HASTAC Commons | Albertine Fox | Activity https://hastac.hcommons.org/members/albertine/activity/ Activity feed for Albertine Fox. Sat, 04 Apr 2026 11:31:12 +0000 https://buddypress.org/?v=10.6.0 en-US 30 hourly 2 400a629f986d91baaa867b84cbbf95cb Albertine Fox's profile was updated https://hcommons.org/activity/p/1718468/ Tue, 01 Dec 2020 20:31:46 +0000 0 e5c30b0b5767d0f1eb31d60f9ec7123f Albertine Fox deposited Hearing the Crackles in the Background: Listening and Female Intimacy in 'Portrait of a Lady on Fire' in the group MS Visual Culture https://mla.hcommons.org/activity/p/1685127/ Fri, 24 Apr 2020 03:59:14 +0000 Online at: https://screen-queens.com/2020/04/14/listening-and-female-intimacy-in-portrait-of-a-lady-on-fire/

]]> 0 be41d1d328fab60eacaf2b46e5080df0 Albertine Fox deposited Hearing the Crackles in the Background: Listening and Female Intimacy in 'Portrait of a Lady on Fire' in the group MS Sound https://mla.hcommons.org/activity/p/1685126/ Fri, 24 Apr 2020 03:56:03 +0000 Online at: https://screen-queens.com/2020/04/14/listening-and-female-intimacy-in-portrait-of-a-lady-on-fire/

]]> 0 04d4ebe369db918a439c53fc947c5c87 Albertine Fox deposited Hearing the Crackles in the Background: Listening and Female Intimacy in 'Portrait of a Lady on Fire' in the group MS Screen Arts and Culture https://mla.hcommons.org/activity/p/1685125/ Fri, 24 Apr 2020 03:52:32 +0000 Online at: https://screen-queens.com/2020/04/14/listening-and-female-intimacy-in-portrait-of-a-lady-on-fire/

]]> 0 d57b52ecd79744eb6f30d2c75fa09033 Albertine Fox deposited Hearing the Crackles in the Background: Listening and Female Intimacy in 'Portrait of a Lady on Fire' in the group French Literature & Cultural Studies https://mla.hcommons.org/activity/p/1685124/ Fri, 24 Apr 2020 03:52:28 +0000 Online at: https://screen-queens.com/2020/04/14/listening-and-female-intimacy-in-portrait-of-a-lady-on-fire/

]]> 0 d34b8d3f14b76d7c9f74bc935a27ec3c Albertine Fox deposited The end but not the end: twist, revolt, survive in the group MS Screen Arts and Culture https://mla.hcommons.org/activity/p/1685123/ Fri, 24 Apr 2020 03:48:48 +0000 A write-up of my contribution to a roundtable panel that took place at King’s College London on 26th September 2019 to celebrate the English translation of Chantal Akerman’s My Mother Laughs. The speakers were Ros Murray (KCL), Jenny Chamarette (QMUL), Albertine Fox (Bristol), Frances Morgan (author of the Afterword, My Mother Laughs), Sarah Shi…[Read more]

]]> 0 6c4e27c3b46a4c98d095715e93d5a34f Albertine Fox deposited The end but not the end: twist, revolt, survive in the group French Literature & Cultural Studies https://mla.hcommons.org/activity/p/1685122/ Fri, 24 Apr 2020 03:48:43 +0000 A write-up of my contribution to a roundtable panel that took place at King’s College London on 26th September 2019 to celebrate the English translation of Chantal Akerman’s My Mother Laughs. The speakers were Ros Murray (KCL), Jenny Chamarette (QMUL), Albertine Fox (Bristol), Frances Morgan (author of the Afterword, My Mother Laughs), Sarah Shi…[Read more]

]]> 0 73ed7adb67109c8849b8e1ac6791c0eb Albertine Fox's profile was updated https://mla.hcommons.org/activity/p/1685085/ Thu, 23 Apr 2020 18:04:21 +0000 0 1000f5b9f51a08fe187b1384544a4cae Albertine Fox deposited Hearing the Crackles in the Background: Listening and Female Intimacy in 'Portrait of a Lady on Fire' https://mla.hcommons.org/activity/p/1685084/ Thu, 23 Apr 2020 17:59:54 +0000 Online at: https://screen-queens.com/2020/04/14/listening-and-female-intimacy-in-portrait-of-a-lady-on-fire/

]]> 0 6c734ce212bab2ad37b190f50ea8e492 Albertine Fox deposited The end but not the end: twist, revolt, survive https://mla.hcommons.org/activity/p/1685083/ Thu, 23 Apr 2020 17:51:45 +0000 A write-up of my contribution to a roundtable panel that took place at King’s College London on 26th September 2019 to celebrate the English translation of Chantal Akerman’s My Mother Laughs. The speakers were Ros Murray (KCL), Jenny Chamarette (QMUL), Albertine Fox (Bristol), Frances Morgan (author of the Afterword, My Mother Laughs), Sarah Shi…[Read more]

