AboutArt Historian and Curatorial Professional specializing in Early Modern Italian and Iberian painting and sculpture, and their intersections with intellectual and scholarly life.
EducationB.A., Cornell University (2011)
M.A., University College London (2012)
Ph.D., University of Maryland – College Park (2021)
Work Shared in CORE
Other PublicationsPaganussi, Caroline. “Antea,” “Lucretia,” “Portrait of Galeazzo Sanvitale,” “Hercules at the Crossroads,” and “Pietà.” In Naples à Paris. Le Louvre invite le musée de Capodimonte, edited by Sébastien Allard, Sylvain Bellenger, and Charlotte Chastel-Rousseau, 277 – 279. Paris: Gallimard.
Paganussi, Caroline. “‘A Woman of Total Goodness, and a Singular Talent’: Anna Morandi Manzolini, Anatomist and Sculptor of Enlightenment Bologna.” In Portraits and Poses: Representations of Female Intellectual Authority, Agency and Authorship in Early Modern and Enlightenment Europe, edited by Beatrijs Vanacker and Lieke van Deinsen, 29-54. Leuven: Leuven University Press. https://doi.org/10.2307/j.ctv2gmhh99.4.
Paganussi, Caroline. “Giovan Francesco Pieri.” In Depositi di Capodimonte: Storie ancora da scrivere, edited by Carmine Romano and Maria Tamajo Contarini, 307. Naples: Editori Paparo, 2022.
MembershipsRenaissance Society of America, Italian Art Society, International Center of Medieval Art, College Art Association, Australia – New Zealand Society of Eighteenth-Century Studies, Digital Art History Society