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The popular lute: an investigation of the function and performance of music in France between 1650 and 1700
- Author(s):
- Robin Rolfhamre (see profile)
- Date:
- 2014
- Group(s):
- Music History/Musicology Pedagogy Resource Hub, Performance Studies, Renaissance / Early Modern Studies
- Subject(s):
- Popular music, Sixteenth century, Seventeenth century, France, Music, Music--Performance, Culture--Study and teaching, Performance art--Study and teaching
- Item Type:
- Dissertation
- Institution:
- University of Agder
- Tag(s):
- popular music, Seventeenth-century, lute, Popular Music Studies, Early Modern, Early modern France, 17th-century music, Music performance, Cultural studies, Performance studies
- Permanent URL:
- http://dx.doi.org/10.17613/h50b-bx95
- Abstract:
- In this project I wish to establish a seventeenth century popular concept focusing on the lute in France between 1650 and 1700. By promoting a more culturally based understanding of French lute music, I try to unveil some of its functions as social phenomena. The argument takes a starting point in Robert Middleton’s popular as presented in his book Studying popular music (1990), together with selected writings by Foucault; and from that I map different cultural groupings within the French society as to unveil how lute music was articulated. Following, I investigate how the construction of musician and music fits into and fulfill the conception of seventeenth century popular music that I propose. This study presents an internally contradictory concept of lute music that participates in dialogues between internal and external, self and other, individual and society.
- Metadata:
- xml
- Published as:
- Monograph
- Status:
- Published
- Last Updated:
- 3 years ago
- License:
- Attribution
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