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	<title>HASTAC Commons | Alison Langdon | Activity</title>
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				<title>Alison Langdon deposited “The More Things Change: Maria Edgeworth’s ‘The Modern Griselda'” in the group Medieval Studies</title>
				<link>https://hcommons.org/activity/p/1590978/</link>
				<pubDate>Sat, 02 Dec 2017 05:39:07 +0000</pubDate>

									<content:encoded><![CDATA[<p>At a pivotal moment in Maria Edgeworth’s 1805 novella “The Modern Griselda,” a party gathers for a reading of “The Clerk’s Tale” at the home of the eponymous character and her husband. In response to Griselda’s vehement indignation at her medieval counterpart’s example, one member of the party comments that perhaps, “if Chaucer had lived in our&hellip;<span class="activity-read-more" id="activity-read-more-1590978"><a href="https://hcommons.org/activity/p/1590978/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Alison Langdon deposited "Na Maria, pretz e fina valors": A New Argument for Female Authorship in the group Medieval Studies</title>
				<link>https://hcommons.org/activity/p/1590977/</link>
				<pubDate>Sat, 02 Dec 2017 05:39:06 +0000</pubDate>

									<content:encoded><![CDATA[<p>The canso attributed to Bietris de Roman participates in conventions that readily accommodate the language of desire within the exchange of political and social fidelity, offering another means by which to reconcile female authorship with a female object of courtly devotion.</p>
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				<title>Alison Langdon deposited "The Nose Knows: Encountering the Canine in 'Bisclavret'" in the group Medieval Studies</title>
				<link>https://hcommons.org/activity/p/1590976/</link>
				<pubDate>Sat, 02 Dec 2017 05:39:06 +0000</pubDate>

									<content:encoded><![CDATA[<p>Readers are often left baffled by the bizarre retribution Marie de France&#8217;s werewolf protagonist inflicts upon his treacherous wife: why bite off her nose, specifically?  Though critics have offered a range of interpretations for the wife’s punishment in Marie’s lai, approaching the significance of noselessness from a dog’s perspective may deepe&hellip;<span class="activity-read-more" id="activity-read-more-1590976"><a href="https://hcommons.org/activity/p/1590976/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Alison Langdon deposited "The Nose Knows: Encountering the Canine in 'Bisclavret'" in the group Animal Studies</title>
				<link>https://hcommons.org/activity/p/1590975/</link>
				<pubDate>Sat, 02 Dec 2017 05:39:06 +0000</pubDate>

									<content:encoded><![CDATA[<p>Readers are often left baffled by the bizarre retribution Marie de France&#8217;s werewolf protagonist inflicts upon his treacherous wife: why bite off her nose, specifically?  Though critics have offered a range of interpretations for the wife’s punishment in Marie’s lai, approaching the significance of noselessness from a dog’s perspective may deepe&hellip;<span class="activity-read-more" id="activity-read-more-1590975"><a href="https://hcommons.org/activity/p/1590975/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Alison Langdon deposited "My Trouth for to Holde-Allas, Allas!": Dorigen and Honor in the Franklin's Tale in the group Medieval Studies</title>
				<link>https://hcommons.org/activity/p/1590974/</link>
				<pubDate>Sat, 02 Dec 2017 05:39:05 +0000</pubDate>

									<content:encoded><![CDATA[<p>Though the deep and abiding concern with honor that Arveragus and Aurelius evince in the Franklin&#8217;sTale have been explored in detail, Doreen’s own preoccupation with honor—no less significant in the tale’s exposition of trouthe—has not received much critical attention. Indeed, the question of Dorigen’s honor is often preempted by analysis&hellip;<span class="activity-read-more" id="activity-read-more-1590974"><a href="https://hcommons.org/activity/p/1590974/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Alison Langdon deposited “The More Things Change: Maria Edgeworth’s ‘The Modern Griselda'”</title>
				<link>https://hcommons.org/activity/p/1590898/</link>
				<pubDate>Fri, 01 Dec 2017 17:41:43 +0000</pubDate>

									<content:encoded><![CDATA[<p>At a pivotal moment in Maria Edgeworth’s 1805 novella “The Modern Griselda,” a party gathers for a reading of “The Clerk’s Tale” at the home of the eponymous character and her husband. In response to Griselda’s vehement indignation at her medieval counterpart’s example, one member of the party comments that perhaps, “if Chaucer had lived in our&hellip;<span class="activity-read-more" id="activity-read-more-1590898"><a href="https://hcommons.org/activity/p/1590898/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Alison Langdon&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1590891/</link>
				<pubDate>Fri, 01 Dec 2017 17:06:35 +0000</pubDate>

				
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				<title>Alison Langdon deposited "Na Maria, pretz e fina valors": A New Argument for Female Authorship</title>
				<link>https://hcommons.org/activity/p/1590877/</link>
				<pubDate>Fri, 01 Dec 2017 16:33:34 +0000</pubDate>

