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Paterian Cosmopolitanism: Euphuism, Negativity, and Genre in Marius the Epicurean
- Author(s):
- Dustin Friedman (see profile)
- Date:
- 2009
- Group(s):
- Late-Nineteenth- and Early-Twentieth-Century English Literature, LLC Victorian and Early-20th-Century English, TC Philosophy and Literature, TC Sexuality Studies
- Subject(s):
- Cosmopolitanism
- Item Type:
- Article
- Tag(s):
- Victorian, Aestheticism, Gender
- Permanent URL:
- http://dx.doi.org/10.17613/f6yn-sc33
- Abstract:
- In this essay, I argue that Walter Pater’s description of "Euphuism" in Marius the Epicurean (1885) relies upon the insights of idealist philosophy in order to articulate a theory of what Rebecca Walkowitz calls “cosmopolitan style.” Specifically, Pater draws upon a disparate number of cultural discourses in his articulation of Euphuism while simultaneously subjecting those discourses to an intensely self-reflexive process of questioning and scrutiny, performing what G. W. F. Hegel famously called “the labor of the negative” upon his own theory of literary style. By doing so, Paterian Euphuism fundamentally disrupts the logic that underlies any cultural category that threatens to become solidified or essentialized. In Marius, these categories not only include Arnold and Tylor’s racial thinking, but also the literary form of the historical novel.
- Metadata:
- xml
- Published as:
- Journal article Show details
- Pub. Date:
- Spring/Fall 2009
- Journal:
- The Pater Newsletter
- Volume:
- 55/56
- Page Range:
- 31 - 49
- Status:
- Published
- Last Updated:
- 2 years ago
- License:
- All Rights Reserved
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