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	<title>HASTAC Commons | Caroline Edwards | Activity</title>
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	<description>Activity feed for Caroline Edwards.</description>
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				<title>Caroline Edwards deposited All Aboard for Ararat: Islands in Contemporary Flood Fiction in the group Speculative and Science Fiction</title>
				<link>https://hcommons.org/activity/p/1850429/</link>
				<pubDate>Wed, 28 Jun 2023 02:26:29 +0000</pubDate>

									<content:encoded><![CDATA[<p>In lieu of an abstract, here is the beginning of the article&#8230; One of the most striking things about speculative literature of the twenty-first century has been its increasingly focussed interest in imagining impending disaster: from the escalating likelihood of biblical deluge on a planetary scale to looming ecocatastrophes of drought and&hellip;<span class="activity-read-more" id="activity-read-more-1850429"><a href="https://hcommons.org/activity/p/1850429/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Caroline Edwards deposited All Aboard for Ararat: Islands in Contemporary Flood Fiction in the group Environmental Humanities</title>
				<link>https://hcommons.org/activity/p/1850428/</link>
				<pubDate>Wed, 28 Jun 2023 02:26:23 +0000</pubDate>

									<content:encoded><![CDATA[<p>In lieu of an abstract, here is the beginning of the article&#8230; One of the most striking things about speculative literature of the twenty-first century has been its increasingly focussed interest in imagining impending disaster: from the escalating likelihood of biblical deluge on a planetary scale to looming ecocatastrophes of drought and&hellip;<span class="activity-read-more" id="activity-read-more-1850428"><a href="https://hcommons.org/activity/p/1850428/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Caroline Edwards deposited All Aboard for Ararat: Islands in Contemporary Flood Fiction in the group Cultural Studies</title>
				<link>https://hcommons.org/activity/p/1850427/</link>
				<pubDate>Wed, 28 Jun 2023 02:26:12 +0000</pubDate>

									<content:encoded><![CDATA[<p>In lieu of an abstract, here is the beginning of the article&#8230; One of the most striking things about speculative literature of the twenty-first century has been its increasingly focussed interest in imagining impending disaster: from the escalating likelihood of biblical deluge on a planetary scale to looming ecocatastrophes of drought and&hellip;<span class="activity-read-more" id="activity-read-more-1850427"><a href="https://hcommons.org/activity/p/1850427/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Caroline Edwards deposited Becoming-lithic: elemental utopian possibility in the contemporary ecocatastrophe in the group Speculative and Science Fiction</title>
				<link>https://hcommons.org/activity/p/1850426/</link>
				<pubDate>Wed, 28 Jun 2023 02:26:05 +0000</pubDate>

									<content:encoded><![CDATA[<p>This article explores an emerging cluster of ecocatastrophe narratives that locate utopian possibility within the Earth’s sub-crustal lithosphere. Texts such as N. K. Jemisin’s “Broken Earth” trilogy (2015–2017), J. G. Ballard’s The Crystal World (1966), Lars von Trier’s film Melancholia (2011), Irene Solà’s Catalan novel When I Sing, Mountains&hellip;<span class="activity-read-more" id="activity-read-more-1850426"><a href="https://hcommons.org/activity/p/1850426/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Caroline Edwards deposited Becoming-lithic: elemental utopian possibility in the contemporary ecocatastrophe in the group Environmental Humanities</title>
				<link>https://hcommons.org/activity/p/1850425/</link>
				<pubDate>Wed, 28 Jun 2023 02:25:56 +0000</pubDate>

									<content:encoded><![CDATA[<p>This article explores an emerging cluster of ecocatastrophe narratives that locate utopian possibility within the Earth’s sub-crustal lithosphere. Texts such as N. K. Jemisin’s “Broken Earth” trilogy (2015–2017), J. G. Ballard’s The Crystal World (1966), Lars von Trier’s film Melancholia (2011), Irene Solà’s Catalan novel When I Sing, Mountains&hellip;<span class="activity-read-more" id="activity-read-more-1850425"><a href="https://hcommons.org/activity/p/1850425/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Caroline Edwards deposited Becoming-lithic: elemental utopian possibility in the contemporary ecocatastrophe in the group Cultural Studies</title>
				<link>https://hcommons.org/activity/p/1850424/</link>
				<pubDate>Wed, 28 Jun 2023 02:25:46 +0000</pubDate>

									<content:encoded><![CDATA[<p>This article explores an emerging cluster of ecocatastrophe narratives that locate utopian possibility within the Earth’s sub-crustal lithosphere. Texts such as N. K. Jemisin’s “Broken Earth” trilogy (2015–2017), J. G. Ballard’s The Crystal World (1966), Lars von Trier’s film Melancholia (2011), Irene Solà’s Catalan novel When I Sing, Mountains&hellip;<span class="activity-read-more" id="activity-read-more-1850424"><a href="https://hcommons.org/activity/p/1850424/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Caroline Edwards deposited All Aboard for Ararat: Islands in Contemporary Flood Fiction</title>
				<link>https://hcommons.org/activity/p/1850289/</link>
				<pubDate>Mon, 26 Jun 2023 13:06:16 +0000</pubDate>

