<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>HASTAC Commons | Brett Greatley-Hirsch | Activity</title>
	<link>https://hastac.hcommons.org/members/bdgreatleyhirsch/activity/</link>
	<atom:link href="https://hastac.hcommons.org/members/bdgreatleyhirsch/activity/feed/" rel="self" type="application/rss+xml" />
	<description>Activity feed for Brett Greatley-Hirsch.</description>
	<lastBuildDate>Sat, 04 Apr 2026 13:30:07 +0000</lastBuildDate>
	<generator>https://buddypress.org/?v=10.6.0</generator>
	<language>en-US</language>
	<ttl>30</ttl>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>2</sy:updateFrequency>
	
						<item>
				<guid isPermaLink="false">0a408ec43a593b61572ec225367022b9</guid>
				<title>Brett Greatley-Hirsch&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1559931/</link>
				<pubDate>Sat, 28 Jan 2017 02:58:04 +0000</pubDate>

				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">14df3b43ce2fbb60b380d234b369a69c</guid>
				<title>Brett Greatley-Hirsch&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1559930/</link>
				<pubDate>Sat, 28 Jan 2017 02:56:47 +0000</pubDate>

				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">eae15b030bc208595ebc72354f33ef08</guid>
				<title>Brett Greatley-Hirsch&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1559928/</link>
				<pubDate>Sat, 28 Jan 2017 02:56:17 +0000</pubDate>

				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">5f725f9cb10d289ae318870b62bb4222</guid>
				<title>Brett Greatley-Hirsch&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1559927/</link>
				<pubDate>Sat, 28 Jan 2017 02:54:44 +0000</pubDate>

				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">9e7429bc67fd8b62e522a57e64905603</guid>
				<title>Brett Greatley-Hirsch deposited The White Devil: The State of the Art</title>
				<link>https://hcommons.org/activity/p/1559925/</link>
				<pubDate>Sat, 28 Jan 2017 02:51:29 +0000</pubDate>

									<content:encoded><![CDATA[<p>Brett D. Hirsch, “The White Devil: The State of the Art.” The White Devil: A Critical Reader. Ed. Paul Frazer and Adam Hansen. London: Arden Shakespeare, 2016. 83–106.</p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">7094ed8818c6a28c0149544adff4c72e</guid>
				<title>Brett Greatley-Hirsch deposited Judaism and Jews</title>
				<link>https://hcommons.org/activity/p/1559924/</link>
				<pubDate>Sat, 28 Jan 2017 02:49:32 +0000</pubDate>

									<content:encoded><![CDATA[<p>Brett D. Hirsch, “Judaism and Jews.” The Cambridge Guide to the Worlds of Shakespeare. Vol. 1. Shakespeare’s World, 1500-1660, ed. Bruce R. Smith. Cambridge: Cambridge University Press, 2016. 709–20.</p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">43fd87fb22b2a59366985a293f67f7e5</guid>
				<title>Brett Greatley-Hirsch deposited Three Wax Images, Two Italian Gentlemen, and One English Queen</title>
				<link>https://hcommons.org/activity/p/1559922/</link>
				<pubDate>Sat, 28 Jan 2017 02:47:21 +0000</pubDate>

									<content:encoded><![CDATA[<p>Brett D. Hirsch, “Three Wax Images, Two Italian Gentlemen, and One English Queen.” Magical Transformations on the Early Modern English Stage. Ed. Lisa Hopkins and Helen Ostovich. Farnham: Ashgate, 2014. 155-68.</p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">2ae577715fa1ee6420c33977645b9f54</guid>
				<title>Brett Greatley-Hirsch deposited The Taming of the Jew: Spit and the Civilizing Process in The Merchant of Venice</title>
				<link>https://hcommons.org/activity/p/1559921/</link>
				<pubDate>Sat, 28 Jan 2017 02:45:10 +0000</pubDate>

