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				<title>Eamonn Bell&#039;s profile was updated</title>
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				<title>Eamonn Bell&#039;s profile was updated</title>
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				<title>Eamonn Bell created the event TAXIS Reading Group Meeting #5 — Watkins, Musical Vitalities</title>
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				<title>Eamonn Bell&#039;s profile was updated</title>
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				<title>Eamonn Bell created the site TAXIS - A group blog on sound and technology</title>
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				<title>Eamonn Bell created the doc Test</title>
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				<title>Eamonn Bell&#039;s profile was updated</title>
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				<title>Eamonn Bell&#039;s profile was updated</title>
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				<pubDate>Sun, 07 Jan 2018 12:34:48 +0000</pubDate>

				
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				<title>Eamonn Bell deposited The consort fantasias of William Byrd: The application of a new quantitative technique to describe fuga subject deformation</title>
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				<pubDate>Sun, 07 Jan 2018 12:32:30 +0000</pubDate>

									<content:encoded><![CDATA[<p>The polyphonic music of William Byrd (c. 1543–1623) poses significant challenges to analysts of early music. The category of ‘imitative’ polyphony, which suggests a mode of analysis that seeks to identify successive identical (or at least, very similar) entries of a clearly-defined subject, is ill-fitting. Byrd’s polyphony is varied and discurs&hellip;<span class="activity-read-more" id="activity-read-more-1595285"><a href="https://hcommons.org/activity/p/1595285/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Eamonn Bell&#039;s profile was updated</title>
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				<pubDate>Sat, 06 Jan 2018 22:18:22 +0000</pubDate>

				
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				<pubDate>Fri, 05 Jan 2018 16:01:21 +0000</pubDate>

				
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