									<content:encoded><![CDATA[<p>In lieu of an abstract, here is the beginning of the article&#8230;</p>
<p>One of the most striking things about speculative literature of the twenty-first century has been its increasingly focussed interest in imagining impending disaster: from the escalating likelihood of biblical deluge on a planetary scale to looming ecocatastrophes of drought and&hellip;<span class="activity-read-more" id="activity-read-more-1850289"><a href="https://hcommons.org/activity/p/1850289/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Caroline Edwards deposited Becoming-lithic: elemental utopian possibility in the contemporary ecocatastrophe</title>
				<link>https://hcommons.org/activity/p/1850288/</link>
				<pubDate>Mon, 26 Jun 2023 12:51:35 +0000</pubDate>

									<content:encoded><![CDATA[<p>This article explores an emerging cluster of ecocatastrophe narratives that locate utopian possibility within the Earth’s sub-crustal lithosphere. Texts such as N. K. Jemisin’s “Broken Earth” trilogy (2015–2017), J. G. Ballard’s The Crystal World (1966), Lars von Trier’s film Melancholia (2011), Irene Solà’s Catalan novel When I Sing, Mountains&hellip;<span class="activity-read-more" id="activity-read-more-1850288"><a href="https://hcommons.org/activity/p/1850288/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Caroline Edwards deposited MLA 2020 Roundtable Proposal (accepted) - Reading Utopia in Dark Times in the group Speculative and Science Fiction</title>
				<link>https://hcommons.org/activity/p/1640884/</link>
				<pubDate>Sat, 25 May 2019 04:06:54 +0000</pubDate>

									<content:encoded><![CDATA[<p>Within the context of an increasingly dystopian sense of global crisis, how can the idea of Utopia help us galvanise political literary readings? This special session will present a roundtable discussion in which panelists consider how we can use utopian methods to understand different kinds of literary texts, reflecting upon the importance of the&hellip;<span class="activity-read-more" id="activity-read-more-1640884"><a href="https://hcommons.org/activity/p/1640884/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Caroline Edwards deposited MLA 2020 Roundtable Proposal (accepted) - Reading Utopia in Dark Times in the group Interdisciplinary Approaches to Culture and Society</title>
				<link>https://mla.hcommons.org/activity/p/1640883/</link>
				<pubDate>Sat, 25 May 2019 03:56:49 +0000</pubDate>

									<content:encoded><![CDATA[<p>Within the context of an increasingly dystopian sense of global crisis, how can the idea of Utopia help us galvanise political literary readings? This special session will present a roundtable discussion in which panelists consider how we can use utopian methods to understand different kinds of literary texts, reflecting upon the importance of the&hellip;<span class="activity-read-more" id="activity-read-more-1640883"><a href="https://mla.hcommons.org/activity/p/1640883/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Caroline Edwards deposited MLA 2020 Roundtable Proposal (accepted) - Reading Utopia in Dark Times in the group GS Speculative Fiction</title>
				<link>https://mla.hcommons.org/activity/p/1640882/</link>
				<pubDate>Sat, 25 May 2019 03:54:23 +0000</pubDate>

									<content:encoded><![CDATA[<p>Within the context of an increasingly dystopian sense of global crisis, how can the idea of Utopia help us galvanise political literary readings? This special session will present a roundtable discussion in which panelists consider how we can use utopian methods to understand different kinds of literary texts, reflecting upon the importance of the&hellip;<span class="activity-read-more" id="activity-read-more-1640882"><a href="https://mla.hcommons.org/activity/p/1640882/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">d9bc40e9a944c3a7f5a5d5a971ed3893</guid>
				<title>Caroline Edwards deposited MLA 2020 Roundtable Proposal (accepted) - Reading Utopia in Dark Times in the group Frankfurt School Critical Theory</title>
				<link>https://hcommons.org/activity/p/1640881/</link>
				<pubDate>Sat, 25 May 2019 03:54:21 +0000</pubDate>

									<content:encoded><![CDATA[<p>Within the context of an increasingly dystopian sense of global crisis, how can the idea of Utopia help us galvanise political literary readings? This special session will present a roundtable discussion in which panelists consider how we can use utopian methods to understand different kinds of literary texts, reflecting upon the importance of the&hellip;<span class="activity-read-more" id="activity-read-more-1640881"><a href="https://hcommons.org/activity/p/1640881/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Caroline Edwards deposited MLA 2020 Roundtable Proposal (accepted) - Reading Utopia in Dark Times in the group CLCS 20th- and 21st-Century</title>
				<link>https://mla.hcommons.org/activity/p/1640880/</link>
				<pubDate>Sat, 25 May 2019 03:48:43 +0000</pubDate>