									<content:encoded><![CDATA[<p>Brett D. Hirsch, “The Taming of the Jew: Spit and the Civilizing Process in The Merchant of Venice.” Staged Transgression in Shakespeare&#8217;s England. Ed. Rory Loughnane and Edel Semple. New York: Palgrave, 2013. 136-52.</p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">0a1dd041a11560a4b73182d3ff12ed54</guid>
				<title>Brett Greatley-Hirsch deposited Lycanthropy in Early Modern England: The Case of John Webster’s The Duchess of Malfi</title>
				<link>https://hcommons.org/activity/p/1559920/</link>
				<pubDate>Sat, 28 Jan 2017 02:41:44 +0000</pubDate>

									<content:encoded><![CDATA[<p>Brett D. Hirsch, “Lycanthropy in Early Modern England: The Case of John Webster’s The Duchess of Malfi.” Diseases of the Imagination and Imaginary Disease in the Early Modern Period. Ed. Yasmin Haskell. Turnhout: Brepols, 2011. 297-337.</p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">b8f0771fecc3c41fb837425e490dd832</guid>
				<title>Brett Greatley-Hirsch deposited From Jew to Puritan: The Emblematic Owl in Early English Culture</title>
				<link>https://hcommons.org/activity/p/1559918/</link>
				<pubDate>Sat, 28 Jan 2017 02:39:34 +0000</pubDate>

									<content:encoded><![CDATA[<p>Brett D. Hirsch, “From Jew to Puritan: The Emblematic Owl in Early English Culture.” ‘This Earthly Stage’: World and Stage in Late Medieval and Early Modern England. Ed. Brett D. Hirsch and Christopher Wortham. Turnhout: Brepols, 2010. 131-72. Cursor Mundi 13.</p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">b27f77e02fe2b436417edae60159762e</guid>
				<title>Brett Greatley-Hirsch deposited ‘What are these faces?’ Interpreting Bearded Women in Macbeth</title>
				<link>https://hcommons.org/activity/p/1559917/</link>
				<pubDate>Sat, 28 Jan 2017 02:37:04 +0000</pubDate>

									<content:encoded><![CDATA[<p>Brett D. Hirsch, “ ‘What are these faces?’ Interpreting Bearded Women in Macbeth.” Renaissance Drama and Poetry in Context: Essays for Christopher Wortham. Ed. Andrew Lynch and Anne M. Scott. Newcastle-upon-Tyne: Cambridge Scholars Press, 2008. 91-114.</p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">b601bdece0d7e4d30ad9ad7f16cc90d0</guid>
				<title>Brett Greatley-Hirsch deposited ‘Mingled Yarn’: The State of Computing in Shakespeare 2.0</title>
				<link>https://hcommons.org/activity/p/1559916/</link>
				<pubDate>Sat, 28 Jan 2017 02:33:39 +0000</pubDate>

									<content:encoded><![CDATA[<p>Brett D. Hirsch and Hugh Craig, “ ‘Mingled Yarn’: The State of Computing in Shakespeare 2.0.” Digital Shakespeares: Innovations, Interventions, Mediations, ed. Brett D. Hirsch and Hugh Craig. Special issue of The Shakespearean International Yearbook 14 (2014): 3-35.</p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">2cb47766cadef30dfc7dd585b23408e2</guid>
				<title>Brett Greatley-Hirsch deposited Prime Suspect: William Cowper Prime in the Holy Land and the Identity of ‘An American’ in Harper’s New Monthly Magazine, 1858</title>
				<link>https://hcommons.org/activity/p/1559915/</link>
				<pubDate>Sat, 28 Jan 2017 02:29:57 +0000</pubDate>

