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La littérature algorithmique : frontière entre auteur et lecteur
- Author(s):
- Natalie Berkman (see profile)
- Date:
- 2015
- Group(s):
- LLC 20th- and 21st-Century French, TC Digital Humanities, TC Science and Literature, TM Literary and Cultural Theory
- Subject(s):
- Digital humanities, French literature, Literature and science, Literature, Modern
- Item Type:
- Article
- Tag(s):
- 20th Century Literature, digital humanities, experimentation, french studies, Oulipo, Literary theory, Modern literature
- Permanent URL:
- http://dx.doi.org/10.17613/M6FC7M
- Abstract:
- Article published in "Le Cabinet d’amateur. Revue d’études perecquiennes" about the nature of algorithmic, Oulipian texts. Georges Perec often cited Paul Klee, claiming that "Genius is the error in the system." This article examines the cases of Raymond Queneau's Cent mille milliards de poèmes and Georges Perec's L'art et la manière d'aborder son chef de service pour lui demander une augmentation, analyzing the algorithmic systems proposed by each author and the errors that ostensibly define the genius of both texts.
- Metadata:
- xml
- Published as:
- Journal article
- Status:
- Published
- Last Updated:
- 6 years ago
- License:
- All Rights Reserved
cabinet-damateur.pdf