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  • Interpreting Art

    Author(s):
    Sam Rose (see profile)
    Date:
    2022
    Group(s):
    Global & Transnational Studies, History, History of Art, Literary theory, Modernist British Art History
    Subject(s):
    Art criticism, Writing and art, Historiography, Criticism, interpretation, etc., Criticism, Art appreciation, Writing, Arts and transnationalism, Creation (Literary, artistic, etc.), Artists' writings
    Item Type:
    Monograph
    Tag(s):
    academic writing, Art criticism, Art history, Art writing, evidence, Historiograph, Intention and interpretation, interpretation, Writing history
    Permanent URL:
    https://doi.org/10.17613/f05m-qp85
    Abstract:
    How do people make sense of works of art? And how do they write to make others see the same way? There are many guides to looking at art, histories of art history and art criticism, and accounts of various ‘theories’ and ‘methods’, but this book offers something very unlike the normal search for difference and division: it examines the general and largely unspoken norms shared by interpreters of many kinds. Interpreting Art reveals subtle features of art writing central to the often unnoticed interpretative practices through which we understand works of art. In doing so, the book also sheds light on possible alternatives, pointing to how writers on art might choose to operate differently in the future.
    Metadata:
    xml
    Published as:
    Monograph     Show details
    Pub. DOI:
    10.14324/111.9781800081772
    Publisher:
    UCL Press
    Pub. Date:
    2022
    ISBN:
    9781800081772
    Status:
    Published
    Last Updated:
    6 months ago
    License:
    Attribution-NonCommercial

    Downloads

    Item Name: pdf interpreting-art-sam-rose-2022.pdf
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    Activity: Downloads: 27

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