									<content:encoded><![CDATA[<p>David Kennedy and Brett D. Hirsch, “Prime Suspect: William Cowper Prime in the Holy Land and the Identity of ‘An American’ in Harper’s New Monthly Magazine, 1858.” Palestine Exploration Quarterly 148.2 (2016): 110-132. </p>
<p>One of the most popular writers for travellers to Egypt, the Holy Land and Syria in the later nineteenth century was William C&hellip;<span class="activity-read-more" id="activity-read-more-1559915"><a href="https://hcommons.org/activity/p/1559915/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">055ff2a3ffa775471c966e0a165bf4cc</guid>
				<title>Brett Greatley-Hirsch deposited Beyond the Text: Digital Editions and Performance</title>
				<link>https://hcommons.org/activity/p/1559914/</link>
				<pubDate>Sat, 28 Jan 2017 02:26:17 +0000</pubDate>

									<content:encoded><![CDATA[<p>Brett D. Hirsch and Janelle Jenstad, “Beyond the Text: Digital Editions and Performance.” Shakespeare Bulletin 34.1 (2016): 107–27.</p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">84808e60ed3830ae3b439432c0c56f53</guid>
				<title>Brett Greatley-Hirsch deposited Jewish Questions in Robert Wilson’s The Three Ladies of London</title>
				<link>https://hcommons.org/activity/p/1559913/</link>
				<pubDate>Sat, 28 Jan 2017 02:23:22 +0000</pubDate>

									<content:encoded><![CDATA[<p>In the history of portraying Jews on the early modern stage, critics frequently cite Robert Wilson’s The Three Ladies of London as an anomaly. The play’s first modern editor, H.S.D. Mithal, went so far as to describe Gerontus as ‘a character sui generis’, quite unlike Marlowe’s porridge-poisoning Machiavel, Shakespeare’s knife-whetting usurer, and&hellip;<span class="activity-read-more" id="activity-read-more-1559913"><a href="https://hcommons.org/activity/p/1559913/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">b90588ee46dd953648b17677620b5169</guid>
				<title>Brett Greatley-Hirsch deposited Moving Targets: Constructing Canons, 2013-2014</title>
				<link>https://hcommons.org/activity/p/1559912/</link>
				<pubDate>Sat, 28 Jan 2017 02:21:00 +0000</pubDate>

									<content:encoded><![CDATA[<p>This review essay considers early modern dramatic authorship and canons in the context of two recent publications: an anthology of plays &#8212; William Shakespeare and Others: Collaborative Plays (2013), edited by Jonathan Bate and Eric Rasmussen as a companion volume to the RSC Complete Works &#8212; and a monograph study &#8212; Jeremy Lopez&#8217;s Constructing&hellip;<span class="activity-read-more" id="activity-read-more-1559912"><a href="https://hcommons.org/activity/p/1559912/" rel="nofollow ugc">[Read more]</a></span></p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">ec598c0d51a1299ed2c166f070a09c43</guid>
				<title>Brett Greatley-Hirsch deposited ‘To see the Playes of Theatre newe wrought’: Electronic Editions and Early Tudor Drama</title>
				<link>https://hcommons.org/activity/p/1559911/</link>
				<pubDate>Sat, 28 Jan 2017 02:18:03 +0000</pubDate>

									<content:encoded><![CDATA[<p>Brett D. Hirsch, “ ‘To see the Playes of Theatre newe wrought’: Electronic Editions and Early Tudor Drama.” Early Theatre 16.2 (2013): 211-49.</p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">8b47486b3c70478402a5ac15a1f3e61f</guid>
				<title>Brett Greatley-Hirsch deposited The Kingdom Has Been Digitized: Electronic Editions of Renaissance Drama and the Long Shadows of Shakespeare and Print</title>
				<link>https://hcommons.org/activity/p/1559910/</link>
				<pubDate>Sat, 28 Jan 2017 02:15:47 +0000</pubDate>

									<content:encoded><![CDATA[<p>Brett D. Hirsch, “The Kingdom Has Been Digitized: Electronic Editions of Renaissance Drama and the Long Shadows of Shakespeare and Print.” Literature Compass 8.9 (2011): 568-91.</p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">fa9ebc6cb2f45a7cb7dc16f74994e406</guid>
				<title>Brett Greatley-Hirsch deposited Bringing Richard Brome Online</title>
				<link>https://hcommons.org/activity/p/1559909/</link>
				<pubDate>Sat, 28 Jan 2017 02:13:13 +0000</pubDate>