									<content:encoded><![CDATA[<p>Within the context of an increasingly dystopian sense of global crisis, how can the idea of Utopia help us galvanise political literary readings? This special session will present a roundtable discussion in which panelists consider how we can use utopian methods to understand different kinds of literary texts, reflecting upon the importance of the&hellip;<span class="activity-read-more" id="activity-read-more-1640880"><a href="https://mla.hcommons.org/activity/p/1640880/" rel="nofollow ugc">[Read more]</a></span></p>
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				<guid isPermaLink="false">36647f8eff6925e2cfc2fa09ac5d99a6</guid>
				<title>Caroline Edwards deposited MLA 2020 Roundtable Proposal (accepted) - Reading Utopia in Dark Times</title>
				<link>https://mla.hcommons.org/activity/p/1640857/</link>
				<pubDate>Fri, 24 May 2019 12:06:44 +0000</pubDate>

									<content:encoded><![CDATA[<p>Within the context of an increasingly dystopian sense of global crisis, how can the idea of Utopia help us galvanise political literary readings? This special session will present a roundtable discussion in which panelists consider how we can use utopian methods to understand different kinds of literary texts, reflecting upon the importance of the&hellip;<span class="activity-read-more" id="activity-read-more-1640857"><a href="https://mla.hcommons.org/activity/p/1640857/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Caroline Edwards&#039;s profile was updated</title>
				<link>https://mla.hcommons.org/activity/p/1631364/</link>
				<pubDate>Thu, 07 Feb 2019 18:38:34 +0000</pubDate>

				
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				<guid isPermaLink="false">f1aee50eeabf99f98433c310293e2af9</guid>
				<title>Caroline Edwards&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1575438/</link>
				<pubDate>Sun, 09 Jul 2017 10:43:26 +0000</pubDate>

				
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				<guid isPermaLink="false">e39810b0ab7ca5cd5ceccbb04546ec61</guid>
				<title>Caroline Edwards changed their profile picture</title>
				<link>https://hcommons.org/activity/p/1575437/</link>
				<pubDate>Sun, 09 Jul 2017 10:34:47 +0000</pubDate>

				
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				<title>Caroline Edwards deposited The New Open Access Environment: Innovation in Research, Editing and Publishing in the group TM Libraries and Research</title>
				<link>https://mla.hcommons.org/activity/p/544954/</link>
				<pubDate>Mon, 29 Feb 2016 13:12:15 +0000</pubDate>

									<content:encoded><![CDATA[<p>This panel was designed to address the convention&#8217;s featured issues of the academic profession, publishing &amp; editing, open access, and new technologies. Using a roundtable format, the panel discussed how open access publications are transforming the kind of research that is possible and necessitating new editorial practices. The session hosted an&hellip;<span class="activity-read-more" id="activity-read-more-544954"><a href="https://mla.hcommons.org/activity/p/544954/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Caroline Edwards deposited The New Open Access Environment: Innovation in Research, Editing and Publishing in the group TM Bibliography and Scholarly Editing</title>
				<link>https://mla.hcommons.org/activity/p/544953/</link>
				<pubDate>Mon, 29 Feb 2016 13:12:11 +0000</pubDate>

									<content:encoded><![CDATA[<p>This panel was designed to address the convention&#8217;s featured issues of the academic profession, publishing &amp; editing, open access, and new technologies. Using a roundtable format, the panel discussed how open access publications are transforming the kind of research that is possible and necessitating new editorial practices. The session hosted an&hellip;<span class="activity-read-more" id="activity-read-more-544953"><a href="https://mla.hcommons.org/activity/p/544953/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Caroline Edwards deposited The New Open Access Environment: Innovation in Research, Editing and Publishing in the group TC Digital Humanities</title>
				<link>https://mla.hcommons.org/activity/p/544952/</link>
				<pubDate>Mon, 29 Feb 2016 13:12:02 +0000</pubDate>

									<content:encoded><![CDATA[<p>This panel was designed to address the convention&#8217;s featured issues of the academic profession, publishing &amp; editing, open access, and new technologies. Using a roundtable format, the panel discussed how open access publications are transforming the kind of research that is possible and necessitating new editorial practices. The session hosted an&hellip;<span class="activity-read-more" id="activity-read-more-544952"><a href="https://mla.hcommons.org/activity/p/544952/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Caroline Edwards deposited The New Open Access Environment: Innovation in Research, Editing and Publishing in the group HEP Teaching as a Profession</title>
				<link>https://mla.hcommons.org/activity/p/544951/</link>
				<pubDate>Mon, 29 Feb 2016 13:11:51 +0000</pubDate>

