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	<title>HASTAC Commons | Emma Smith | Activity</title>
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				<title>Emma Smith deposited On Editing in the group Shakespeare</title>
				<link>https://hcommons.org/activity/p/1666839/</link>
				<pubDate>Fri, 18 Oct 2019 16:28:10 +0000</pubDate>

									<content:encoded><![CDATA[<p>Covering the changes in Shakespeare editorial theory and practice over the decades between the publication of the Oxford Shakespeare (1986) and the New Oxford Shakespeare (2016), this article surveys a range of modern texts with different rationales and aimed at different readerships. The article has three sections: the imagery associated with&hellip;<span class="activity-read-more" id="activity-read-more-1666839"><a href="https://hcommons.org/activity/p/1666839/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Emma Smith deposited On Editing</title>
				<link>https://hcommons.org/activity/p/1666806/</link>
				<pubDate>Fri, 18 Oct 2019 13:44:32 +0000</pubDate>

									<content:encoded><![CDATA[<p>Covering the changes in Shakespeare editorial theory and practice over the decades between the publication of the Oxford Shakespeare (1986) and the New Oxford Shakespeare (2016), this article surveys a range of modern texts with different rationales and aimed at different readerships. The article has three sections: the imagery associated with&hellip;<span class="activity-read-more" id="activity-read-more-1666806"><a href="https://hcommons.org/activity/p/1666806/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Emma Smith deposited Genres: Cinematic and Early Modern</title>
				<link>https://hcommons.org/activity/p/1629941/</link>
				<pubDate>Mon, 21 Jan 2019 22:12:16 +0000</pubDate>

									<content:encoded><![CDATA[<p>My aim in this essay is to draw together two areas of study from cinema and theatre. The first is the theory of popular genres, their evolutionary cycle, and their role in the industrial development of Hollywood in the first half of the twentieth century, as explored by theorists and historians of cinema. The second is the early modern genre of&hellip;<span class="activity-read-more" id="activity-read-more-1629941"><a href="https://hcommons.org/activity/p/1629941/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Emma Smith deposited 'An Unromantic Comedy'</title>
				<link>https://hcommons.org/activity/p/1617965/</link>
				<pubDate>Tue, 11 Sep 2018 13:55:14 +0000</pubDate>

									<content:encoded><![CDATA[<p>Programme Note for Donmar Theatre&#8217;s &#8216;Measure for Measure&#8217;, directed Josie Rourke, opens 10/18.</p>
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				<title>Emma Smith deposited Performing Relevance/ Relevant Performances: Shakespeare, Jonson, Hitchcock</title>
				<link>https://hcommons.org/activity/p/1596987/</link>
				<pubDate>Sun, 14 Jan 2018 13:39:11 +0000</pubDate>

									<content:encoded><![CDATA[<p>Engages with questions of historicism and presentism in the modern performance of early modern drama, and compares Ben Jonson with Alfred Hitchcock.</p>
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				<title>Emma Smith deposited Reading Shakespeare's Stage Directions</title>
				<link>https://hcommons.org/activity/p/1596986/</link>
				<pubDate>Sun, 14 Jan 2018 13:31:39 +0000</pubDate>

									<content:encoded><![CDATA[<p>Suggests that we should consider the stage directions in Shakespeare&#8217;s early texts, particularly the 1623 Folio, as snippets of narrative or free indirect discourse, rather than as clues to or for performance.</p>
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				<title>Emma Smith deposited A new corrected proof sheet from Shakespeare’s First Folio (1623)</title>
				<link>https://hcommons.org/activity/p/1596981/</link>
				<pubDate>Sun, 14 Jan 2018 13:22:55 +0000</pubDate>

									<content:encoded><![CDATA[<p>Describes a previously unrecorded corrected proof sheet in a copy of Shakespeare&#8217;s First Folio (1623)</p>
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				<title>Emma Smith deposited Richard II's Yorkist Editors</title>
				<link>https://hcommons.org/activity/p/1596641/</link>
				<pubDate>Fri, 12 Jan 2018 17:03:30 +0000</pubDate>

									<content:encoded><![CDATA[<p>Discusses Shakespeare&#8217;s Richard II and questions of censorship and editorial control</p>
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				<title>Emma Smith deposited Mirth that Fills the Veins with Blood</title>
				<link>https://hcommons.org/activity/p/1596639/</link>
				<pubDate>Fri, 12 Jan 2018 17:00:59 +0000</pubDate>

									<content:encoded><![CDATA[<p>Review of the opening season of the Sam Wanamaker playhouse, London &#8211; The Knight of the Burning Pestle and The Duchess of Malfi</p>
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				<title>Emma Smith deposited Was Shylock Jewish?</title>
				<link>https://hcommons.org/activity/p/1596629/</link>
				<pubDate>Fri, 12 Jan 2018 16:44:26 +0000</pubDate>

									<content:encoded><![CDATA[<p>Discusses the invention of Shylock&#8217;s Jewishness as a reaction to Sir Henry Irving&#8217;s popular Victorian production</p>
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				<title>Emma Smith&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1596626/</link>
				<pubDate>Fri, 12 Jan 2018 16:38:33 +0000</pubDate>

				
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