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Fragmento e todo: duas imagens urbanas entre oriente e ocidente, c. 1600
- Author(s):
- Pedro P. Palazzo (see profile)
- Date:
- 2018
- Group(s):
- Asia Lusitana, Historical Analysis of Territories & Landscapes, History of Art, Renaissance / Early Modern Studies
- Subject(s):
- Art, Japanese, Printing--Social aspects, World history
- Item Type:
- Article
- Tag(s):
- Theodor de Bry, Iwasa Katsumochi Matabei, Funaki screens, Kyoto, Macau, Japanese art, Print culture, Urban history, Global history
- Permanent URL:
- http://dx.doi.org/10.17613/n5v4-8r07
- Abstract:
- This article analyzes representations of cities in two pictures created around 1600: Theodor de Bry’s engraving of Macao, and the views of Kyoto attributed to Iwasa Katsumochi Matabei. The relationship between fragmented and total forms of repre- sentation is studied in both pictures. The European engraving depicts urban space as a whole, while the Japanese painting portrays a number of fragmentary scenes separated by golden clouds. However, the global picture in the European print is fragmented by the multiplication of simultaneous perspectives, while the Japanese screen displays underlying global order due to its cavalier projection. In both cases there is interaction between fragmentary views and a global outlook that relate in diverse ways.
- Metadata:
- xml
- Published as:
- Journal article
- Status:
- Published
- Last Updated:
- 3 years ago
- License:
- Attribution
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