PublicationsOxford Handbook of the Phenomenology of Music Cultures.
Edited by Harris M. Berger, Friedlind Riedel, and David VanderHamm. New York: Oxford University Press. https://doi.org/10.1093/oxfordhb/9780190693879.001.0001
“Phenomenological Approaches in the History of Ethnomusicology,” co-authored with Harris Berger and Friedlind Riedel. In Oxford Handbook of the Phenomenology of Music Cultures
. Edited by Harris M. Berger, Friedlind Riedel, and David VanderHamm. New York: Oxford University Press. In Press.
“‘I’m Just an Armless Guitarist’: Tony Melendez, Disability, and the Social Construction of Virtuosity.” Journal of the Society for American Music
14, no. 3 (August 2020).
“Virtuosity, Obviously: Ravi Shankar, Historical Phenomenology, and the Valuation of Skill,” in Oxford Handbook of Phenomenological Ethnomusicology.
Edited by Harris M. Berger and Kati Szego. Oxford University Press. (Online Publication August 2021)
“‘All those Homes Beyond the Microphone’: Advertising, Domesticity, and Early Country Music Variety Programs in the 1930s,” in Oxford Handbook of Music and Advertising.
Edited by James Deaville, Ron Rodman, and Siu-Lan Tan. Oxford University Press: 2021.
“Simple Shaker Folk: Appropriation, American Identity, and Appalachian Spring
,” American Music
36, no. 4 (Winter 2018): 507-526. http://muse.jhu.edu/article/715974
“Virtuosity/Virtuoso.” In Oxford Bibliographies in Music.
Ed. Bruce Gustafson. New York: Oxford University Press, January 2018. http://doi.org/10.1093/OBO/9780199757824-0236
Preserving Heritage, Fostering Change: Accidental Archives in Country Music and Hip-Hop,” co-authored with Mark Katz, Public Historian
37, no. 4 (November 2015): 32–46. http://doi.org/10.1525/tph.2015.37.4.32