									<content:encoded><![CDATA[<p>Brett D. Hirsch, “Bringing Richard Brome Online.” Early Theatre 13.1 (2010): 137-53.</p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">965f81dceb6257be5bac1d06c1bc69d3</guid>
				<title>Brett Greatley-Hirsch deposited ‘A Gentle and No Jew’: The Difference Marriage Makes in The Merchant of Venice</title>
				<link>https://hcommons.org/activity/p/1559908/</link>
				<pubDate>Sat, 28 Jan 2017 02:10:46 +0000</pubDate>

									<content:encoded><![CDATA[<p>Brett D. Hirsch, “ ‘A Gentle and No Jew’: The Difference Marriage Makes in The Merchant of Venice.” Parergon, 23.1 (2006): 119–29.</p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">f6f96789dcfc0469b85a7b3ade64d549</guid>
				<title>Brett Greatley-Hirsch deposited ‘In the likeness of a Jew’: Kabbalah and The Merchant of Venice</title>
				<link>https://hcommons.org/activity/p/1559907/</link>
				<pubDate>Sat, 28 Jan 2017 02:04:40 +0000</pubDate>

									<content:encoded><![CDATA[<p>Brett D. Hirsch, “ ‘In the likeness of a Jew’: Kabbalah and The Merchant of Venice.” The Ben Jonson Journal, 12 (2005): 119-40.</p>
]]></content:encoded>
				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">101440ca93068de396573b06578098ff</guid>
				<title>Brett Greatley-Hirsch&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1559906/</link>
				<pubDate>Sat, 28 Jan 2017 01:58:12 +0000</pubDate>

				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">a2709454f9a07dbf42b5da0ce6c7f4bb</guid>
				<title>Brett Greatley-Hirsch&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1559905/</link>
				<pubDate>Sat, 28 Jan 2017 01:57:55 +0000</pubDate>

				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">57f1859f321a09019caff9fb2430ddce</guid>
				<title>Brett Greatley-Hirsch&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1559904/</link>
				<pubDate>Sat, 28 Jan 2017 01:54:58 +0000</pubDate>

				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">59077e6334df0a9f78e2ffb090bda89c</guid>
				<title>Brett Greatley-Hirsch&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1559903/</link>
				<pubDate>Sat, 28 Jan 2017 01:54:08 +0000</pubDate>

				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">34954021dd5c162f94b8c03533959f88</guid>
				<title>Brett Greatley-Hirsch&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1559902/</link>
				<pubDate>Sat, 28 Jan 2017 01:53:40 +0000</pubDate>

				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">53182b9e0e14e647154428ef947bc1fe</guid>
				<title>Brett Greatley-Hirsch&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1559901/</link>
				<pubDate>Sat, 28 Jan 2017 01:52:57 +0000</pubDate>

				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">5beeccb3e7549be4af062df309029727</guid>
				<title>Brett Greatley-Hirsch&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1559187/</link>
				<pubDate>Thu, 26 Jan 2017 14:11:27 +0000</pubDate>

				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">a0a3138e02d93105af3d1cb5583f50e6</guid>
				<title>Brett Greatley-Hirsch&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1559183/</link>
				<pubDate>Thu, 26 Jan 2017 14:05:59 +0000</pubDate>

				
									<slash:comments>0</slash:comments>
				
							</item>
					<item>
				<guid isPermaLink="false">7496f840e6161d8da711b0d12886db25</guid>
				<title>Brett Greatley-Hirsch changed their profile picture</title>
				<link>https://hcommons.org/activity/p/1559182/</link>
				<pubDate>Thu, 26 Jan 2017 13:56:56 +0000</pubDate>

				
									<slash:comments>0</slash:comments>
				
							</item>
		
	</channel>
</rss>