Alyssa Arbuckle
,@alyssaarbuckle
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Alyssa Arbuckle's profile was updated on Humanities Commons 5 months, 1 week ago
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Alyssa Arbuckle changed their profile picture on Humanities Commons 5 months, 1 week ago
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Alyssa Arbuckle deposited Digital Humanities Futures, Open Social Scholarship, and Engaged Publics on Humanities Commons 1 year, 1 month ago
Are academics alone responsible for the evolution of the digital humanities, and its future? Will the future of digital humanities be shaped by pieces in collections such as this, typically written for other academics? We think not, or at least, not entirely. Rather, we begin with the premise that, while the exact future of the digital humanities…[Read more]
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Alyssa Arbuckle's profile was updated on Humanities Commons 1 year, 5 months ago
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Alyssa Arbuckle deposited Opportunities for Social Knowledge Creation in the Digital Humanities on Humanities Commons 3 years, 10 months ago
Over the past decade or so, digital humanities discussions and initiatives have become more socially oriented. Many digital humanities practitioners are reconsidering their role in the public sphere, both in regard to the often biased structures they work in, as well as how they can better collaborate and share with wider communities. This is not…[Read more]
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Alyssa Arbuckle deposited Introduction, Feminist War games? Mechanisms of War, Feminist Values, and Interventional Games on Humanities Commons 3 years, 10 months ago
Feminist War Games? explores the critical intersections and collisions between feminist values and perceptions of war, by asking whether feminist values can be asserted as interventional approaches to the design, play, and analysis of games that focus on armed conflict and economies of violence.
Focusing on the ways that games, both digital and…[Read more]
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Alyssa Arbuckle deposited Futures of the Book in the group
Digital Humanists on Humanities Commons 5 years, 8 months agoThe erroneous belief that a new medium will completely replace a previous one is nowhere more evident than in discussions surrounding the emergence of electronic text. Having pre- viously fended off the challenges of the phonograph, motion picture, radio, and television, in the early 1990s the book was seen as finally having met its match in the…[Read more]
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Alyssa Arbuckle deposited Futures of the Book in the group
Digital Books on Humanities Commons 5 years, 8 months agoThe erroneous belief that a new medium will completely replace a previous one is nowhere more evident than in discussions surrounding the emergence of electronic text. Having pre- viously fended off the challenges of the phonograph, motion picture, radio, and television, in the early 1990s the book was seen as finally having met its match in the…[Read more]
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The erroneous belief that a new medium will completely replace a previous one is nowhere more evident than in discussions surrounding the emergence of electronic text. Having pre- viously fended off the challenges of the phonograph, motion picture, radio, and television, in the early 1990s the book was seen as finally having met its match in the…[Read more]
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Alyssa Arbuckle deposited “Introduction: ‘Building Partnerships to Transform Scholarly Publishing’” in the group
Digital Humanists on Humanities Commons 6 years, 2 months agoOn February 5th-6th 2014 researchers, students, and other participants gathered together in Whistler, BC, Canada to discuss issues relating to scholarly publishing in Canada. The day and a half long meeting, “Building Partnerships to Transform Scholarly Publishing,” welcomed participants representing several Canadian libraries and uni…[Read more]
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Alyssa Arbuckle deposited “Intersections Between Social Knowledge Creation and Critical Making” in the group
Digital Humanists on Humanities Commons 6 years, 2 months agoThis article outlines the practices of digital scholarly communication (moving research production and dissemination online), critical making (producing theoretical insights by transforming digitized heritage materials), and social knowledge creation (collaborating in online environments to produce shared knowledge products). In addition to…[Read more]
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Alyssa Arbuckle deposited “Enlisting ‘Vertues Noble & Excelent’: Behavior, Credit, and Knowledge Organization in the Social Edition” in the group
Feminist Humanities on Humanities Commons 6 years, 2 months agoA part of the special issue of DHQ on feminisms and digital humanities, this paper takes as its starting place Greg Crane’s exhortation that there is a “need to shift from lone editorials and monumental editions to editors … who coordinate contributions from many sources and oversee living editions.” In response to Crane, the exploration of t…[Read more]
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Alyssa Arbuckle deposited “Enlisting ‘Vertues Noble & Excelent’: Behavior, Credit, and Knowledge Organization in the Social Edition” in the group
Digital Humanists on Humanities Commons 6 years, 2 months agoA part of the special issue of DHQ on feminisms and digital humanities, this paper takes as its starting place Greg Crane’s exhortation that there is a “need to shift from lone editorials and monumental editions to editors … who coordinate contributions from many sources and oversee living editions.” In response to Crane, the exploration of t…[Read more]
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Alyssa Arbuckle deposited “Considering The Waste Land for iPad and Weird Fiction as Models for the Public Digital Edition” in the group
Digital Humanists on Humanities Commons 6 years, 2 months agoWhat is the best model for public-facing digital literary editions? In 2011, Touch Press released The Waste Land for iPad, an interactive tablet application showcasing T.S. Eliot’s notorious 1922 poem The Waste Land. From an academic editorial standpoint, Touch Press’s edition has some grave issues. From a popular standpoint, The Waste Land for…[Read more]
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Alyssa Arbuckle deposited “Considering The Waste Land for iPad and Weird Fiction as Models for the Public Digital Edition” in the group
Digital Books on Humanities Commons 6 years, 2 months agoWhat is the best model for public-facing digital literary editions? In 2011, Touch Press released The Waste Land for iPad, an interactive tablet application showcasing T.S. Eliot’s notorious 1922 poem The Waste Land. From an academic editorial standpoint, Touch Press’s edition has some grave issues. From a popular standpoint, The Waste Land for…[Read more]
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Alyssa Arbuckle deposited “Understanding the Social Edition Through Iterative Implementation: The Case of the Devonshire MS (BL Add MS 17492)” in the group
Digital Humanists on Humanities Commons 6 years, 2 months agoThis article reports on the ongoing social edition-building process. Using the social edition of the Devonshire Manuscript as a case study, the authors assess the scholarly potential of editing in public with contributions and feedback from the existing knowledge communities surrounding Wikibooks, Wikipedia, Twitter, and other social media spaces.…[Read more]
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Alyssa Arbuckle's profile was updated on Humanities Commons 6 years, 2 months ago
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Alyssa Arbuckle deposited “Understanding the Social Edition Through Iterative Implementation: The Case of the Devonshire MS (BL Add MS 17492)” on Humanities Commons 6 years, 2 months ago
This article reports on the ongoing social edition-building process. Using the social edition of the Devonshire Manuscript as a case study, the authors assess the scholarly potential of editing in public with contributions and feedback from the existing knowledge communities surrounding Wikibooks, Wikipedia, Twitter, and other social media…[Read more]
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Alyssa Arbuckle deposited “Introduction, New Knowledge Models: Sustaining Partnerships to Transform Scholarly Production” on Humanities Commons 6 years, 2 months ago
On January 19th-20th 2016, researchers, students, librarians, and other participants came together for the third annual Implementing New Knowledge Environments (INKE)-hosted gathering in Whistler, BC, Canada, for “New Knowledge Models: Sustaining Partnerships to Transform Scholarly Production.” Thematically, discussions revolved around the man…[Read more]
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