• Clarissa la crítica, y su ética del buen gusto: Una narración autoengendrada

    Author(s):
    José Angel GARCÍA LANDA (see profile)
    Date:
    2021
    Group(s):
    English Literature, Literary theory, Narrative theory and Narratology
    Subject(s):
    Fiction, Criticism and interpretation, Richardson, Samuel, 1689-1761, Aesthetics, Criticism
    Item Type:
    Article
    Tag(s):
    Clarissa, Self-begetting fiction, English Novel, Novel criticism, Samuel Richardson, Narratology
    Permanent URL:
    https://doi.org/10.17613/34ra-rf87
    Abstract:
    Spanish abstract: Comentamos aquí sobre la integración de algunos aspectos éticos, estéticos, psicológicos y narrativos en la novela epistolar ´Clarissa, or the History of a Young Lady´ de Samuel Richardson (1747-48), en concreto la encarnación de un ideal ético-estético en el personaje de Clarissa, y la elección consciente de una técnica narrativa que va unida en esta obra a un efecto de autogénesis. ______________________________________________________________________________________________ English abstract: This paper deals with the integration of a number of ethical, aesthetic, psychological and narrative issues in Samuel Richardson's epistolary novel 'Clarissa, or the History of a Young Lady' (1747-48), and more specifically with the incarnation of an ethical-aesthetic ideal in the character of Clarissa, and the deliberate choice of a narrative technique associated to a self-begetting dimension in this work.
    Metadata:
    Published as:
    Online publication    
    Status:
    Published
    Last Updated:
    2 years ago
    License:
    Attribution

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