									<content:encoded><![CDATA[<p>This panel was designed to address the convention&#8217;s featured issues of the academic profession, publishing &amp; editing, open access, and new technologies. Using a roundtable format, the panel discussed how open access publications are transforming the kind of research that is possible and necessitating new editorial practices. The session hosted an&hellip;<span class="activity-read-more" id="activity-read-more-544951"><a href="https://mla.hcommons.org/activity/p/544951/" rel="nofollow ugc">[Read more]</a></span></p>
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							</item>
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				<guid isPermaLink="false">40aef8c327cf9cdad732703b16a253c6</guid>
				<title>Caroline Edwards deposited The New Open Access Environment: Innovation in Research, Editing and Publishing in the group HEP Part-Time and Contingent Faculty Issues</title>
				<link>https://mla.hcommons.org/activity/p/544950/</link>
				<pubDate>Mon, 29 Feb 2016 13:11:48 +0000</pubDate>

									<content:encoded><![CDATA[<p>This panel was designed to address the convention&#8217;s featured issues of the academic profession, publishing &amp; editing, open access, and new technologies. Using a roundtable format, the panel discussed how open access publications are transforming the kind of research that is possible and necessitating new editorial practices. The session hosted an&hellip;<span class="activity-read-more" id="activity-read-more-544950"><a href="https://mla.hcommons.org/activity/p/544950/" rel="nofollow ugc">[Read more]</a></span></p>
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									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">49e7512d75c345dfe5a14977a1156e9e</guid>
				<title>Caroline Edwards deposited The New Open Access Environment: Innovation in Research, Editing and Publishing</title>
				<link>https://mla.hcommons.org/activity/p/544949/</link>
				<pubDate>Mon, 29 Feb 2016 13:11:47 +0000</pubDate>

									<content:encoded><![CDATA[<p>This panel was designed to address the convention&#8217;s featured issues of the academic profession, publishing &amp; editing, open access, and new technologies. Using a roundtable format, the panel discussed how open access publications are transforming the kind of research that is possible and necessitating new editorial practices. The session hosted an&hellip;<span class="activity-read-more" id="activity-read-more-544949"><a href="https://mla.hcommons.org/activity/p/544949/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Caroline Edwards deposited Collective Subjects and Political Transformation</title>
				<link>https://mla.hcommons.org/activity/p/538374/</link>
				<pubDate>Mon, 11 Jan 2016 05:07:45 +0000</pubDate>

									<content:encoded><![CDATA[<p>In lieu of an abstract, here is the beginning of the article:</p>
<p>What can today’s politics and cultures teach us about subjectivity? Can postdeconstructive theorisations of subjectivity retain or even widen the spaces in which subjects that are no longer metaphysical or humanist might cooperate to construct new emancipatory struggles? Guided by t&hellip;<span class="activity-read-more" id="activity-read-more-538374"><a href="https://mla.hcommons.org/activity/p/538374/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Caroline Edwards deposited Interview with Jon McGregor in the group CLCS 20th- and 21st-Century</title>
				<link>https://mla.hcommons.org/activity/p/538373/</link>
				<pubDate>Mon, 11 Jan 2016 05:01:35 +0000</pubDate>

									<content:encoded><![CDATA[<p>In lieu of an abstract, here is the beginning of the article:</p>
<p>Born in 1976 in Bermuda, Jon McGregor grew up in Norfolk and currently lives in Nottingham in the UK. McGregor came to literary prominence with the publication of his first novel, If Nobody Speaks of Remarkable Things (Bloomsbury, 2002). The novel was an immediate success and at just&hellip;<span class="activity-read-more" id="activity-read-more-538373"><a href="https://mla.hcommons.org/activity/p/538373/" rel="nofollow ugc">[Read more]</a></span></p>
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							</item>
					<item>
				<guid isPermaLink="false">397daa6e4bea0670ba7f8a1ceca982c5</guid>
				<title>Caroline Edwards deposited Interview with Jon McGregor</title>
				<link>https://mla.hcommons.org/activity/p/538372/</link>
				<pubDate>Mon, 11 Jan 2016 05:01:34 +0000</pubDate>

									<content:encoded><![CDATA[<p>In lieu of an abstract, here is the beginning of the article:</p>
<p>Born in 1976 in Bermuda, Jon McGregor grew up in Norfolk and currently lives in Nottingham in the UK. McGregor came to literary prominence with the publication of his first novel, If Nobody Speaks of Remarkable Things (Bloomsbury, 2002). The novel was an immediate success and at just&hellip;<span class="activity-read-more" id="activity-read-more-538372"><a href="https://mla.hcommons.org/activity/p/538372/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
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				<title>Caroline Edwards deposited Unearthing the ‘gold-bearing rubble’: Ernst Bloch’s Literary Criticism in the group TM Literary and Cultural Theory</title>
				<link>https://mla.hcommons.org/activity/p/538371/</link>
				<pubDate>Mon, 11 Jan 2016 04:53:21 +0000</pubDate>

