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‘In ein fernes Land’: The Politics of Translation in Wagner’s Arrangement of Gluck’s Iphigénie en Aulide
Author(s):
Jeremy Coleman
(see profile)
Date:
2019
Group(s):
Global & Transnational Studies
,
International Musicological Society (IMS)
,
Music History/Musicology Pedagogy Resource Hub
,
Society for Music Theory (SMT)
Subject(s):
Musicology
,
History
,
National characteristics
,
Nationalism
,
Opera
,
Translating and interpreting
Item Type:
Article
Tag(s):
Historical musicology
,
National identity
,
Translation
Permanent URL:
http://dx.doi.org/10.17613/gppm-1h24
Abstract:
Article on Wagner’s 1847 arrangement of Gluck’s _Iphigénie en Aulide_; adapted from, and may be read in conjunction with, Chapter 3 of Jeremy Coleman, _Richard Wagner in Paris: Translation, Identity, Modernity_ (The Boydell Press, 2019).
Metadata:
xml
Published as:
Journal article
Show details
Pub. Date:
July 2019
Journal:
The Wagner Journal
Volume:
13
Issue:
2
Page Range:
28 - 48
Status:
Published
Last Updated:
2 years ago
License:
All Rights Reserved
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02_features_in-ein-fernes-land.pdf
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