									<content:encoded><![CDATA[<p>The canso attributed to Bietris de Roman participates in conventions that readily accommodate the language of desire within the exchange of political and social fidelity, offering another means by which to reconcile female authorship with a female object of courtly devotion.</p>
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				<title>Alison Langdon deposited "The Nose Knows: Encountering the Canine in 'Bisclavret'"</title>
				<link>https://hcommons.org/activity/p/1590874/</link>
				<pubDate>Fri, 01 Dec 2017 16:29:21 +0000</pubDate>

									<content:encoded><![CDATA[<p>Readers are often left baffled by the bizarre retribution Marie de France&#8217;s werewolf protagonist inflicts upon his treacherous wife: why bite off her nose, specifically?  Though critics have offered a range of interpretations for the wife’s punishment in Marie’s lai, approaching the significance of noselessness from a dog’s perspective may deepe&hellip;<span class="activity-read-more" id="activity-read-more-1590874"><a href="https://hcommons.org/activity/p/1590874/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Alison Langdon deposited "My Trouth for to Holde-Allas, Allas!": Dorigen and Honor in the Franklin's Tale</title>
				<link>https://hcommons.org/activity/p/1590872/</link>
				<pubDate>Fri, 01 Dec 2017 16:19:09 +0000</pubDate>

									<content:encoded><![CDATA[<p>Though the deep and abiding concern with honor that Arveragus and Aurelius evince in the Franklin&#8217;sTale have been explored in detail, Doreen’s own preoccupation with honor—no less significant in the tale’s exposition of trouthe—has not received much critical attention. Indeed, the question of Dorigen’s honor is often preempted by analysis&hellip;<span class="activity-read-more" id="activity-read-more-1590872"><a href="https://hcommons.org/activity/p/1590872/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Alison Langdon deposited Animal Languages in the Middle Ages: Representations of Interspecies Communication in the group Medieval Studies</title>
				<link>https://hcommons.org/activity/p/1589314/</link>
				<pubDate>Thu, 23 Nov 2017 05:38:22 +0000</pubDate>

									<content:encoded><![CDATA[<p>The essays in this interdisciplinary volume explore language, broadly construed, as part of the continued interrogation of the boundaries of human and nonhuman animals in the Middle Ages. Uniting a diverse set of emerging and established scholars, Animal Languages questions the assumed medieval distinction between humans and other animals. The&hellip;<span class="activity-read-more" id="activity-read-more-1589314"><a href="https://hcommons.org/activity/p/1589314/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Alison Langdon deposited Animal Languages in the Middle Ages: Representations of Interspecies Communication in the group Animal Studies</title>
				<link>https://hcommons.org/activity/p/1589313/</link>
				<pubDate>Thu, 23 Nov 2017 05:38:22 +0000</pubDate>

									<content:encoded><![CDATA[<p>The essays in this interdisciplinary volume explore language, broadly construed, as part of the continued interrogation of the boundaries of human and nonhuman animals in the Middle Ages. Uniting a diverse set of emerging and established scholars, Animal Languages questions the assumed medieval distinction between humans and other animals. The&hellip;<span class="activity-read-more" id="activity-read-more-1589313"><a href="https://hcommons.org/activity/p/1589313/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Alison Langdon deposited Animal Languages in the Middle Ages: Representations of Interspecies Communication</title>
				<link>https://hcommons.org/activity/p/1588969/</link>
				<pubDate>Sat, 18 Nov 2017 15:45:21 +0000</pubDate>

									<content:encoded><![CDATA[<p>The essays in this interdisciplinary volume explore language, broadly construed, as part of the continued interrogation of the boundaries of human and nonhuman animals in the Middle Ages. Uniting a diverse set of emerging and established scholars, Animal Languages questions the assumed medieval distinction between humans and other animals. The&hellip;<span class="activity-read-more" id="activity-read-more-1588969"><a href="https://hcommons.org/activity/p/1588969/" rel="nofollow ugc">[Read more]</a></span></p>
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				<title>Alison Langdon created the doc Animal Languages in the Middle Ages: Representations of Interspecies Communication in the group Medieval Studies</title>
				<link>https://hcommons.org/activity/p/1588964/</link>
				<pubDate>Sat, 18 Nov 2017 14:11:48 +0000</pubDate>

				
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				<title>Alison Langdon&#039;s profile was updated</title>
				<link>https://hcommons.org/activity/p/1572082/</link>
				<pubDate>Mon, 29 May 2017 17:40:29 +0000</pubDate>

				
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				<title>Alison Langdon changed their profile picture</title>
				<link>https://hcommons.org/activity/p/1572081/</link>
				<pubDate>Mon, 29 May 2017 17:38:54 +0000</pubDate>

				
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