									<content:encoded><![CDATA[<p>In lieu of an abstract, here is the beginning of the chapter:</p>
<p>Ungleichzeitigkeit and global modernisms</p>
<p>Over the last twenty-five years, the modernist canon has been significantly revised as theoretical and empirical interventions have emphasised its transnational and globalised patterns of connection through a range of disciplinary&hellip;<span class="activity-read-more" id="activity-read-more-538371"><a href="https://mla.hcommons.org/activity/p/538371/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">ebbda9688a48542f966cdf4394ef250d</guid>
				<title>Caroline Edwards deposited Unearthing the ‘gold-bearing rubble’: Ernst Bloch’s Literary Criticism in the group TC Philosophy and Literature</title>
				<link>https://mla.hcommons.org/activity/p/538370/</link>
				<pubDate>Mon, 11 Jan 2016 04:53:08 +0000</pubDate>

									<content:encoded><![CDATA[<p>In lieu of an abstract, here is the beginning of the chapter:</p>
<p>Ungleichzeitigkeit and global modernisms</p>
<p>Over the last twenty-five years, the modernist canon has been significantly revised as theoretical and empirical interventions have emphasised its transnational and globalised patterns of connection through a range of disciplinary&hellip;<span class="activity-read-more" id="activity-read-more-538370"><a href="https://mla.hcommons.org/activity/p/538370/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">dac1d8dc061872dd39742558a9e23342</guid>
				<title>Caroline Edwards deposited Unearthing the ‘gold-bearing rubble’: Ernst Bloch’s Literary Criticism in the group TC Marxism, Literature, and Society</title>
				<link>https://mla.hcommons.org/activity/p/538369/</link>
				<pubDate>Mon, 11 Jan 2016 04:53:00 +0000</pubDate>

									<content:encoded><![CDATA[<p>In lieu of an abstract, here is the beginning of the chapter:</p>
<p>Ungleichzeitigkeit and global modernisms</p>
<p>Over the last twenty-five years, the modernist canon has been significantly revised as theoretical and empirical interventions have emphasised its transnational and globalised patterns of connection through a range of disciplinary&hellip;<span class="activity-read-more" id="activity-read-more-538369"><a href="https://mla.hcommons.org/activity/p/538369/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">8be3ee3d55755c030508b63f8e5672ee</guid>
				<title>Caroline Edwards deposited Unearthing the ‘gold-bearing rubble’: Ernst Bloch’s Literary Criticism in the group LLC 19th- and Early-20th-Century German</title>
				<link>https://mla.hcommons.org/activity/p/538368/</link>
				<pubDate>Mon, 11 Jan 2016 04:52:58 +0000</pubDate>

									<content:encoded><![CDATA[<p>In lieu of an abstract, here is the beginning of the chapter:</p>
<p>Ungleichzeitigkeit and global modernisms</p>
<p>Over the last twenty-five years, the modernist canon has been significantly revised as theoretical and empirical interventions have emphasised its transnational and globalised patterns of connection through a range of disciplinary&hellip;<span class="activity-read-more" id="activity-read-more-538368"><a href="https://mla.hcommons.org/activity/p/538368/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">f1bf582065384737a975e206be6c030b</guid>
				<title>Caroline Edwards deposited Unearthing the ‘gold-bearing rubble’: Ernst Bloch’s Literary Criticism in the group GS Speculative Fiction</title>
				<link>https://mla.hcommons.org/activity/p/538367/</link>
				<pubDate>Mon, 11 Jan 2016 04:52:51 +0000</pubDate>

									<content:encoded><![CDATA[<p>In lieu of an abstract, here is the beginning of the chapter:</p>
<p>Ungleichzeitigkeit and global modernisms</p>
<p>Over the last twenty-five years, the modernist canon has been significantly revised as theoretical and empirical interventions have emphasised its transnational and globalised patterns of connection through a range of disciplinary&hellip;<span class="activity-read-more" id="activity-read-more-538367"><a href="https://mla.hcommons.org/activity/p/538367/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">f1bf582065384737a975e206be6c030b</guid>
				<title>Caroline Edwards deposited Unearthing the ‘gold-bearing rubble’: Ernst Bloch’s Literary Criticism</title>
				<link>https://mla.hcommons.org/activity/p/538366/</link>
				<pubDate>Mon, 11 Jan 2016 04:52:51 +0000</pubDate>

									<content:encoded><![CDATA[<p>In lieu of an abstract, here is the beginning of the chapter:</p>
<p>Ungleichzeitigkeit and global modernisms</p>
<p>Over the last twenty-five years, the modernist canon has been significantly revised as theoretical and empirical interventions have emphasised its transnational and globalised patterns of connection through a range of disciplinary&hellip;<span class="activity-read-more" id="activity-read-more-538366"><a href="https://mla.hcommons.org/activity/p/538366/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">165709aff1080f95bc1d1f82b890f56e</guid>
				<title>Caroline Edwards deposited From Eros to Eschaton: Herbert Marcuse’s Liberation of Time in the group TM Literary and Cultural Theory</title>
				<link>https://mla.hcommons.org/activity/p/538365/</link>
				<pubDate>Mon, 11 Jan 2016 04:43:08 +0000</pubDate>

