, 10 Aug 2018 15:14:31 +0000 Auction action – commission an artwork, listed on eBay as ART, LIMITED EDITION, PRINT | Auction action – commission an artwork #exstrange, were transformative actions that occurred within the context of the networked performance Transformations: Actions to Matter / Matter to Actions. Transformative actions within Transformations attempt to sou…[Read more]

]]> 0 eda849b15a10a95a94426aec3c59e1cc https://hcommons.org/activity/p/1615133/ Fri, 10 Aug 2018 15:14:31 +0000 Auction action – commission an artwork, listed on eBay as ART, LIMITED EDITION, PRINT | Auction action – commission an artwork #exstrange, were transformative actions that occurred within the context of the networked performance Transformations: Actions to Matter / Matter to Actions. Transformative actions within Transformations attempt to sou…[Read more]

]]> 0 4b14da526d99a7fd72d51eb4be522150 https://hcommons.org/activity/p/1614109/ Sat, 28 Jul 2018 13:51:33 +0000 0 51b64f3962ddd9801eb78b983993c75a https://hcommons.org/activity/p/1612501/ Fri, 06 Jul 2018 10:49:08 +0000 Auction action – commission an artwork, listed on eBay as ART, LIMITED EDITION, PRINT | Auction action – commission an artwork #exstrange, were transformative actions that occurred within the context of the networked performance Transformations: Actions to Matter / Matter to Actions. Transformative actions within Transformations attempt to sou…[Read more]

]]> 0 7b3c2d7bf8643491dc94b4d155a1bf58 https://hcommons.org/activity/p/1610792/ Thu, 14 Jun 2018 04:14:03 +0000 A short article titled Remote Encounters: a report about networking practitioners on the Remote Encounters conference and Liminalities journal special issue published on Digicult.it. The report specifically addresses my own objectives as both organiser of the conference and journal issue and artist/researcher.

]]> 0 085a2c1f8463f3fbe2ad49e508aa3887 https://hcommons.org/activity/p/1610791/ Thu, 14 Jun 2018 04:14:02 +0000 Why is it important to know about the developments of Google and its influences on society? What bearing has this on new media art? To date new media art has been an information based art form, but not necessarily an informed one. Information has been used in various ways, background noise, continuously flowing content, as a trigger to indicate a…[Read more]

]]> 0 81ae123269e00e823029cc57c28a7ab6 https://hcommons.org/activity/p/1610790/ Thu, 14 Jun 2018 04:14:01 +0000 Remote Encounters: Connecting bodies, collapsing spaces and temporal ubiquity in networked performance was a two-day international conference with performance evening organised and chaired by myself at the University of South Wales on the 11th and 12th of April 2013. Its purpose was to explore the use of networks as a means to enhance or create a…[Read more]

]]> 0 1a190d695698a6632994edfc842c7022 https://hcommons.org/activity/p/1610789/ Thu, 14 Jun 2018 04:14:01 +0000 A review of HFT The Gardener, the exhibition by Susan Treister at Annely Juda Fine Art, London (22/09/2016 – 29/10/2016) published at Furtherfield.org (http://furtherfield.org/features/reviews/hft-gardener-network-financial-trading-drugs-and-botany). This review relates Treister’s work to the artistic visualisation of networks and the links…[Read more]

]]> 0 7cc0f76e917985e8304107ecfa718b3d https://hcommons.org/activity/p/1610779/ Thu, 14 Jun 2018 04:13:59 +0000 This paper for the Journal of Media Practice / MeCCSA Practice Network Symposium titled Post-Screen Cultures/Practices on the 10/06/2016, presented four networked art practice works undertaken since 2014. The works included: – This is Real Virtuality (2014), a networked photographic and text-based performance in weblog form consisting of a first…[Read more]

]]> 0 7cc0f76e917985e8304107ecfa718b3d https://hcommons.org/activity/p/1610778/ Thu, 14 Jun 2018 04:13:59 +0000 This paper for the Journal of Media Practice / MeCCSA Practice Network Symposium titled Post-Screen Cultures/Practices on the 10/06/2016, presented four networked art practice works undertaken since 2014. The works included: – This is Real Virtuality (2014), a networked photographic and text-based performance in weblog form consisting of a first…[Read more]

]]> 0 c30cc5af4e752e0d45423f878e1ffbe1 https://hcommons.org/activity/p/1610777/ Thu, 14 Jun 2018 04:13:58 +0000 The Art of Networks and Networks as Art is the title of a performance/presentation given at the 12th Annual Subtle Technologies Festival on the theme of Networks. The performance/presentation focused on the development of my work over the last five years and the role of networks within artistic practice. This was detailed in its most obvious sense…[Read more]

