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	<title>HASTAC Commons | David Evans-Powell | Activity</title>
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				<title>David Evans-Powell&#039;s profile was updated</title>
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				<pubDate>Mon, 20 Dec 2021 15:54:51 +0000</pubDate>

				
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				<title>David Evans-Powell&#039;s profile was updated</title>
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				<pubDate>Thu, 20 May 2021 14:29:46 +0000</pubDate>

				
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				<title>David Evans-Powell&#039;s profile was updated</title>
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				<pubDate>Wed, 19 May 2021 08:17:36 +0000</pubDate>

				
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				<title>David Evans-Powell&#039;s profile was updated</title>
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				<pubDate>Thu, 29 Apr 2021 12:35:49 +0000</pubDate>

				
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				<title>David Evans-Powell&#039;s profile was updated</title>
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				<pubDate>Thu, 22 Apr 2021 10:41:06 +0000</pubDate>

				
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				<title>David Evans-Powell&#039;s profile was updated</title>
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				<pubDate>Tue, 20 Apr 2021 08:56:12 +0000</pubDate>

				
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				<title>David Evans-Powell&#039;s profile was updated</title>
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				<pubDate>Mon, 19 Apr 2021 14:52:17 +0000</pubDate>

				
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				<title>David Evans-Powell&#039;s profile was updated</title>
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				<pubDate>Mon, 19 Apr 2021 07:40:56 +0000</pubDate>

				
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				<title>David Evans-Powell deposited Diabolical demarcations:  Landscape and 'anti-landscape in The Blood on Satan's Claw</title>
				<link>https://hcommons.org/activity/p/1735227/</link>
				<pubDate>Sun, 18 Apr 2021 11:33:57 +0000</pubDate>

									<content:encoded><![CDATA[<p>The Blood on Satan&#8217;s Claw is attentive to what Paul Newland has described as the “haptic materiality” of the soil and the way it is physically worked .<br />
Land management is evident throughout the film. The landscape is defined by notions of ownership and control, as well as forming a topographical representation of the social hierarchy that ope&hellip;<span class="activity-read-more" id="activity-read-more-1735227"><a href="https://hcommons.org/activity/p/1735227/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>David Evans-Powell deposited Hesitation, repetition and deviation - The temporal nightmares and haunted landscapes of British television</title>
				<link>https://hcommons.org/activity/p/1735226/</link>
				<pubDate>Sun, 18 Apr 2021 11:21:49 +0000</pubDate>

									<content:encoded><![CDATA[<p>“A place retaining a trace of historical and cultural happening&#8230; can then allow for the slippages in time, the event and its topographical traces being the gateway that allows the past to exist within the present, often fantastically and sometimes horrifically.”<br />
  Adam Scovell &#8211; Folk Horror: Hours Dreadful and Things Strange – Auteur Publi&hellip;<span class="activity-read-more" id="activity-read-more-1735226"><a href="https://hcommons.org/activity/p/1735226/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>David Evans-Powell deposited Mind the Doors! Locating folk horror within the cinematic London Underground</title>
				<link>https://hcommons.org/activity/p/1735223/</link>
				<pubDate>Sun, 18 Apr 2021 11:16:14 +0000</pubDate>

									<content:encoded><![CDATA[<p>Nowhere in the urban landscape is folk horror’s encroachment into the civilised space more pronounced than in the subterranean realms of our underground transit systems.</p>
<p>These are familiar and everyday spaces, critical to the functions of urban space.  They represent the ingenuity of civilisation, violently and intrusively reshaping i&hellip;<span class="activity-read-more" id="activity-read-more-1735223"><a href="https://hcommons.org/activity/p/1735223/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>David Evans-Powell&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1735222/</link>
				<pubDate>Sun, 18 Apr 2021 10:35:37 +0000</pubDate>

				
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