									<content:encoded><![CDATA[<p>This article explores what Gershom Scholem has called Herbert Marcuse’s “unacknowledged ties to [his] Jewish heritage.” At the core of Marcuse’s vision of transformed, non-repressive social relations, I argue, is a struggle over time, which rests upon a distinctly Jewish approach to the twin questions of remembrance and redemption. One example&hellip;<span class="activity-read-more" id="activity-read-more-538365"><a href="https://mla.hcommons.org/activity/p/538365/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">8246d95af2975822720e76a6ab59d74d</guid>
				<title>Caroline Edwards deposited From Eros to Eschaton: Herbert Marcuse’s Liberation of Time in the group TC Religion and Literature</title>
				<link>https://mla.hcommons.org/activity/p/538364/</link>
				<pubDate>Mon, 11 Jan 2016 04:43:01 +0000</pubDate>

									<content:encoded><![CDATA[<p>This article explores what Gershom Scholem has called Herbert Marcuse’s “unacknowledged ties to [his] Jewish heritage.” At the core of Marcuse’s vision of transformed, non-repressive social relations, I argue, is a struggle over time, which rests upon a distinctly Jewish approach to the twin questions of remembrance and redemption. One example&hellip;<span class="activity-read-more" id="activity-read-more-538364"><a href="https://mla.hcommons.org/activity/p/538364/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">46a920aafbd4977a3ab4a1af8a598ad0</guid>
				<title>Caroline Edwards deposited From Eros to Eschaton: Herbert Marcuse’s Liberation of Time in the group TC Marxism, Literature, and Society</title>
				<link>https://mla.hcommons.org/activity/p/538363/</link>
				<pubDate>Mon, 11 Jan 2016 04:42:54 +0000</pubDate>

									<content:encoded><![CDATA[<p>This article explores what Gershom Scholem has called Herbert Marcuse’s “unacknowledged ties to [his] Jewish heritage.” At the core of Marcuse’s vision of transformed, non-repressive social relations, I argue, is a struggle over time, which rests upon a distinctly Jewish approach to the twin questions of remembrance and redemption. One example&hellip;<span class="activity-read-more" id="activity-read-more-538363"><a href="https://mla.hcommons.org/activity/p/538363/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">0216b3b5e0304558b9b4164785a5e702</guid>
				<title>Caroline Edwards deposited From Eros to Eschaton: Herbert Marcuse’s Liberation of Time</title>
				<link>https://mla.hcommons.org/activity/p/538362/</link>
				<pubDate>Mon, 11 Jan 2016 04:42:53 +0000</pubDate>

									<content:encoded><![CDATA[<p>This article explores what Gershom Scholem has called Herbert Marcuse’s “unacknowledged ties to [his] Jewish heritage.” At the core of Marcuse’s vision of transformed, non-repressive social relations, I argue, is a struggle over time, which rests upon a distinctly Jewish approach to the twin questions of remembrance and redemption. One example&hellip;<span class="activity-read-more" id="activity-read-more-538362"><a href="https://mla.hcommons.org/activity/p/538362/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
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							</item>
					<item>
				<guid isPermaLink="false">c8a12d32b58748845e5f211e50a18eb2</guid>
				<title>Caroline Edwards&#039;s profile was updated</title>
				<link>https://mla.hcommons.org/activity/p/538361/</link>
				<pubDate>Mon, 11 Jan 2016 04:33:11 +0000</pubDate>

				
									<slash:comments>0</slash:comments>
				
							</item>
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				<guid isPermaLink="false">354b8b11678dd2811942fbbc87f76277</guid>
				<title>Caroline Edwards deposited Rethinking the Arcadian Revenge: Metachronous Times in the Fiction of Sam Taylor in the group TM Literary and Cultural Theory</title>
				<link>https://mla.hcommons.org/activity/p/538348/</link>
				<pubDate>Mon, 11 Jan 2016 00:30:00 +0000</pubDate>

									<content:encoded><![CDATA[<p>In lieu of an abstract, here is the beginning of the article: In a recent discussion of modernism, Peter Osborne argues that the terms “modern,” “modernity,” and “modernization” need to be understood through their shared philosophical status as temporal constructions. The emergence of the modern within Western philosophy is predicated on a subjec&hellip;<span class="activity-read-more" id="activity-read-more-538348"><a href="https://mla.hcommons.org/activity/p/538348/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
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					<item>
				<guid isPermaLink="false">f1356ccc3bf9db67f4003d4b0e09331e</guid>
				<title>Caroline Edwards deposited Rethinking the Arcadian Revenge: Metachronous Times in the Fiction of Sam Taylor in the group TC Marxism, Literature, and Society</title>
				<link>https://mla.hcommons.org/activity/p/538347/</link>
				<pubDate>Mon, 11 Jan 2016 00:29:53 +0000</pubDate>