]]> 0 c30cc5af4e752e0d45423f878e1ffbe1 https://hcommons.org/activity/p/1610776/ Thu, 14 Jun 2018 04:13:58 +0000 The Art of Networks and Networks as Art is the title of a performance/presentation given at the 12th Annual Subtle Technologies Festival on the theme of Networks. The performance/presentation focused on the development of my work over the last five years and the role of networks within artistic practice. This was detailed in its most obvious sense…[Read more]

]]> 0 2f4d66875c1795a65b5180f58506a67f https://hcommons.org/activity/p/1610775/ Thu, 14 Jun 2018 04:13:58 +0000 In under a decade and a half, net.art has developed from an obscure to a hyped form, gaining acceptance in the institution and being absorbed into popular culture. Why net.art has become associated with the web and not networks in general is evident within the form itself. The advantages the web embodies as an arena to conceive, create and present…[Read more]

]]> 0 2f4d66875c1795a65b5180f58506a67f https://hcommons.org/activity/p/1610774/ Thu, 14 Jun 2018 04:13:58 +0000 In under a decade and a half, net.art has developed from an obscure to a hyped form, gaining acceptance in the institution and being absorbed into popular culture. Why net.art has become associated with the web and not networks in general is evident within the form itself. The advantages the web embodies as an arena to conceive, create and present…[Read more]

]]> 0 88ab6894b6212c55992ca01eb87b57bf https://hcommons.org/activity/p/1610773/ Thu, 14 Jun 2018 04:13:57 +0000 On the second and final day of the conference Remote Encounters: Connecting Bodies, Collapsing Spaces and Temporal Ubiquity in Networked Performance proceedings closed with a roundtable discussion entitled Performance Systems: Making vs. Exploiting. The purpose of the roundtable was to explore performance systems used by artists and to…[Read more]

]]> 0 88ab6894b6212c55992ca01eb87b57bf https://hcommons.org/activity/p/1610772/ Thu, 14 Jun 2018 04:13:57 +0000 On the second and final day of the conference Remote Encounters: Connecting Bodies, Collapsing Spaces and Temporal Ubiquity in Networked Performance proceedings closed with a roundtable discussion entitled Performance Systems: Making vs. Exploiting. The purpose of the roundtable was to explore performance systems used by artists and to…[Read more]

]]> 0 2e09d605e2c3ddb6c4ddfaedcef008dd https://hcommons.org/activity/p/1610771/ Thu, 14 Jun 2018 04:13:56 +0000 This special issue of Liminalities has been compiled from the outcomes of the conference Remote Encounters: Connecting bodies, collapsing spaces and temporal ubiquity in networked performance held at the University of South Wales on the 11th and 12th of April 2013. By providing an overview of contributions to the issue this editorial aims to both…[Read more]

]]> 0 2e09d605e2c3ddb6c4ddfaedcef008dd https://hcommons.org/activity/p/1610770/ Thu, 14 Jun 2018 04:13:56 +0000 This special issue of Liminalities has been compiled from the outcomes of the conference Remote Encounters: Connecting bodies, collapsing spaces and temporal ubiquity in networked performance held at the University of South Wales on the 11th and 12th of April 2013. By providing an overview of contributions to the issue this editorial aims to both…[Read more]

]]> 0 c746c172ba224e0f9ea1333db0b3e0eb https://hcommons.org/activity/p/1610769/ Thu, 14 Jun 2018 04:13:56 +0000 This article discusses the artist Garrett Lynch’s residency in Second Life® at Yoshikaze ‘Up-in-the-air’, HUMLab, Umeå University in Sweden. The artist’s mixed-reality live performance and installation work in the ‘virtual’ world, part of a wider artistic practice on networks, focuses on the identity and role of the artist within an environment m…[Read more]

]]> 0 c746c172ba224e0f9ea1333db0b3e0eb https://hcommons.org/activity/p/1610768/ Thu, 14 Jun 2018 04:13:56 +0000 This article discusses the artist Garrett Lynch’s residency in Second Life® at Yoshikaze ‘Up-in-the-air’, HUMLab, Umeå University in Sweden. The artist’s mixed-reality live performance and installation work in the ‘virtual’ world, part of a wider artistic practice on networks, focuses on the identity and role of the artist within an environment m…[Read more]

]]> 0 4aba4a521e74030701960e8a2e634283 https://hcommons.org/activity/p/1610314/ Fri, 08 Jun 2018 04:15:26 +0000 Audiences are experiencing a growing apprehension and distrust of interaction in art and a reluctance to engage with art that employs it. Interactive art can be categorised in broadly two ways: works that are highly technological or works that are highly social. While apprehension of interaction in art has always existed it is proposed that rather…[Read more]

