• Jazz Standards: From the Manuscript to Multiple Possibilities through Computation

    Author(s):
    Patricia Gracía-Iasci, Javier Merchán-Sánchez Jara
    Editor(s):
    Ailynn Ang, Jennifer Bain, David M. Weigl (see profile)
    Date:
    2023
    Group(s):
    Music Encoding Initiative
    Subject(s):
    Digital humanities, Music
    Item Type:
    Conference proceeding
    Conf. Title:
    Music Encoding Conference 2022
    Conf. Org.:
    Dalhousie University
    Conf. Loc.:
    Halifax, Nova Scotia, Canada
    Conf. Date:
    May 19-22, 2022
    Tag(s):
    handwritten music, Jazz, lead sheet, Music encoding, OMR
    Permanent URL:
    https://doi.org/10.17613/7dxy-n319
    Abstract:
    Over the last few years, OMR has been developed and studied. New perspectives have been provided that include handwritten music. Nonetheless, most of the research produced focuses on neumatic, mensural and cultured music. Barely any examples of non-canonical and modern music can be found. This paper is a statement of intention of a larger research project, which will end in the presentation of a thesis. This thesis project provides an idea of how to include a musical genre such as Jazz in OMR studies, until now rejected, by adapting existing tools and procedures, and by examining the ways to carry it out and what the best approaches are. It will result in not only plain transcription but also in the analysis offered by a music that has not been studied in this way and so intensively.
    Notes:
    Late-breaking report presented at the Music Encoding Conference 2022.
    Metadata:
    xml
    Status:
    Published
    Last Updated:
    3 months ago
    License:
    Attribution-NonCommercial-NoDerivatives

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