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Claudio Palomares-Salas's profile was updated on Humanities Commons 1 year, 10 months ago
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Claudio Palomares-Salas deposited The Spatiality of the Hispanic Avant-Garde: Ultraísmo & Estridentismo, 1918-1927 in the group
LLC Mexican on MLA Commons 1 year, 10 months ago
The Spatiality of the Hispanic Avant-Garde: Ultraísmo & Estridentismo, 1918-1927 is a thorough exploration of the meanings and values Hispanic poets and artists assigned to four iconic locations of modernity: the city, the cafés, means of transportation, and the sea, during the first decades of the 20th century. Joining important studies on S…[Read more]
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Claudio Palomares-Salas deposited The Spatiality of the Hispanic Avant-Garde: Ultraísmo & Estridentismo, 1918-1927 in the group
LLC 20th- and 21st-Century Latin American on MLA Commons 1 year, 10 months ago
The Spatiality of the Hispanic Avant-Garde: Ultraísmo & Estridentismo, 1918-1927 is a thorough exploration of the meanings and values Hispanic poets and artists assigned to four iconic locations of modernity: the city, the cafés, means of transportation, and the sea, during the first decades of the 20th century. Joining important studies on S…[Read more]
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Claudio Palomares-Salas deposited The Spatiality of the Hispanic Avant-Garde: Ultraísmo & Estridentismo, 1918-1927 in the group
History of Art on Humanities Commons 1 year, 10 months ago
The Spatiality of the Hispanic Avant-Garde: Ultraísmo & Estridentismo, 1918-1927 is a thorough exploration of the meanings and values Hispanic poets and artists assigned to four iconic locations of modernity: the city, the cafés, means of transportation, and the sea, during the first decades of the 20th century. Joining important studies on S…[Read more]
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Claudio Palomares-Salas deposited The Spatiality of the Hispanic Avant-Garde: Ultraísmo & Estridentismo, 1918-1927 on MLA Commons 1 year, 10 months ago
The Spatiality of the Hispanic Avant-Garde: Ultraísmo & Estridentismo, 1918-1927 is a thorough exploration of the meanings and values Hispanic poets and artists assigned to four iconic locations of modernity: the city, the cafés, means of transportation, and the sea, during the first decades of the 20th century. Joining important studies on S…[Read more]
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Claudio Palomares-Salas's profile was updated on Humanities Commons 1 year, 10 months ago
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Claudio Palomares-Salas deposited Ultraism and the Historical Avant-garde in the group
History of Art on Humanities Commons 1 year, 10 months ago
Andrew A. Anderson’s new study on the Ultraist movement is an instant classic.
Scholars of this Spanish avant-garde have long been relying on a couple of
texts to find historical context to their investigations. Among these texts are
Gloria Videla’s El ultraísmo: Estudios sobre movimientos poéticos de vanguardia
en España (Ultraism: Studie…[Read more] -
Claudio Palomares-Salas deposited Sketching Futurism: Güiraldes, Marinetti and Buenos Aires (1926) in the group
History of Art on Humanities Commons 1 year, 10 months ago
Sketching Futurism: Güiraldes, Marinetti
and Buenos Aires (1926) -
Claudio Palomares-Salas deposited Ultraism and the Historical Avant-garde on MLA Commons 1 year, 10 months ago
Andrew A. Anderson’s new study on the Ultraist movement is an instant classic.
Scholars of this Spanish avant-garde have long been relying on a couple of
texts to find historical context to their investigations. Among these texts are
Gloria Videla’s El ultraísmo: Estudios sobre movimientos poéticos de vanguardia
en España (Ultraism: Studie…[Read more] -
Claudio Palomares-Salas's profile was updated on MLA Commons 1 year, 10 months ago
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Claudio Palomares-Salas's profile was updated on Humanities Commons 2 years, 10 months ago
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Claudio Palomares-Salas deposited El café de nadie: aproximaciones al mito on Humanities Commons 2 years, 10 months ago
The essay analyses the history of the Café Europa and its relevance in the Stridentist movement. It also explores the construction of the Café de Nadie’s myth. The difference between these two places —one material, the other mythical— has often been approached in a superficial way. This has caused a semantic mistake in which the discourses creat…[Read more]
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Claudio Palomares-Salas deposited Gabino Palomares: A History of Canto Nuevo in Mexico on Humanities Commons 2 years, 10 months ago
During the second half of the twentieth century, there were no spectacular events in Mexico—civil wars, military dictatorships, or revolutions—capable of fracturing the social, political, or cultural structures of the country. The absence of these culturally traumatic events positioned Mexican protest songs in the periphery of the affective nar…[Read more]
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Claudio Palomares-Salas's profile was updated on Humanities Commons 2 years, 10 months ago
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Claudio Palomares-Salas's profile was updated on Humanities Commons 2 years, 11 months ago
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Claudio Palomares-Salas's profile was updated on Humanities Commons 2 years, 11 months ago
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Claudio Palomares-Salas's profile was updated on Humanities Commons 2 years, 11 months ago
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Claudio Palomares-Salas's profile was updated on Humanities Commons 2 years, 11 months ago
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Claudio Palomares-Salas's profile was updated on Humanities Commons 2 years, 11 months ago