]]> 0 b1f8ebf3060b387968bc1263bf1e829c Albertine Fox deposited 'EXTREME STATES: Remixing Cinema, Visual Art and Music in Godard’s Puissance de la parole’ in Sequence, 3.1 (2015). Online at: http://reframe.sussex.ac.uk/sequence3/archive/sequence-3-1/. in the group MS Visual Culture https://mla.hcommons.org/activity/p/535797/ Fri, 04 Dec 2015 19:43:09 +0000 This article offers an interdisciplinary perspective on Jean-Luc Godard’s video short Puissance de la parole (1988). It engages with key historical figures in film, visual art and music, positioning Godard’s video mashup as a violent intermedial space where past and future meet. Exploring techniques of fragmentation, decontextualization and rec…[Read more]

]]> 0 c02c85af790d6a63b6acb25b27b77109 Albertine Fox deposited 'EXTREME STATES: Remixing Cinema, Visual Art and Music in Godard’s Puissance de la parole’ in Sequence, 3.1 (2015). Online at: http://reframe.sussex.ac.uk/sequence3/archive/sequence-3-1/. in the group MS Sound https://mla.hcommons.org/activity/p/535796/ Fri, 04 Dec 2015 19:42:59 +0000 This article offers an interdisciplinary perspective on Jean-Luc Godard’s video short Puissance de la parole (1988). It engages with key historical figures in film, visual art and music, positioning Godard’s video mashup as a violent intermedial space where past and future meet. Exploring techniques of fragmentation, decontextualization and rec…[Read more]

]]> 0 98cfe2d3dec1862ade5b0f62a7ddb78d Albertine Fox deposited 'EXTREME STATES: Remixing Cinema, Visual Art and Music in Godard’s Puissance de la parole’ in Sequence, 3.1 (2015). Online at: http://reframe.sussex.ac.uk/sequence3/archive/sequence-3-1/. in the group MS Screen Arts and Culture https://mla.hcommons.org/activity/p/535795/ Fri, 04 Dec 2015 19:42:50 +0000 This article offers an interdisciplinary perspective on Jean-Luc Godard’s video short Puissance de la parole (1988). It engages with key historical figures in film, visual art and music, positioning Godard’s video mashup as a violent intermedial space where past and future meet. Exploring techniques of fragmentation, decontextualization and rec…[Read more]

]]> 0 4f6370d45c5aee9a9898861165d0b09b Albertine Fox deposited 'EXTREME STATES: Remixing Cinema, Visual Art and Music in Godard’s Puissance de la parole’ in Sequence, 3.1 (2015). Online at: http://reframe.sussex.ac.uk/sequence3/archive/sequence-3-1/. in the group LLC 20th- and 21st-Century French https://mla.hcommons.org/activity/p/535794/ Fri, 04 Dec 2015 19:42:49 +0000 This article offers an interdisciplinary perspective on Jean-Luc Godard’s video short Puissance de la parole (1988). It engages with key historical figures in film, visual art and music, positioning Godard’s video mashup as a violent intermedial space where past and future meet. Exploring techniques of fragmentation, decontextualization and rec…[Read more]

]]> 0 0921ce577c4a29b7070a5f1c984b965a Albertine Fox deposited 'EXTREME STATES: Remixing Cinema, Visual Art and Music in Godard’s Puissance de la parole’ in Sequence, 3.1 (2015). Online at: http://reframe.sussex.ac.uk/sequence3/archive/sequence-3-1/. in the group GS Poetry and Poetics https://mla.hcommons.org/activity/p/535793/ Fri, 04 Dec 2015 19:42:41 +0000 This article offers an interdisciplinary perspective on Jean-Luc Godard’s video short Puissance de la parole (1988). It engages with key historical figures in film, visual art and music, positioning Godard’s video mashup as a violent intermedial space where past and future meet. Exploring techniques of fragmentation, decontextualization and rec…[Read more]

]]> 0 0921ce577c4a29b7070a5f1c984b965a Albertine Fox deposited 'EXTREME STATES: Remixing Cinema, Visual Art and Music in Godard’s Puissance de la parole’ in Sequence, 3.1 (2015). Online at: http://reframe.sussex.ac.uk/sequence3/archive/sequence-3-1/. https://mla.hcommons.org/activity/p/535792/ Fri, 04 Dec 2015 19:42:41 +0000 This article offers an interdisciplinary perspective on Jean-Luc Godard’s video short Puissance de la parole (1988). It engages with key historical figures in film, visual art and music, positioning Godard’s video mashup as a violent intermedial space where past and future meet. Exploring techniques of fragmentation, decontextualization and rec…[Read more]

]]> 0 d5403a7a53d56bcc5b6544a74effec9f Albertine Fox changed their profile picture https://mla.hcommons.org/activity/p/312656/ Tue, 04 Aug 2015 19:25:02 +0000 0 9615454d9885b3e3793cd70624cc47f9 Albertine Fox became a registered member https://mla.hcommons.org/activity/p/312592/ Tue, 04 Aug 2015 19:13:09 +0000 0