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Profile picture of Brett Greatley-Hirsch

Brett Greatley-Hirsch

,

@bdgreatleyhirsch

34

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13

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  • CORE deposits 17
  • Following 34
  • Followers 13
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  • The White Devil: The State of the Art

    Author(s):
    Brett Greatley-Hirsch
    Date:
    2016
    Item Type:
    Book chapter
    Tag(s):
    Jacobean drama, John Webster, The White Devil, Early modern studies

  • Judaism and Jews

    Author(s):
    Brett Greatley-Hirsch
    Date:
    2016
    Subject(s):
    Shakespeare, William, 1564-1616
    Item Type:
    Book chapter
    Tag(s):
    Jews, The Merchant of Venice, Early modern studies, Shakespeare

  • Three Wax Images, Two Italian Gentlemen, and One English Queen

    Author(s):
    Brett Greatley-Hirsch
    Date:
    2014
    Item Type:
    Book chapter
    Tag(s):
    Renaissance drama, Theatre history, Anthony Munday, Fidele and Fortunio, Elizabethan drama, Early modern studies

  • The Taming of the Jew: Spit and the Civilizing Process in The Merchant of Venice

    Author(s):
    Brett Greatley-Hirsch
    Date:
    2013
    Subject(s):
    Shakespeare, William, 1564-1616
    Item Type:
    Book chapter
    Tag(s):
    iconography, Jews, The Merchant of Venice, Spit, Early modern studies, Shakespeare

  • Lycanthropy in Early Modern England: The Case of John Webster’s The Duchess of Malfi

    Author(s):
    Brett Greatley-Hirsch
    Date:
    2011
    Item Type:
    Book chapter
    Tag(s):
    History of Medicine, Lycanthropy, John Webster, The Duchess of Malfi, Jacobean drama, Early modern studies

  • From Jew to Puritan: The Emblematic Owl in Early English Culture

    Author(s):
    Brett Greatley-Hirsch
    Date:
    2010
    Item Type:
    Book chapter
    Tag(s):
    iconography, owls, Reformation, emblems, English literature, Early modern studies

  • ‘What are these faces?’ Interpreting Bearded Women in Macbeth

    Author(s):
    Brett Greatley-Hirsch
    Date:
    2008
    Subject(s):
    Shakespeare, William, 1564-1616
    Item Type:
    Book chapter
    Tag(s):
    Womens History Month, Early modern studies, Shakespeare

  • ‘Mingled Yarn’: The State of Computing in Shakespeare 2.0

    Author(s):
    Hugh Craig, Brett Greatley-Hirsch
    Date:
    2014
    Subject(s):
    Digital humanities, Shakespeare, William, 1564-1616
    Item Type:
    Book chapter
    Tag(s):
    computational criticism, digital editions, textual scholarship, digital performance, Shakespeare

  • Prime Suspect: William Cowper Prime in the Holy Land and the Identity of ‘An American’ in Harper’s New Monthly Magazine, 1858

    Author(s):
    Brett Greatley-Hirsch, David Kennedy
    Date:
    2016
    Subject(s):
    American literature, Archaeology
    Item Type:
    Article
    Tag(s):
    William Cowper Prime, Holy Land, Travel Writing, Authorship attribution

  • Beyond the Text: Digital Editions and Performance

    Author(s):
    Brett Greatley-Hirsch
    Date:
    2016
    Subject(s):
    Shakespeare, William, 1564-1616
    Item Type:
    Article
    Tag(s):
    digital editions, performance, scholarly editing, Early modern studies, Shakespeare

  • Jewish Questions in Robert Wilson’s The Three Ladies of London

    Author(s):
    Brett Greatley-Hirsch
    Date:
    2016
    Subject(s):
    Drama
    Item Type:
    Article
    Tag(s):
    Jews, Renaissance drama, The Three Ladies of London, Theatre history, Early modern studies

  • Moving Targets: Constructing Canons, 2013-2014

    Author(s):
    Brett Greatley-Hirsch
    Date:
    2015
    Subject(s):
    Shakespeare, William, 1564-1616
    Item Type:
    Article
    Tag(s):
    academic publishing, book history, scholarly editing, Apocrypha, editorial history, Shakespeare

  • ‘To see the Playes of Theatre newe wrought’: Electronic Editions and Early Tudor Drama

    Author(s):
    Brett Greatley-Hirsch
    Date:
    2013
    Subject(s):
    Drama
    Item Type:
    Article
    Tag(s):
    digital editions, scholarly editing, Tudor drama

  • The Kingdom Has Been Digitized: Electronic Editions of Renaissance Drama and the Long Shadows of Shakespeare and Print

    Author(s):
    Brett Greatley-Hirsch
    Date:
    2011
    Subject(s):
    Shakespeare, William, 1564-1616
    Item Type:
    Article
    Tag(s):
    academic publishing, digital editions, scholarly editing, Renaissance drama, Shakespeare

  • Bringing Richard Brome Online

    Author(s):
    Brett Greatley-Hirsch
    Date:
    2010
    Subject(s):
    Digital humanities, Drama
    Item Type:
    Article
    Tag(s):
    digital editing, Richard Brome, Caroline drama, Early modern studies

  • ‘A Gentle and No Jew’: The Difference Marriage Makes in The Merchant of Venice

    Author(s):
    Brett Greatley-Hirsch
    Date:
    2006
    Subject(s):
    Drama, Jews--Study and teaching, Shakespeare, William, 1564-1616
    Item Type:
    Article
    Tag(s):
    The Merchant of Venice, Jews, Early modern studies, Jewish studies, Shakespeare

  • ‘In the likeness of a Jew’: Kabbalah and The Merchant of Venice

    Author(s):
    Brett Greatley-Hirsch
    Date:
    2005
    Subject(s):
    Drama, Intellectual life, History, Shakespeare, William, 1564-1616
    Item Type:
    Article
    Tag(s):
    Kabbalah, The Merchant of Venice, Jewish mysticism, Early modern studies, Intellectual history, Shakespeare

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Brett Greatley-Hirsch

Profile picture of Brett Greatley-Hirsch

@bdgreatleyhirsch

Active 6 years, 4 months ago