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Eric Dunnum deposited The Ambiguity of Consent: Teaching Rape Culture alongside Marlowe’s Hero and Leander and the Renaissance Sonnet Tradition on Humanities Commons 5 years, 8 months ago
This article describes how I use Marlowe’s “Hero and Leander” in the class room to talk about rape and sexual assault. It also argues that Marlowe is aware of what we know refer to as rape culture and uses this concept to add context to the violent sexual encounter in the poem. For Marlowe this means a critique of the Petrarchian tradition and an…[Read more]
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Eric Dunnum deposited Not to Be Altered”: Performance’s Efficacy and Audience Reaction in The Roman Actor on Humanities Commons 5 years, 8 months ago
This paper argues that Massinger’s The Roman Actor attempts to construct stage performance as non-effective in reaction to the riotous actions of early modern London audiences.
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Eric Dunnum deposited Dauphine Was Right: Masques, the Authenticity of (Un)Performed Identity, and the Two Prologues of Epicene in the group
Performance Studies on Humanities Commons 5 years, 10 months ago
This paper argues that Epicene, Jonson’s first public play after being made official court masque writer, is unusually optimistic about the possibilities of drama. The play explores the possibility of creating an authentic personality through performance, an idea that Jonson is often hostile towards. However, Jonson’s flirtation with this…[Read more]
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Eric Dunnum deposited Dauphine Was Right: Masques, the Authenticity of (Un)Performed Identity, and the Two Prologues of Epicene in the group
EMDC: The Early Modern Digital Collaboratory on MLA Commons 5 years, 10 months ago
This paper argues that Epicene, Jonson’s first public play after being made official court masque writer, is unusually optimistic about the possibilities of drama. The play explores the possibility of creating an authentic personality through performance, an idea that Jonson is often hostile towards. However, Jonson’s flirtation with this…[Read more]
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Eric Dunnum deposited Dauphine Was Right: Masques, the Authenticity of (Un)Performed Identity, and the Two Prologues of Epicene on Humanities Commons 5 years, 10 months ago
This paper argues that Epicene, Jonson’s first public play after being made official court masque writer, is unusually optimistic about the possibilities of drama. The play explores the possibility of creating an authentic personality through performance, an idea that Jonson is often hostile towards. However, Jonson’s flirtation with this…[Read more]
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Eric Dunnum's profile was updated on Humanities Commons 5 years, 10 months ago