									<content:encoded><![CDATA[<p>In lieu of an abstract, here is the beginning of the article: In a recent discussion of modernism, Peter Osborne argues that the terms “modern,” “modernity,” and “modernization” need to be understood through their shared philosophical status as temporal constructions. The emergence of the modern within Western philosophy is predicated on a subjec&hellip;<span class="activity-read-more" id="activity-read-more-538347"><a href="https://mla.hcommons.org/activity/p/538347/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
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							</item>
					<item>
				<guid isPermaLink="false">9f10f0842ad212fec4bce69ba10e6cee</guid>
				<title>Caroline Edwards deposited Rethinking the Arcadian Revenge: Metachronous Times in the Fiction of Sam Taylor in the group TC Ecocriticism and Environmental Humanities</title>
				<link>https://mla.hcommons.org/activity/p/538346/</link>
				<pubDate>Mon, 11 Jan 2016 00:29:51 +0000</pubDate>

									<content:encoded><![CDATA[<p>In lieu of an abstract, here is the beginning of the article: In a recent discussion of modernism, Peter Osborne argues that the terms “modern,” “modernity,” and “modernization” need to be understood through their shared philosophical status as temporal constructions. The emergence of the modern within Western philosophy is predicated on a subjec&hellip;<span class="activity-read-more" id="activity-read-more-538346"><a href="https://mla.hcommons.org/activity/p/538346/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">2b8fbbbc03d99dbf1402e6a7d89a2145</guid>
				<title>Caroline Edwards deposited Rethinking the Arcadian Revenge: Metachronous Times in the Fiction of Sam Taylor in the group GS Speculative Fiction</title>
				<link>https://mla.hcommons.org/activity/p/538345/</link>
				<pubDate>Mon, 11 Jan 2016 00:29:46 +0000</pubDate>

									<content:encoded><![CDATA[<p>In lieu of an abstract, here is the beginning of the article: In a recent discussion of modernism, Peter Osborne argues that the terms “modern,” “modernity,” and “modernization” need to be understood through their shared philosophical status as temporal constructions. The emergence of the modern within Western philosophy is predicated on a subjec&hellip;<span class="activity-read-more" id="activity-read-more-538345"><a href="https://mla.hcommons.org/activity/p/538345/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
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							</item>
					<item>
				<guid isPermaLink="false">bb761dc9f43d7e2d735f7c4944b226b2</guid>
				<title>Caroline Edwards deposited Rethinking the Arcadian Revenge: Metachronous Times in the Fiction of Sam Taylor in the group CLCS 20th- and 21st-Century</title>
				<link>https://mla.hcommons.org/activity/p/538344/</link>
				<pubDate>Mon, 11 Jan 2016 00:29:34 +0000</pubDate>

									<content:encoded><![CDATA[<p>In lieu of an abstract, here is the beginning of the article: In a recent discussion of modernism, Peter Osborne argues that the terms “modern,” “modernity,” and “modernization” need to be understood through their shared philosophical status as temporal constructions. The emergence of the modern within Western philosophy is predicated on a subjec&hellip;<span class="activity-read-more" id="activity-read-more-538344"><a href="https://mla.hcommons.org/activity/p/538344/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
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							</item>
					<item>
				<guid isPermaLink="false">a98700e4dc41779236391bc3628582e5</guid>
				<title>Caroline Edwards deposited Rethinking the Arcadian Revenge: Metachronous Times in the Fiction of Sam Taylor</title>
				<link>https://mla.hcommons.org/activity/p/538343/</link>
				<pubDate>Mon, 11 Jan 2016 00:29:33 +0000</pubDate>

									<content:encoded><![CDATA[<p>In lieu of an abstract, here is the beginning of the article: In a recent discussion of modernism, Peter Osborne argues that the terms “modern,” “modernity,” and “modernization” need to be understood through their shared philosophical status as temporal constructions. The emergence of the modern within Western philosophy is predicated on a subjec&hellip;<span class="activity-read-more" id="activity-read-more-538343"><a href="https://mla.hcommons.org/activity/p/538343/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
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							</item>
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				<guid isPermaLink="false">39d6bd3116c6ae5abb9d71a264f6af52</guid>
				<title>Caroline Edwards deposited Microtopias: The Post-apocalyptic Communities of Jim Crace&#039;s The Pesthouse in the group TM Literary and Cultural Theory</title>
				<link>https://mla.hcommons.org/activity/p/538342/</link>
				<pubDate>Mon, 11 Jan 2016 00:19:11 +0000</pubDate>

									<content:encoded><![CDATA[<p>In lieu of an abstract, here is the beginning of the article:</p>
<p>After the fall of the Berlin Wall and the subsequent collapse of communism in the former Soviet bloc, the concept of utopia was blighted with the stigma of Stalinist totalitarianism. Khrushchev’s denunciation of Stalin’s despotism at the 20th Congress of the Communist Party in 195&hellip;<span class="activity-read-more" id="activity-read-more-538342"><a href="https://mla.hcommons.org/activity/p/538342/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
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							</item>
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				<guid isPermaLink="false">085f852853291993205d3f4a1cbb4e31</guid>
				<title>Caroline Edwards deposited Microtopias: The Post-apocalyptic Communities of Jim Crace&#039;s The Pesthouse in the group TC Marxism, Literature, and Society</title>
				<link>https://mla.hcommons.org/activity/p/538341/</link>
				<pubDate>Mon, 11 Jan 2016 00:19:05 +0000</pubDate>