]]> 0 4aba4a521e74030701960e8a2e634283 https://hcommons.org/activity/p/1610313/ Fri, 08 Jun 2018 04:15:26 +0000 Audiences are experiencing a growing apprehension and distrust of interaction in art and a reluctance to engage with art that employs it. Interactive art can be categorised in broadly two ways: works that are highly technological or works that are highly social. While apprehension of interaction in art has always existed it is proposed that rather…[Read more]

]]> 0 b7ea0badc417cde8e047c99158cb9819 https://hcommons.org/activity/p/1609828/ Sun, 03 Jun 2018 10:52:43 +0000 0 52c312ec84fccccd45d93d15b8e06b58 https://hcommons.org/activity/p/1609827/ Sun, 03 Jun 2018 10:40:59 +0000 This article discusses the artist Garrett Lynch’s residency in Second Life® at Yoshikaze ‘Up-in-the-air’, HUMLab, Umeå University in Sweden. The artist’s mixed-reality live performance and installation work in the ‘virtual’ world, part of a wider artistic practice on networks, focuses on the identity and role of the artist within an environment m…[Read more]

]]> 0 f16f5558fc5c0ad11be5457b1e949d41 https://hcommons.org/activity/p/1609826/ Sun, 03 Jun 2018 10:31:15 +0000 This special issue of Liminalities has been compiled from the outcomes of the conference Remote Encounters: Connecting bodies, collapsing spaces and temporal ubiquity in networked performance held at the University of South Wales on the 11th and 12th of April 2013. By providing an overview of contributions to the issue this editorial aims to both…[Read more]

]]> 0 7599c01abe3c5605e3fed53539db008b https://hcommons.org/activity/p/1609825/ Sun, 03 Jun 2018 10:25:53 +0000 On the second and final day of the conference Remote Encounters: Connecting Bodies, Collapsing Spaces and Temporal Ubiquity in Networked Performance proceedings closed with a roundtable discussion entitled Performance Systems: Making vs. Exploiting. The purpose of the roundtable was to explore performance systems used by artists and to…[Read more]

]]> 0 25d6b0cd99399f418d11fbc508b1965e https://hcommons.org/activity/p/1609824/ Sun, 03 Jun 2018 10:16:45 +0000 In under a decade and a half, net.art has developed from an obscure to a hyped form, gaining acceptance in the institution and being absorbed into popular culture. Why net.art has become associated with the web and not networks in general is evident within the form itself. The advantages the web embodies as an arena to conceive, create and present…[Read more]

]]> 0 a4657a28643208e5c4a3467ecdea0036 https://hcommons.org/activity/p/1609770/ Sat, 02 Jun 2018 17:01:09 +0000 0 111491398a1e8be8b05453a1a6eea9af https://hcommons.org/activity/p/1609769/ Sat, 02 Jun 2018 16:55:56 +0000 Audiences are experiencing a growing apprehension and distrust of interaction in art and a reluctance to engage with art that employs it. Interactive art can be categorised in broadly two ways: works that are highly technological or works that are highly social. While apprehension of interaction in art has always existed it is proposed that rather…[Read more]

]]> 0 48c3884a174e990c2c63e4281bddb819 https://hcommons.org/activity/p/1609768/ Sat, 02 Jun 2018 16:49:58 +0000 This paper for the Journal of Media Practice / MeCCSA Practice Network Symposium titled Post-Screen Cultures/Practices on the 10/06/2016, presented four networked art practice works undertaken since 2014. The works included: – This is Real Virtuality (2014), a networked photographic and text-based performance in weblog form consisting of a first…[Read more]

]]> 0 c00bab93b6f522d5c1518e0eeebd9412 https://hcommons.org/activity/p/1609767/ Sat, 02 Jun 2018 16:42:32 +0000 The Art of Networks and Networks as Art is the title of a performance/presentation given at the 12th Annual Subtle Technologies Festival on the theme of Networks. The performance/presentation focused on the development of my work over the last five years and the role of networks within artistic practice. This was detailed in its most obvious sense…[Read more]

]]> 0 b15828e8abb5d25a2b28b84389c01a3a https://hcommons.org/activity/p/1609766/ Sat, 02 Jun 2018 15:32:17 +0000 Remote Encounters: Connecting bodies, collapsing spaces and temporal ubiquity in networked performance was a two-day international conference with performance evening organised and chaired by myself at the University of South Wales on the 11th and 12th of April 2013. Its purpose was to explore the use of networks as a means to enhance or create a…[Read more]

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