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Indiscretions of a Contemporary Artist: Reflections on Trevor Paglen's (ab)use of the JAFFE dataset
Author(s):
Michael Lyons
(see profile)
Date:
2021
Group(s):
Digital Art History
,
Digital Humanists
,
Linked Open Data
,
Science and Technology Studies (STS)
Subject(s):
Affect (Psychology)
,
Art, Modern
,
Twenty-first century
,
Critical theory
,
Data mining
,
Art and science
,
Science--Study and teaching
,
Technology--Study and teaching
,
Machine learning
Item Type:
Article
Tag(s):
facial expression
,
affective computing
,
dataset
,
Ethics of Emerging Technologies
,
Affect
,
Contemporary art
,
Critical data studies
,
Science and art
,
STS
Permanent URL:
http://dx.doi.org/10.17613/beer-ar16
Abstract:
The article contains a historical account and commentary on Trevor Paglen and Kate Crawford's unauthorized use of the JAFFE dataset.
Metadata:
xml
Status:
Published
Last Updated:
2 years ago
License:
All Rights Reserved
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indiscretions.pdf
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