									<content:encoded><![CDATA[<p>In lieu of an abstract, here is the beginning of the article:</p>
<p>After the fall of the Berlin Wall and the subsequent collapse of communism in the former Soviet bloc, the concept of utopia was blighted with the stigma of Stalinist totalitarianism. Khrushchev’s denunciation of Stalin’s despotism at the 20th Congress of the Communist Party in 195&hellip;<span class="activity-read-more" id="activity-read-more-538341"><a href="https://mla.hcommons.org/activity/p/538341/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
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							</item>
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				<guid isPermaLink="false">a712197b5a933c83258930f6f4db7fd9</guid>
				<title>Caroline Edwards deposited Microtopias: The Post-apocalyptic Communities of Jim Crace&#039;s The Pesthouse in the group TC Ecocriticism and Environmental Humanities</title>
				<link>https://mla.hcommons.org/activity/p/538340/</link>
				<pubDate>Mon, 11 Jan 2016 00:19:03 +0000</pubDate>

									<content:encoded><![CDATA[<p>In lieu of an abstract, here is the beginning of the article:</p>
<p>After the fall of the Berlin Wall and the subsequent collapse of communism in the former Soviet bloc, the concept of utopia was blighted with the stigma of Stalinist totalitarianism. Khrushchev’s denunciation of Stalin’s despotism at the 20th Congress of the Communist Party in 195&hellip;<span class="activity-read-more" id="activity-read-more-538340"><a href="https://mla.hcommons.org/activity/p/538340/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
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							</item>
					<item>
				<guid isPermaLink="false">2a70c2361b48072fa6b91d9af7b345df</guid>
				<title>Caroline Edwards deposited Microtopias: The Post-apocalyptic Communities of Jim Crace&#039;s The Pesthouse in the group GS Speculative Fiction</title>
				<link>https://mla.hcommons.org/activity/p/538339/</link>
				<pubDate>Mon, 11 Jan 2016 00:18:57 +0000</pubDate>

									<content:encoded><![CDATA[<p>In lieu of an abstract, here is the beginning of the article:</p>
<p>After the fall of the Berlin Wall and the subsequent collapse of communism in the former Soviet bloc, the concept of utopia was blighted with the stigma of Stalinist totalitarianism. Khrushchev’s denunciation of Stalin’s despotism at the 20th Congress of the Communist Party in 195&hellip;<span class="activity-read-more" id="activity-read-more-538339"><a href="https://mla.hcommons.org/activity/p/538339/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
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							</item>
					<item>
				<guid isPermaLink="false">53693443ea5c10efc0b6b8a9a21b1079</guid>
				<title>Caroline Edwards deposited Microtopias: The Post-apocalyptic Communities of Jim Crace&#039;s The Pesthouse in the group CLCS 20th- and 21st-Century</title>
				<link>https://mla.hcommons.org/activity/p/538338/</link>
				<pubDate>Mon, 11 Jan 2016 00:18:45 +0000</pubDate>

									<content:encoded><![CDATA[<p>In lieu of an abstract, here is the beginning of the article:</p>
<p>After the fall of the Berlin Wall and the subsequent collapse of communism in the former Soviet bloc, the concept of utopia was blighted with the stigma of Stalinist totalitarianism. Khrushchev’s denunciation of Stalin’s despotism at the 20th Congress of the Communist Party in 195&hellip;<span class="activity-read-more" id="activity-read-more-538338"><a href="https://mla.hcommons.org/activity/p/538338/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
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							</item>
					<item>
				<guid isPermaLink="false">30b15a3d0a4dd7244954aa2f0e4b0978</guid>
				<title>Caroline Edwards deposited Microtopias: The Post-apocalyptic Communities of Jim Crace&#039;s The Pesthouse</title>
				<link>https://mla.hcommons.org/activity/p/538337/</link>
				<pubDate>Mon, 11 Jan 2016 00:18:44 +0000</pubDate>

									<content:encoded><![CDATA[<p>In lieu of an abstract, here is the beginning of the article:</p>
<p>After the fall of the Berlin Wall and the subsequent collapse of communism in the former Soviet bloc, the concept of utopia was blighted with the stigma of Stalinist totalitarianism. Khrushchev’s denunciation of Stalin’s despotism at the 20th Congress of the Communist Party in 195&hellip;<span class="activity-read-more" id="activity-read-more-538337"><a href="https://mla.hcommons.org/activity/p/538337/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">5c94684a35c1855b5f76d9460cce430c</guid>
				<title>Caroline Edwards&#039;s profile was updated</title>
				<link>https://mla.hcommons.org/activity/p/538336/</link>
				<pubDate>Mon, 11 Jan 2016 00:01:15 +0000</pubDate>

				
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