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Eduardo Paredes Ocampo deposited A Bicephalic Melancholiac: Acting a Royal Pathology in Spanish Golden Age Drama in the group
Spanish Golden Age Literature on Humanities Commons 1 year, 4 months agoThis study presents a reconstruction of the performance of the melancholic character in Golden Age theater. It argues that critics have overlooked the way this character type was acted on the original stage. Using Lope’s El Príncipe melancólico [The Melancholic Prince] as a case-study to speculate on the actor’s paralinguistic gestures and movem…[Read more]
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Eduardo Paredes Ocampo deposited A Bicephalic Melancholiac: Acting a Royal Pathology in Spanish Golden Age Drama in the group
Renaissance / Early Modern Studies on Humanities Commons 1 year, 4 months agoThis study presents a reconstruction of the performance of the melancholic character in Golden Age theater. It argues that critics have overlooked the way this character type was acted on the original stage. Using Lope’s El Príncipe melancólico [The Melancholic Prince] as a case-study to speculate on the actor’s paralinguistic gestures and movem…[Read more]
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Eduardo Paredes Ocampo deposited A Bicephalic Melancholiac: Acting a Royal Pathology in Spanish Golden Age Drama in the group
Early Modern Theater on Humanities Commons 1 year, 4 months agoThis study presents a reconstruction of the performance of the melancholic character in Golden Age theater. It argues that critics have overlooked the way this character type was acted on the original stage. Using Lope’s El Príncipe melancólico [The Melancholic Prince] as a case-study to speculate on the actor’s paralinguistic gestures and movem…[Read more]
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Eduardo Paredes Ocampo deposited A Bicephalic Melancholiac: Acting a Royal Pathology in Spanish Golden Age Drama in the group
Early Modern Academies of the World on Humanities Commons 1 year, 4 months agoThis study presents a reconstruction of the performance of the melancholic character in Golden Age theater. It argues that critics have overlooked the way this character type was acted on the original stage. Using Lope’s El Príncipe melancólico [The Melancholic Prince] as a case-study to speculate on the actor’s paralinguistic gestures and movem…[Read more]
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Eduardo Paredes Ocampo deposited The Tangible/Intangible Dialectic in La dama duende: A Critical Appreciation of the CNTC’s 2017 Production in the group
Spanish Golden Age Literature on Humanities Commons 1 year, 4 months agoThe CNTC’s 2017 production of La dama duende presented the transition between the two main characters’ rooms in the third jornada using two illuminated windows at the rear wall of the stage. The comparison between this rendition and other modern productions reveals two problems in adaptation: the fidelity with the original and the und…[Read more]
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Eduardo Paredes Ocampo deposited The Tangible/Intangible Dialectic in La dama duende: A Critical Appreciation of the CNTC’s 2017 Production in the group
Renaissance / Early Modern Studies on Humanities Commons 1 year, 4 months agoThe CNTC’s 2017 production of La dama duende presented the transition between the two main characters’ rooms in the third jornada using two illuminated windows at the rear wall of the stage. The comparison between this rendition and other modern productions reveals two problems in adaptation: the fidelity with the original and the und…[Read more]
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Eduardo Paredes Ocampo deposited The Tangible/Intangible Dialectic in La dama duende: A Critical Appreciation of the CNTC’s 2017 Production in the group
Early Modern Theater on Humanities Commons 1 year, 4 months agoThe CNTC’s 2017 production of La dama duende presented the transition between the two main characters’ rooms in the third jornada using two illuminated windows at the rear wall of the stage. The comparison between this rendition and other modern productions reveals two problems in adaptation: the fidelity with the original and the und…[Read more]
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Eduardo Paredes Ocampo deposited The Tangible/Intangible Dialectic in La dama duende: A Critical Appreciation of the CNTC’s 2017 Production in the group
Early Modern Academies of the World on Humanities Commons 1 year, 4 months agoThe CNTC’s 2017 production of La dama duende presented the transition between the two main characters’ rooms in the third jornada using two illuminated windows at the rear wall of the stage. The comparison between this rendition and other modern productions reveals two problems in adaptation: the fidelity with the original and the und…[Read more]
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Eduardo Paredes Ocampo changed their profile picture on Humanities Commons 1 year, 4 months ago
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Eduardo Paredes Ocampo deposited A Bicephalic Melancholiac: Acting a Royal Pathology in Spanish Golden Age Drama on Humanities Commons 1 year, 4 months ago
This study presents a reconstruction of the performance of the melancholic character in Golden Age theater. It argues that critics have overlooked the way this character type was acted on the original stage. Using Lope’s El Príncipe melancólico [The Melancholic Prince] as a case-study to speculate on the actor’s paralinguistic gestures and movem…[Read more]
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Eduardo Paredes Ocampo deposited The Tangible/Intangible Dialectic in La dama duende: A Critical Appreciation of the CNTC’s 2017 Production on Humanities Commons 1 year, 4 months ago
The CNTC’s 2017 production of La dama duende presented the transition between the two main characters’ rooms in the third jornada using two illuminated windows at the rear wall of the stage. The comparison between this rendition and other modern productions reveals two problems in adaptation: the fidelity with the original and the und…[Read more]
