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Dislodged from History, Confronted by Walls: Picturing Migration as a Global Emergency
- Author(s):
- Dora Apel (see profile)
- Date:
- 2022
- Group(s):
- Cultural Studies, History of Art, Political Philosophy & Theory, Public Humanities
- Subject(s):
- Capitalism, Emigration and immigration, Photography, Artistic, Art and history, Globalization, Refugees
- Item Type:
- Book chapter
- Tag(s):
- Refugees, refugee crisis, migrants, capitalism, borders, photography, Art history, globalization
- Permanent URL:
- https://doi.org/10.17613/xk99-nk86
- Abstract:
- This essay examines select visual representations of refugees and migrants as embodied subjects in photography, art, and video. It focuses on American asylum politics and explores the questions of free movement, the right to have rights, and the ethics and efficacy of border walls. I argue that the catastrophe of global forced displacement makes the elimination of national borders and the nation state itself a revolutionary necessity.
- Notes:
- Chapter in Refugees and Migrants in Contemporary Film, Art and Media, Bayrakdar, D. and R. Burgoyne (eds.)
- Metadata:
- xml
- Published as:
- Book
- Status:
- Published
- Last Updated:
- 1 year ago
- License:
- All Rights Reserved
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