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An Aesthetics of Isolation: How Pudumaippittan Gave Pre-Eminence to the Tamil Short Story
- Author(s):
- Preetha Mani (see profile)
- Date:
- 2020
- Group(s):
- LLC South Asian and South Asian Diasporic, TC Postcolonial Studies, TC Translation Studies, TC Women’s and Gender Studies, TM Literary Criticism
- Subject(s):
- Literature, Short stories, Indian literature, Fiction, Criticism and interpretation
- Item Type:
- Article
- Tag(s):
- interwar, colonial liter, Indian Independence, Comparative modernisms, World literature, Short story (genre), Novel criticism, Gender and sexuality, Postcolonial literature
- Permanent URL:
- http://dx.doi.org/10.17613/arb1-js04
- Abstract:
- The influential Tamil writer Pudumaippittan turned to the short story to theorize the relationship between literature and society in the late-colonial era. He used the genre’s brevity to compress his portrayals of well-known female types—such as widows, prostitutes, and goodwives—into singular emotional events. This enabled Pudumaippittan to evoke the wider debates about tradition and modernity that these female types commonly represented without affirming the social reformist positions to which they were linked. Through the short story, Pudumaippittan dislodged his portrayals of the Indian woman from existing gender norms, sealing the shift from social realism to modernist realism within the Tamil literary sphere.
- Metadata:
- xml
- Published as:
- Journal article
- Status:
- Published
- Last Updated:
- 3 years ago
- License:
- All Rights Reserved
aesthetics-of-isolation.pdf